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Emma

  • Filme para televisão
  • 1996
  • TV-G
  • 1 h 47 min
AVALIAÇÃO DA IMDb
7,0/10
6,5 mil
SUA AVALIAÇÃO
Kate Beckinsale in Emma (1996)
Trailer for Jane Austen's Emma
Reproduzir trailer1:24
1 vídeo
99+ fotos
Costume DramaPeriod DramaSatireComedyDramaRomance

Adicionar um enredo no seu idiomaFaithful, enchanting adaptation of Jane Austen's 19th-century tale of Emma Woodhouse, a clever young woman whose mischievous matchmaking schemes nearly end up jeopardizing her own shot at ro... Ler tudoFaithful, enchanting adaptation of Jane Austen's 19th-century tale of Emma Woodhouse, a clever young woman whose mischievous matchmaking schemes nearly end up jeopardizing her own shot at romance.Faithful, enchanting adaptation of Jane Austen's 19th-century tale of Emma Woodhouse, a clever young woman whose mischievous matchmaking schemes nearly end up jeopardizing her own shot at romance.

  • Direção
    • Diarmuid Lawrence
  • Roteiristas
    • Jane Austen
    • Andrew Davies
  • Artistas
    • Kate Beckinsale
    • Bernard Hepton
    • Mark Strong
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,0/10
    6,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Diarmuid Lawrence
    • Roteiristas
      • Jane Austen
      • Andrew Davies
    • Artistas
      • Kate Beckinsale
      • Bernard Hepton
      • Mark Strong
    • 53Avaliações de usuários
    • 5Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Ganhou 2 Primetime Emmys
      • 4 vitórias e 3 indicações no total

    Vídeos1

    Jane Austen's Emma
    Trailer 1:24
    Jane Austen's Emma

    Fotos453

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    Elenco principal23

    Editar
    Kate Beckinsale
    Kate Beckinsale
    • Emma Woodhouse
    Bernard Hepton
    Bernard Hepton
    • Mr Woodhouse
    Mark Strong
    Mark Strong
    • Mr. Knightley
    Samantha Bond
    Samantha Bond
    • Mrs Weston
    James Hazeldine
    James Hazeldine
    • Mr Weston
    Dominic Rowan
    Dominic Rowan
    • Mr Elton
    Samantha Morton
    Samantha Morton
    • Harriet Smith
    Prunella Scales
    Prunella Scales
    • Miss Bates
    Sylvia Barter
    • Mrs Bates
    Guy Henry
    Guy Henry
    • John Knightley
    Dido Miles
    • Isabella Knightley
    Raymond Coulthard
    Raymond Coulthard
    • Frank Churchill
    Olivia Williams
    Olivia Williams
    • Jane Fairfax
    Lucy Robinson
    Lucy Robinson
    • Mrs Elton
    Peter Howell
    Peter Howell
    • Mr Perry
    Judith Coke
    • Mrs Goddard
    Alistair Petrie
    Alistair Petrie
    • Robert Martin
    Phoebe Welles-Cooper
    • Elizabeth Martin
    • Direção
      • Diarmuid Lawrence
    • Roteiristas
      • Jane Austen
      • Andrew Davies
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários53

    7,06.5K
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    Avaliações em destaque

    cooper-24

    The best Emma yet

    While I adore Jeremy Northam in the Winslow boy, Mark Strong is outstanding as Mr. Knightley in this much more human version of Emma. She is, as Jane Austen rightly stated, not our favourite character, and in the Gwyneth Paltrow version she is even more vain and manipulative. In this version, Kate B makes her very young and yet willing to learn. I liked it very much and hope the two main characters get picked up very quickly for more movies so that we in Canada can see them more often.
    9caalling

    A very good adaptation

    Kate Beckinsale is excellent as the manipulative and yet irresistibly charming Emma in this TV-adaptation of Jane Austen´s novel. When I read that novel I was sometimes quite doubtful whether the protagonist really deserved to be considered the heroine of the story: for honestly, she is so terribly self-righteous and scheming that one is tempted to dislike her seriously. Kate Beckinsale´s interpretation, however, saves Emma from herself so to speak: she is portrayed with all the innocence and generosity of her character in full view, and one can´t help but give in and like (not to say love) her in spite of her less amiable qualities. Kate Beckinsale is the main, but not the only, reason why this TV-series is so delightful; Raymond Coulthard is perfect as Mr. Frank Churchill, expressing this character´s personal magnetism to the full (which is all the more conspicuous because of this role being not very well handled by Ewan McGregor in the 1996-screen adaptation of Emma), and Mark Strong, Samantha Morton, Bernard Hepton, and Olivia Williams are all as they should be in their respective roles. This production is, in short, a great achievement and one to view many times with increasing pleasure.
    6pfgpowell-1

    Good but not great screen adaptation, which seems to do little to convey Austen's satire

    I had just finished reading Emma by Jane Austen when I took a fancy to watching a screen version to see what was made of it, and chose to watch the TV version starring Kate Beckinsale. I was surprised to see it getting an overall rating on IMDB of 7.1

    Don't get me wrong: it isn't at all bad and for its kind quite good, but after reading Austen's subtle novel and having fresh in mind the nuances with which she conveys all the - essentially trivial - goings-on in Highbury, I do feel it somewhat misses its target. Not a lot, but enough to challenge that 7.1 overall rating.

    Naturally, a screen or TV adaption of a novel is in many ways restricted, and I have borne that in mind. But there are one or two other details which I feel don't do the novel justice. For example, Emma is undoubtedly a rich woman - her 1816 fortune of £30,000 translates into 2018's more than £2.6 million, and she and her father can afford to live a life of ease.

    But their circumstances as portrayed in the TV film do over-egg the pudding to an alarming degree. They - and George Knightley - were most certainly not titled. They were simply well-off landed gentry able to live off the rents they received for their land. So the super grand homes they are shown to live in - and the number of uniformed flunkeys the Woodhouses are shown to employ - are, to be blunt, ludicrous. This is TV early-19th century life.

    The social divergences and disposable income in the early 19th century were certainly far, far wider than they are today (at least here in Britain - I can't speak for the US), but the Woodhouses, Knightley and the Weston's were fundamentally well-off middle-class folk. Yes, they had no financial worries, although fate and fortune could, and very often did, pitch such families down the social scale quite fast as they had no way of insuring themselves.

    In those days, a candle falling over and starting a fire which could burn their houses to the ground was a perpetual fear for them and did easily bankrupt many a well-to-do family. (A good example is how TV portrays the ball at the Crown: despite the availability of staff, in the novel it was very much a small-scale DIY affair, more a fun gathering than the full-blown event shown.)

    The TV film portrays them otherwise. As shown in the film they would be living as minor aristocracy. In this regard Knightley's grand pile is especially ludicrous. Austen herself and her family, however impeccably middle-class, were certainly not well-off and were forever teetering on the brink of penury, all to often relying on the goodwill of family. Hence the then sheer necessity of a young woman 'marrying well'. These might be minor points, of course, and after all it is fiction. But as in this regard it does not reflect on Jane Austen's world, other infelicities also creep in.

    My second reservation is that the TV film falls short of conveying the subtleties of the different situations the characters find themselves in. Again to be blunt it is all just a tad too cut and dried.

    Screenwriter Andrew Davies, the go-to chap for this kind of stuff, otherwise does reasonably well: though at times a little broad-brush, he does Austen's characters s0me justice, although his script does rather take too little account of Austen's sharp with and satirical eye.

    The plot of Austen's novel is also far to syncopated in this adaptation, with the various developments simply not being sufficiently established to make much sense. Overall, I was disappointed and would recommend anyone so inclined to head for the far more substantial novel. But that said, as a piece of costume drama this version can still hold its head high for those who go a bundle for this kind of thing.
    8hbs

    the best Emma

    This is a better adaptation of the book than the one with Paltrow (although I liked that one, too). It isn't so much that Beckinsale is better -- they are both very good -- but that the screenplay is better. Davies is a master at adapting Austen for filming, and the production values here are very good. It's not quite as glossy as the Hollywood treatment, but it's close, and I thought that the locations and the costumes actually worked better.
    9currerdell

    too short, yet wonderful

    This has long been one of my favourite adaptations of an Austen novel. Although it is definitely not in the same category as the spectacular "Pride and Prejudice," "Emma" is a lush and relatively faithful TV version of Austen's novel -- especially considering its short length. The biggest change between the novel and the movie is a good one, as the unnecessary snobbishness that Austen exhibits at the end of the story is removed here and replaced with someone much more akin to Emma's character in the rest of the book. I thought the characters chosen to portray the roles were well-picked. Kate Beckinsale walks the fine line between girlishness and the social snob with a grace completely lost in Gwyneth Paltrow's '96 version. Samantha Morton's wispy blonde locks suit her attitude and character as the simper that accompanies her role in previous characterisations is replaced with the Harriet we know from the book. Mister Knightly's role is carried out extremely well in my opinion; both the seriousness and the gentle compassion that the hero is painted with in the novel are present here in this much-neglected, sumptuous film.

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    Enredo

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    • Curiosidades
      Andrew Davies offered to adapt Emma for the BBC, but it had already commissioned Sandy Welch as screenwriter. Michael Wearing, BBC head of drama serials, stated "It was a very, very difficult situation. I had already commissioned Welch, one of our BBC writers, to do Emma. We really were in a fix." In response, Davies and his team successfully made an offer to BBC's rival, ITV. Orgulho e Preconceito (1995)'s entire production team reportedly joined Davies when he began adapting Emma (1996). It was his second adaptation of a Jane Austen novel. The production reportedly cost £2.5 million, and was shot during the summer of 1996.
    • Erros de gravação
      The year is approximately 1815, yet Jane Fairfax sings an Italian song composed in 1857.
    • Citações

      Mr. Knightley: [Knightley speaks of Frank Churchill who will be going to London] To get his hair cut?

    • Conexões
      Featured in Masterpiece Theatre: Emma (2008)
    • Trilhas sonoras
      All People that on Earth Do Dwell
      (uncredited)

      Lyrics by William Kethe

      Music by Louis Bourgeois

      [Hymn sung at church when Emma first sees Harriet Smith]

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    Perguntas frequentes1

    • Why does Mrs. Elton have such an unusual accent?

    Detalhes

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    • Data de lançamento
      • 24 de novembro de 1996 (Reino Unido)
    • Países de origem
      • Reino Unido
      • Estados Unidos da América
    • Central de atendimento oficial
      • arabuloku.com
    • Idioma
      • Inglês
    • Também conhecido como
      • Jane Austen's Emma
    • Locações de filme
      • Broughton, Banbury, Oxfordshire, Inglaterra, Reino Unido(on location)
    • Empresas de produção
      • A+E Networks
      • Chestermead
      • Meridian Broadcasting
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

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    • Tempo de duração
      1 hora 47 minutos
    • Cor
      • Color

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