Uma banda local da Pensilvânia conseguiu sucesso com uma única música, em 1964, tirando proveito da máquina de fazer sucesso o quanto pôde, com muita ajuda do seu empresário.Uma banda local da Pensilvânia conseguiu sucesso com uma única música, em 1964, tirando proveito da máquina de fazer sucesso o quanto pôde, com muita ajuda do seu empresário.Uma banda local da Pensilvânia conseguiu sucesso com uma única música, em 1964, tirando proveito da máquina de fazer sucesso o quanto pôde, com muita ajuda do seu empresário.
- Indicado a 1 Oscar
- 3 vitórias e 8 indicações no total
Avaliações em destaque
8hbs
My guess is that Tom Hanks is a really nice guy. He certainly seems like it when he's interviewed, and since he wrote and directed this movie, and it's really nice, too, that seems to be more evidence.
This is a very small movie. It has no pretensions, but just tells a simple story about a small-town band that makes good. It paints a nostalgic picture of the 60's -- I grew up in a small town during that time, and life wasn't so idyllic in my town -- but it isn't trying for gritty realism. The cast is attractive and more than adequate (some are quite good, including Hanks as the band's manager), and the story is observant enough to be an enjoyable confection. It's very nice family movie (my kids liked it, and so did I).
This is a very small movie. It has no pretensions, but just tells a simple story about a small-town band that makes good. It paints a nostalgic picture of the 60's -- I grew up in a small town during that time, and life wasn't so idyllic in my town -- but it isn't trying for gritty realism. The cast is attractive and more than adequate (some are quite good, including Hanks as the band's manager), and the story is observant enough to be an enjoyable confection. It's very nice family movie (my kids liked it, and so did I).
Overall, I have to say I enjoyed Hanks' feature directing debut(this is not, by the way, the first time he sat in the director's chair; he directed a segment of a Showtime film noir series; I think it was called CITY OF ANGELS). He did a convincing job not only recreating the time, but also the music, which sounded like period music without being a pale shadow of it. He also made a wise choice for his lead; Tom Everett Scott may not have moved on to bigger things yet, but as this film shows, he's destined for them. Steve Zahn is funny as always, Hanks does well playing a company man, and Liv Tyler is quite luminous(though I could have done without the "thousand kisses" speech; that was melodramatic). On the down side, I'm not a big fan of Johnathan Schaech, but his character was too much of a caricature. And sometimes it was just too light. Still, this was overall an enjoyable movie.
"That Thing You Do!" is a perfect film about a group of guys in the mid-1960's inspired by Thelonius Monk-type jazz and Beatles-esque pop music. With one hit single, they are catapulted to clean-shaven, teen idol stardom. The band "The Wonders" could easily have been the 60's pop group "The Turtles" or "The Beau Brummels." The film's plot is fairly simple, yet it doesn't veer off into the typical VH1 Behind The Music avenue of excessive sex and drugs. Matter of fact, they aren't even mentioned. Written, directed and starring Tom Hanks, "That Thing You Do!" is honest and easily palitable for younger audiences. It rarely strays away from its theme: The climax and downward slope of musical fame. Viewers can also appreciate several 60's pop culture bones, thrown by Hanks himself to a nostalgic audience of youngsters such as myself. Plot occassionally gives way to hype and music, but that's okay. I was sort of looking for that. I really appreciated the "The Wonders" drummer relationship to "Dell Paxton," a jazz musician that's obviously a Thelonius Monk reference. Check them out jamming together during the third act of the film. Now THAT'S what I call truly remarkable music. The song "that thing you do" could easily have been a number one single in 1965. It's a simple, hook-laden piece of popcorn that's catchy on a near paranormal level. It was written by members of the modern pop/rock group "Fountains of Wayne." One can only wish for more music such as this today. There's enough innocence in it to guarentee parents' wide-eyed approval ... and just a bit of angst to attract the attention of hormone-raging teenagers the world over. Definetly an excellent movie for your shelf ... right next to your DVD copies of "A Hard Day's Night" and "The Beatles Anthology." Also ... check out "The Beau Brummels." Rhino Records has issued a great best-of package. One has to wonder if Tom Hanks had them in mind while writing the script. They had a few hits, though none will be as remembered as the poppy "Laugh, Laugh." A true gem from 1960's rock 'n roll.
THAT THING YOU DO
Unless you were there. Unless you were of that age, that time and particularly if you were a male and trying to force your grimy little fingers into a "C" chord on a Harmony acoustic guitar that was semi in tune well, you will not understand the depth that this movie has. This movie and "I Wanna Hold Your Hand" capture something that was so real, so tangible but has slipped so completely away from any succeeding generations grasp that to try and film it's time and moment seems impossible. And yet, Tom Hanks did it. I don't know how he managed to grasp the era and the people so well as I thought he was a little too young for that time period. He nails this every boy's fantasy with wit, wisdom and just a touch of sadness. The cast turns in, a spot on encapsulation of people that will be very familiar to any struggling band member from the period. Tom Hanks himself turns in a solid performance as a man apart of, yet removed from the music itself. Men of his age at that time all actually read the Playboy philosophy espoused by Hugh Hefner and secretly wanted to be as cool as one of the Rat Pack. He did a super job of directing this effort and keeping the frenetic pace. All of this brings us to the music, which for the most part is expertly crafted (and I was surprised to see Hanks wrote some of the music also) to remind us of the era. I enjoyed all the songs for what they are. It is "homage" which is not exactly copying but using the elements to pay tribute to the influences that shaped the music of that era. People who grew up in the 80's or 90's have no conception of what the music was like then. They can hear it, and yes even appreciate it, but they don't understand that it was rarely on TV, it was not the background music for every commercial you heard or saw and radio stations that played it were decidedly looked down upon. It was not woven into the fabric of life like it is now. It was new, it was dangerous and you had to search it out. You had to want it. That's why I so enjoyed this movie. Even with some of it's false steps and it's occasional heavy handedness that would over power the subtleties of real life I found this movie a guilty pleasure that is completely satisfying and an absolute joy to watch.
Unless you were there. Unless you were of that age, that time and particularly if you were a male and trying to force your grimy little fingers into a "C" chord on a Harmony acoustic guitar that was semi in tune well, you will not understand the depth that this movie has. This movie and "I Wanna Hold Your Hand" capture something that was so real, so tangible but has slipped so completely away from any succeeding generations grasp that to try and film it's time and moment seems impossible. And yet, Tom Hanks did it. I don't know how he managed to grasp the era and the people so well as I thought he was a little too young for that time period. He nails this every boy's fantasy with wit, wisdom and just a touch of sadness. The cast turns in, a spot on encapsulation of people that will be very familiar to any struggling band member from the period. Tom Hanks himself turns in a solid performance as a man apart of, yet removed from the music itself. Men of his age at that time all actually read the Playboy philosophy espoused by Hugh Hefner and secretly wanted to be as cool as one of the Rat Pack. He did a super job of directing this effort and keeping the frenetic pace. All of this brings us to the music, which for the most part is expertly crafted (and I was surprised to see Hanks wrote some of the music also) to remind us of the era. I enjoyed all the songs for what they are. It is "homage" which is not exactly copying but using the elements to pay tribute to the influences that shaped the music of that era. People who grew up in the 80's or 90's have no conception of what the music was like then. They can hear it, and yes even appreciate it, but they don't understand that it was rarely on TV, it was not the background music for every commercial you heard or saw and radio stations that played it were decidedly looked down upon. It was not woven into the fabric of life like it is now. It was new, it was dangerous and you had to search it out. You had to want it. That's why I so enjoyed this movie. Even with some of it's false steps and it's occasional heavy handedness that would over power the subtleties of real life I found this movie a guilty pleasure that is completely satisfying and an absolute joy to watch.
We've sorta been down this road before: 1960s pop band makes it out of their dead-end hometown for Hollywood, but fame and fortune unravel the fun. Still, this picture has remarkable focus, careful period detail, and a lovely cast that rarely (if ever) strikes a false note. If some of the young actors sometimes seem like they're doing Tom Hanks impersonations, that's okay because director Hanks (himself a co-star) seems to know these characters inside and out--and he likes them. We in the audience are quick to respond, and even the conventional parts of the movie work because Hanks rides over clichés with verve and enthusiasm and wit. Not a raucous comedy a la "I Wanna Hold Your Hand" (which is what it looked like to me in the ads), this has its share of subtle moments. There is a mean-spirited dig at the Frankie & Annette "Beach Party" flicks, and the ready-made romance at the end is sugar-coated, but "That Thing You Do!" is immensely likable. It has a huge heart. *** from ****
Você sabia?
- CuriosidadesFilm debut of Tom Everett Scott. Tom Hanks was initially opposed to hiring Scott because of Scott's strong resemblance to a younger Hanks. He was finally convinced by his wife, Rita Wilson, who thought Scott was cute.
- Erros de gravaçãoA character states that they'll have to sell 500,000 copies of their single to get a gold record. In 1964 it still required 1,000,000 singles sold to qualify for a gold single record by the R.I.A.A.. It wasn't until 1976 that this was changed to 500,000.
- Cenas durante ou pós-créditosSoundtrack released on the Playtone record label, founded by Tom Hanks and Gary Goetzman to coincide with the fictional label in the movie and capitalize on the movie's success.
- Versões alternativasIn the 2007 two disc version there is an extended version not shown in theaters. Before "The Wonders" appear on national television, Guy arrives back at the hotel in a drunken state and finds an excited Mr. White with the good news about being on television the next day. Waiting for Mr. White is his male friend "Lloyd" played by Howie Long.
- Trilhas sonorasThat Thing You Do!
Written by Adam Schlesinger
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- ¡Eso que tú haces!
- Locações de filme
- Dresden Room Restaurant - 1760 N. Vermont Avenue, Los Feliz, Los Angeles, Califórnia, EUA(Guy meets Del Paxton.)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 26.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 25.857.416
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.208.595
- 6 de out. de 1996
- Faturamento bruto mundial
- US$ 34.585.416
- Tempo de duração
- 1 h 48 min(108 min)
- Cor
- Mixagem de som
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