Trainspotting: Sem Limites

Danny Boyle's "Trainspotting" is a film in which everything goes the right way. Few films are fortunate to 'be' at the right time and right place and take the world by storm as "Trainspotting" did, but the ultimate proof of this film's greatness is that if you watched it alone or with a large group of people, in 2008 or in 1996, it has the same effect- absolute power. This film is nothing more- or less- than one of the most effective and perfect artistic works ever committed to celluloid.

The film follows the lives of a group of drug attics in Scotland in the late 1980's but is constructed less as a conventional narrative and more as a series of vignettes connected by characters and set to the film's dazzling soundtrack (the fact that I mention the scenes being 'set' to the soundtrack is proof of its importance in this particular film). Almost every scene is as powerful as the next, with three montages in particular being possibly the definitive examples of how to do a memorable cinematic montage.

Pop culture has been kind to "Trainspotting", remembering it as a unique and great film, especially in Britain. I certainly do not disagree with this consensus, but I feel the film has been hurt by familiarity, with even television series like "Family Guy" parodying the film's well-known scenes (and badly). This doesn't mean that the film's popularity is being hurt, but that it doesn't feel as fresh and original to people now as it did back in 1996. This is hardly the thing the film's reputation suffers most from however, with the significantly large number of people who claim the film supports and promotes drug use. I have to ask, and forgive my rudeness, how stupid can you possibly be? No, drug addicts in this film are not vilified, but they are consistently shown in a brutally realistic and horrifically tragic context, and just because the film doesn't go out of its way to emotionally manipulate you into completely hating its characters doesn't mean that it promotes drug use, it means that it's a knowing film careful enough not to become a sappy, melodramatic Hollywood product.

The acting is phenomenal, the music is terrific, the film is a pitch-perfect example of energizing editing and brilliant use of montage, and its script is one of the best ever written, alternately hilarious, horrifying, tragic, and benefiting from a rare level of depth and resonance. A British classic is what Trainspotting is recognized as, and a British classic is what it is.

10/10

Renton is a heroin addict. He is one of a group of friends who live their lives day to day and hit to hit. When he tries to kick the habit he manages it for a while but eventually falls back into his old way. Meanwhile his friends are as messed up as he is, whether it be Spud's pathetic addiction, Begbie's violent rages or the fact that he is sleeping with a girl who still goes to school.

When it came out this film was very hyped, the poster became a must-have on every student's bedroom wall and the media went nuts over it's supposed glamorisation of drug use. The plot is very difficult to summarise, as it doesn't really have a narrative flow other than the very disjointed experience of Renton. However it manages to be very funny and imaginative all the way, using many different tricks and touches to be funny. The dialogue is very well written and I must admit I found it a lot funnier than the last few comedies I watched.

The media may have condemned this film as promoting drug use, but I can only imagine that they watched a different film from me. Sure, the film shows drugs as being fun and enjoyable but, like Renton says, `why else would we do it?' However the film clearly shows a massive downside where people's lives are destroyed, people OD and lives go day to day just trying to get high. True, it does show this downside in a stylish and funny way but there is no question that the film is promoting drug use in any sense.

Too often I see films that are style over substance; Trainspotting gets it just perfect, stylish but not at the expense of dialogue, character or film. It is helped by a great cast. McGregor jumped to stardom off the back of this role and he deserved it. He keeps his character both likeable but repulsive at the same time and carries the film with surprising ease. The support cast is excellent, even if they lack the same good character of Renton. Whether it is the comic Bremner, the violent Carlyle or the tragic McKidd. While not all their characters are well developed, they do all give good accounts of themselves, whether it is comic or showing the effects of heroin on their lives.

Overall this is a great film that is refreshing to see now without all the `cult student cool' hype or media feeding frenzy over it's supposed pro-drug approach. It is stylish, funny, depressing and downright sobering.

An extremely competent look at the Scottish drug-Scene, Trainspotting is a perfect example of the potential of the UK industry to tell a story of tragedy, horror and hope in a manner that the American industry has yet to do without drifting into tired Cliche. While the manner and style of delivery are extremely funny and at times appear almost unreal, the fact remains that these characters are real. The clearly psychotic and alcoholic Begbie, played by Robert Carlyle is a supporting role that is actually of immense value to the film. Here we have character who I've met, you've met and we've all met. A man with very little to lose absorbed in a sea of alcohol and prone to violence. I choose him as example because he isnt even involved in the drug-scene in which the main characters are central. In fact his opposition is somewhat humorous when we consider his own vices make him argueably worse off and the incidences of violence he becomes involved in

are most definitely black humour. Considering what is actually happening isnt funny, watching it play out, aside from one major incident, is extremely funny. And that is the tone of the film throughout, as characters continually talk nonsence and sail through the lives they have chosen, making very little progress, but instead drifting downwards until an opportunity presents itself to change their ways, where upon Renton, Ewan McGregor, must make a choice between his own life or his friends. McGregor himself is excellent in the film that made him, as is Jonny Lee Miller, who surprised me in this film by having a more thought-provoking character than the script and time strictly allowed considering his relatively minimal place in the main storyline. Ewen Bremner provided some excellent and often well-needed comic relief and Carlyle as I mentioned, was outstanding. This film is both real and unreal, taking the Humour of "Human Traffic" and the somber tone of "My name is Joe" and blending them together to create an unforgettable experience vividly accompanied by strains of "Perfect day" and other cultural and nostalgic sounds, particularly of the place and period. Trainspotting has been accused of glamourising drug-use but I firmly believe anyone who takes this view hasnt watched it properly. The fun is equally, if not more so, matched by some nasty images and for the time it was released, provided what was a very necessary look at the growing drug industry, the loss it creates and the hope that can arise. Superb.

This film became almost a cultural phenomenon as soon as it was released in Britain in February 1996.

Adapted from the first (and best) book by Irvine Welsh, the film shows the lives of a group of Edinburgh heroin addicts.

The film is a black comedy, at times hilarious, tragic, surreal, brutal and uplifting. The film is full of memorable moments such as the chase down Edinburgh's Princes Street which opens the film (I happened to be there when they were filming that scene) and Ewan McGregor diving down the "Worst Toilet in Scotland" headfirst.

The film doesn't condemn drug addicts, but it is probably more effective then any amount of preachy moralising as it depicts the devastating consequences that can happen to drug users.

The film is well acted by a cast who have (mostly) become pretty famous since. Especially memorable is Robert Carlyle as the violent Begbie.

I have seen this film many times. It is an instant classic. Go check it out.

Trainspotting is the story of a humor, violence, goofiness, abuse, friendship and sadness in heroin-addicted Scotland.

It's a really vulgar film, with lots of disgusting scatological humor, pointless violence, and the pain of a life on heroin.

But it's very well done, with a snappy, realistic script, lots of genuinely funny moments, some truly moving and sad scenes about this horrible existence, and, in the end, many important things to say.

I ended up liking this movie, even with the harshness of some of the scenes. I don't know if I necessarily need to see it again, but it's worth seeing once.

8 out of 10.

Barky