Um Amor do Tamanho do Mundo

This is an easy vote. A real, well acted old time story of star crossed loves. Cutting edge acting by Vincent D'Onofrio as Robert and his girl Rene Z. An emotional, tender, and heartbreaking story. Both actors pull out your emotions and put them through the wringer. Beautifully filmed and the music fits the mood. Vincent was perfect. His intense face, which he uses as an emotional barometer, captures and relays the tortures Robert E Howard experienced. It is how films used to be - memorable. This was Rene Z's first serious work, and I will say she has never come close again in touch the emotional triggers although she is big box office. Her thanks to Vincent on receiving her first Academy awards speaks volumes " Thank you Vincent for teaching me how to work." They were a lovely team together with a special bond both actors created together. I did not want to leave the characters and return to reality. In closing, this "little movie" budget wise and distribution wise, is actually a far greater achievement then it's modest budget could foresee. This film should have been dubbed as one of the greats instead of shelved and forgotten.

I love listening to the audio commentaries after I've watched a film. It shows me how much the actors or crew members felt making the film. There is a big difference between a film and a movie. A film holds you to your seat because of the quality of the writing and acting. A movie is usually exciting, but it may or may not have persons who can or cannot act in it's line-up. I consider "The Whole Wide World" in the former category. I can't say enough about this film.

The story is simple enough. Vincent D'Onofrio plays Robert E. Howard, arguably the greatest pulp magazine writer of all time. He is the creator of the Conan series of magazine and movie fame. Howard falls in love with Novalyn Price, a woman who wants to be an author, but has no talent. She is played by Renn' Zellweger, who brings fire to this "mousey" character. Price realizes her destiny lays in teaching and pursues that course in her life. Zellweger's performance is exceptional as her 5'5" frame faces down the 6'4" frame of D'Onofrio.

D'Onofrio's performance in this film is beyond exceptional. He kept me emotionally attached to the character of Howard through out the film. I cried at the end.

As one of the producers of this film, D'Onofrio was able to keep the film on track. But something tells me that he believed so much in the film that he took on the problems himself and protected the project. I loved the Greyhound bus, by the way. It was one of his additions.

This film was Dan Ireland's first major film and he did exceptionally well. He knew the caliber of actors he was working with and let them do their job. The actors also let him do his job as well. Surprisingly in the commentary I could tell that he watched his stars and learned from them

Like I said, I can't say enough about this film. I rented it from Netflix and have watched it several times. It is definitely a keeper and my order on Amazon is already in the works.

I saw online that this movie would be on TV and, since I love Renee Zellweger, I decided to give it a try. What I found was a rare movie that combines a tragic yet realistic romance with over-the-top performances that make the movie worth watching. For some it might get off to a slow start, but stay with it if you're the least bit interested. I made the mistake of playing around on the computer the first time I watched it, and I missed a lot. This movie deserves your full attention.

Based on the memoir by Novalyn Price about her relationship with pulp writer Bob Howard, the film does an excellent job of showing the on-and-off romance between grade-school teacher Novalyn and full-time writer Bob from both sides. Novalyn truly likes Bob, even loves him at one point, but Bob rides her off, saying "he can't be tied down." But once Novalyn starts dating Truett Benson, Bob's friend, Bob suddenly realizes what a special person Novalyn is and that he can't live without her. He tries several attempts to win her back, but all end either in tears or a fight. Every time Novalyn tries to give him a second chance to prove he loves her, he goes and spends all his time caring for his sick mother, not leaving her for a second. I know you're saying, "What's wrong with that? It just means he loved his mama." But as Novalyn points out, Bob is a grown man who should be leading his own life and being able to let go of his mother and get out once in awhile.

While most movies like these just go on and on about how one person can't live without the other, this one has you wondering if the two will really end up together. And unlike most romances where you're waiting for them to unlock lips, "Wide World" takes many twists and turns in the romance department;you may think you know what's going to happen, but you really don't [unless you already know the complete full story of Howard's life].

The performances by the two leads alone make the movie worth watching;anyone who appreciates good acting should definitely check this one out. Vincent D'Nofrio is amazing, in a performance that would make the real Bob Howard proud I'm sure. He was really overlooked and should have gotten way more recognition for this role. If his other movies are as good as this, it's really sad he doesn't have a more well-known career. There is some justice in the world though, because Renee Zellweger has gone on to become a major star after this part, as she should have. She has a warmth and sincerity that comes across in her acting and makes you root for her the whole time. You often forget she's acting because her delivery is so natural, and she has several emotional scenes to show her depth. I;m a big fan of hers, and this movie didn't disappoint. It's too bad this movie didn't get more recognition, but do yourself a favor and catch it the next time it's on TV. You won't be sorry.

I was thrilled to read the (almost) unanimous praise for this FANTASTIC little movie by fellow viewers, and I must chime in with my wholehearted agreement. Every once in a while you blunder across an under-financed and straight-to-video movie that just absolutely flattens you with that rare convergence of talent, story & production, and you're reminded anew of just how powerful a film can be.

Most of the previous postings give a good outline of the plot, so I won't recap it here. "The Whole Wide World" is remarkable in all sorts of ways, but I must use my space here to further celebrate the masterful acting of the leads, Vincent D'Onfrio (as Bob Howard) and Renee (as Novalyne Price). Indeed, the skill of the portrayals completely conveys the sense of time, place and emotional temperament necessary to draw us into their worlds--and break our hearts. And yeah, you're just absolutely made of stone if you're not weeping just a little as the credits roll(or trying hard not to). It's testament to D'Onfrio's amazing talent that we can clearly see Bob's misanthropic shortcomings, but still we hope this tragic misfit of a guy can (as another fan wrote here)"meet her half way." A DEEP, insightful performance by Vincent who has quietly been doing the same in lesser roles for decades now.

And I gotta give Renee her full due as well. She was EXCELLENT, fully credible, spiky, tender, flirtatious, frustrated, and ultimately emotionally exhausted trying to figure out this neurotic but strangely charming man she tried to get close to. Seeing this movie reminds me of "Casablanca" in the sense that you can't imagine anyone else in the Bogart & Bergman roles; no doubt other actors would have given their all, but I can't see how anyone other than Vincent & Renee could have spiked our hearts so fiercely.

Who would have ever thought that such a GREAT movie could be made of the abortive love life of Robert E. Howard? Of course that's not really what makes the movie great--as Flaubert said when asked to identify Madame Bovary, he replied "I am;" and so it is with "The Whole Wide World," where we are poignantly reminded of our own failures to engage with life and love in the ways we believe they should play out.

Again, I'm THRILLED to see how many other fans recognize the unique quality of this movie. I encountered it obliquely, noting its synopsis in the New Yorker back in '96 and thinking "what a curious thing to base a movie on." For some reason my sister tracked it down and loaned me a dubbed-from-TV video cassette; crummy video and sound, but the movie still BLEW ME AWAY (and it still does--thankfully it's now available on DVD). Given Renee's star power I don't think it will ever vanish completely, but we can only hope others will take a chance on this little masterpiece so it can one day receive the acclaim its excellence deserves.

I'd also be remiss if I didn't put in a small plug here for Robert E. Howard the pulp fictioneer; it wasn't complete hyperbole for Novalyne to dub him "the best pulp fiction writer..." His writing stands up well today; plenty of brawny page-turning adventure that still delivers fabulous escapist thrills for guys. But if some of us guys can watch this movie and worship it, I'd bet at least a few of the girls can read some Robert E. Howard today and get a sense of the tough-but-hurting guy depicted in the movie. But one certainly need not read Howard to appreciate this amazing movie on its own stellar merits.

It's a good film, but it's absolutely painful to watch, as you repeatedly wish they'd put aside their insecurities and get together. The best screen kiss in recent memory is in this film and it gives you a taste of the power they would've had if they would've always stayed together, instead of straying alone. One of the most emotionally abusive films of the last year, it's more of a realistic romance instead of the perfect one featured in films such as "You've Got Mail". This and many other films serve as a reminder that most great romances are not without torturous actions from both halves.