A Dance to the Music of Time

Hands down, this is the best miniseries or film that I have ever seen. Everything about this miniseries was my cup of tea: the clothes, the scenery, the dialogue, the many handsome actors, just everything. I had broken down and bought myself one of those PAL video players as so many video tapes that I wanted to see were only available in PAL format. As an American NTSC videotape user, it was hard for me to reconcile the purchase of the special PAL VCR, until I saw this miniseries in all its glory. What an absolute confection! I wanted to be a part of the story. I find it hard to believe that this miniseries is not available to the American market in NTSC format. This miniseries far surpasses Brideshead Revisited, among others. Although Simon Russell Beal certainly did a phenomenal acting job, I also thought James Purefoy displayed alot of range and depth particularly in the difficult role of an observer narrator. I really can't say enough about how marvelous this miniseries was! It was worth every penny spent to see this miniseries!

It's possibly a bit late to post this question but as I have only now managed to see the video, here goes anyway. Does anyone know WHY it was deemed necessary to replace James Purefoy and Emma Fielding as Nicholas Jenkins and his wife in the last film of the series? Most of the other characters were left to age, convincingly or otherwise, even Widmerpool himself. Though Joanna David did at least bear a tolerable resemblance to how Isobel (Fielding) might have looked in later life, John Standing, excellent actor though he is, didn't look remotely like an aged James Purefoy. The changeover broke the continuum of events for me and was a constant source of irritation. What was behind this strange, irrational decision?

At long last, Anthony Powell's 12 volume novel sequence A Dance to the Music of Time has been dramatised for television. If Powell's "Journals" are to be believed, this is after any number of false starts spanning the best part of 20 years. The dramatisation was in four two-hour episodes, each covering approximately 3 books. They were shown on UK's Channel 4 TV in October 1997. The format of four 2-hour films was, in many ways, unfortunate as it severely constrained the amount of the action which could be shown, however given the exigencies of modern TV scheduling it was probably the only way in which "Dance" was ever going to get televised. As a devotee of the books, I was apprehensive about how they would translate into film. Just how do you condense 12 novels into 8 hours of television? However in my view the dramatisation worked extremely well, notwithstanding the necessary omissions. What helped the whole production was some interesting, and at times inspired and doubtless extravagant, casting which included: Edward Fox (as Uncle Giles), Zoë Wanamaker (as Audrey Maclintick), John Gielgud (as St John Clarke), Alan Bennett (as Sillery), Miranda Richardson (as Pamela Flitton)... some interesting choices!! Overall an interesting and enjoyable series. I just fear that having been done once that we'll never see "Dance" recreated in a different (better?) format and that Powell will remain relatively unknown in comparison with contemporaries like Evelyn Waugh ... which is in my view quite unjustifiable as Powell is a much better writer. Fortunately Channel 4 released these 4 films on video - which is excellent as they're well worth watching again.

This was an adaptation that was almost bound to fail. Squeezing 12 novels into eight hours of television allows just 40 minutes per novel. 'The Valley of Bones' was condensed into just 17 minutes. If this had been done well it would truly have been a miracle of compression. However, it was achieved by eliminating about two-thirds of the book.

So it is really rather surprising that the adaptors should have created scenes which were only hinted at rather than described in the book. I counted four, all of which added unnecessary violence and gore. I think if Powell had wanted to make these scenes explicit he would have done so - but he preferred for them to happen offstage.

What is also hard to forgive was the decision to play fast and loose with the chronology towards the end of the series. For example, the launch of 'Fission' should have been immediately after the end of the war rather than somewhere in the mid 50s, while the award of the Magnus Donners prize took place in 1968 or 9 rather than 1963. Anyone who has any feel at all for the period would know that the difference is immense.

But there are good things about this too. The casting is excellent with no-one out of place; the atmosphere for the most part convincing and compelling. A pity that the cast did not have the chance to work through a real adaptation, rather than this drastic and unsatisfactory abridgement.

This television adaptation, by Hugh Whitmore, of Anthony Powell's twelve-volume book condenses all the action of five decades, and over a hundred characters, into eight hours. We first meet the main characters – Nick Jenkins, our constant narrator; Kenneth Widmerpool; Charles Stringham; and Peter Templar – when they are at school together. Through the years we watch them move through their tangled lives, which end in tragedy for some, happiness for others.

Making an impact within the cast are James Purefoy as Nick Jenkins (playing him from university to the end of World War II); Jonathan Cake as Peter Templar; Claire Skinner as Jean Duport; Grant Thatcher as Mark Members; James Fleet as Hugh Moreland; Zoë Wanamaker as Audrey MacLintock; John Gielgud as St John Clarke; Miranda Richardson as Pamela Fritton; David Yelland as Jenkins' father; Edward Fox as Uncle Giles; and Michael Williams as Ted Jeavons.

But – the best performance within this series by a mile is from the wonderful Simon Russell-Beale, managing to turn the truly horrible Widmerpool into a rounded character who is totally convincing, whether as a figure of fun at school, as a pompous major in the war, as a humiliated husband, or as a free spirit dancing.

One little quibble would be – why did they suddenly change the casting for Nick Jenkins and no other main character in the final episode? J C Quiggin, Odo Stephens, Mark Members, Widmerpool and others remain the same actors made up to look older. Jean and Isabel (Mrs Jenkins) are also recast but this isn't as noticeable. So, after two and a half episodes getting used to James Purefoy as Nick we suddenly have to adapt to John Standing. He's effective, but I think this change was a mistake.

So, is this adaptation any good? It is true that sometimes you lose track of who's who (who they were related to, who they married, where they met) but there are numerous scenes of interest – not all directly witnessed by Nick. The musical soundtrack is superb and well-chosen. Having eight hours to tell the story means that things don't have to progress at a breakneck pace, and if some aspects come off better than others, nothing really fails. ‘Dance to the Music of Time' is an engrossing and superior piece of TV drama.