Beleza Roubada

This is my favorite film. I first saw it in 1996 at the age of 16, and have been relentlessly teased ever since for enjoying it as much as I do. True film buffs, I am told, walked out on this one. I insist though that I don't have bad taste; the film simply struck a chord in me early on, and yes, it was probably because its was such a pretty film. Beauty can be quite a hook. Since then I have watched Stealing Beauty no less than a hundred times, studied Bertolucci's other films, and - of course - listened to the soundtrack, and the Mozart Concerti, so much that I have been known to hum them in my sleep. Now, I know why I love it so much. Every time I watch Stealing Beauty, there is more to discover. The premise - looking for her father/true love - and the apparent conclusion seem no more than a frame work for a hundred different leitmotifs that Bertolucci seems strangely familiar with, fascinated by, and adept at expressing in all of his films.

I have to say this, so forgive: if you are a woman, you will understand this movie. If only my own adolescence and graduation into womanhood could have been so rich and beautiful. This film is one of my favorites! It is masterfully filmed, it couldn't help but be with Bertolucci at the helm. Liv Tyler is gorgeous and full of youthful innocence, romance and curiosity. For me, the whole experience of naively stumbling into one's sexuality is accurately portrayed. If you go in expecting that you will see a "Hollywood" ending--one that neatly ties up all the loose ends of the character's life--then you will be disappointed. This film is about a "chapter" in the journey of one young woman's life. And it's a fine chapter.

While this is not my favorite Bertolucci film, Stealing Beauty left me inspired and contented. Bertolucci's brush strokes are wide, yet meticulously placed, leading us down a sensual and beautiful path of discovery. He packs a lot of plot into a week of story and two hours of film, but it is believable because many extraordinary things can happen in a short time frame when one travels abroad. Liv Tyler did well, reminding me of my teenage years, yearning yet still undecided. This movie has one of the best (sexy!) loss of virginity scenes in recent memory.

I think I saw this film at a film festival when it was newly released (or prior to release) and seem to recall a scene that was missing when I watched it again recently.

Remember when they all go over to that grand villa for the evenings party and the artist guy stays home to carve away at his tree stump with the chainsaw. I remember him sanding more and creating this lovely (and suggestive!) hole in it that later when his wife returns home and finds him caressing the hole suggestively and the two of them then make love. This time when I watch the film it just cuts to the place where she leans against the wall and hikes up her dress above the knee (what the hell is that all about?). The original was one of my favorite parts because of how that scene was enhanced with the music soundtrack... but now it's gone! So my question is: Am I right or dreaming? Anybody else remember this?

This is not a "great" film, but it's elegant, well-shot, and staffed with superb actors & actresses that know their work & do it well.

You have all read the plot line, so I won't dwell on that. I will say, though, that viewers searching for a typical "story-conflict-wrapup" will be disappointed. This film is about life...several lives... and we are shown a brief window into those lives.

Lucy's story (Lucy = Liv Tyler) is, I believe, the least interesting -- we always observe her, and never get into her head, and yet know what she's about. But...she's 19... she knows very little... and Bertolucci knows that.

The real stories are how the others, older, react to her and to each other... lust, memory, envy, nostalgia for lost youth, jealousy, pride, recognition, understanding of the motion of life...

All of these evoke other stories that, unfortunately for all of you that want a nicely wrapped-up movie, you are going to have to make up in your own heads. But that's the beauty of this film.

While I hate to generalize, teens will dislike this movie, as will adults who think that suburban life is pretty good. It's never explained what any of these people actually DO, and I know that's an important problem for many movie goers.

But the rest of you... give it a try.