Mães em Luta

There are some excellent, nuanced performances in this movie, particularly from the two leads, Helen Mirren and Fionnula Flanagan (an underrated character actress best known for her work in "The Others"). But by no means is this easy to watch - and it's best appreciated, whatever your view on the long-standing conflict, if you have some idea of the history first, and the passion that still surrounds Bobby Sands. Tim Pat Coogan's "The Troubles," while a mammoth volume, summarizes the death and destruction that have been visited on all three of the major players - British, Catholic, Protestant.

Interestingly, Helen Mirren also starred in "Cal", another movie about the "Troubles" of Northern Ireland, playing a Protestant widow who falls in love with a Catholic man. In both movies, Mirren's character endures the unthinkable - watching the people she loves best being torn by sectarian violence. Yet in "Cal," Mirren's character is more passive, having things "happen" to her. In "Some Mother's Son", Mirren and Flanagan take action, their passion for their children stirring them to activism, right or wrong.

The music from "Some Mother's Son", composed and conducted by Bill Whelan, is hauntingly beautiful. Eleanor McEvoy's vocal on "The Seabird" is outstanding.

However, it is too bad the storyline in the movie doesn't match the quality of the music. Quite frankly, the movie was boring!

Helen Mirren and Fionnula Flanagan give first rate performances as the mothers (Kathleen Quigley and Annie Higgins) of two IRA terrorists imprisoned following a rocket attack on British soldiers. David O'Hara (Frank Higgins) plays the hard core murderer who appears to enjoy killing the British. Aiden Gillen is Gerard Quigley, the unlikely terrorist, who aids his friend Higgins in the attack. O'Hara and Gillen are very believable in their roles. In fact all of the actors are good.

The problem is with the storyline and lack of action after the initial rocket attack and subsequent capture of Higgins and Quigley. The scene involving the IRA's retaliation murder of the Maze prison guards happens far too quickly for the viewer to understand what is going on. And let's face, watching people starve to death is not very exciting.

I still gave this movie 6 out of 10, because of the fine acting and music.

Irish44

S0ME MOTHER'S SON is one of the most accurate depictions about the ordinary families caught up in the turmoil and oppression of Northern Ireland. The characters are loosely based on real persons living today, who were caught up in the Great Hunger Strike of 1981. (I know Annie, the Fionnula Flanagan character personally) The British injustice and oppression, portrayed is accurate and no ones imagination, it continues today. Helen Mirren captures the true spirit of the indomitable Irish women, the true heroes of Ireland. Fionnula Flanagan's character is brilliant, and often steals the scene from Ms. Mirren. It has little character insights typical of women of Ulster. Want an accurate movie, about the gallant people of Northern Ireland? this is it! It makes no apologies for the I.R.A.(refreshing.) The I.R.A. may be a grey area to some, but SOME MOTHERS SON shows the viewer that there wouldn't be an I.R.A. if there wasn't British oppression.

With an excellent cast, soundtrack and photography this film's one flaw is that it must over-simplify a complex and pivotal episode in Irish history. Despite that it does a fairly good job of capturing the essence of what happened, smartly exposing the viewer to this rarely seen world through the eyes of a middle-class mother whose son, unknown to her, is caught up in the incendiary world of 'the Troubles' of Northern Ireland.

Convicted of taking part in an attack on British forces as part of an IRA Active Service Unit, her son quickly finds himself the cell-mate of soon-to-be-IRA-icon/martyr, Bobby Sands. Although the film does not really explore the personality of this seminal figure (for ex: that he was a poet), it does convey the gravity of the situation he was thrust in as well as the huge impact the hunger strike had on the Northern Irish, indeed people around the world.

But more so, this film is about the suffering that the women in these situations, particularly the mothers (hence the title) must endure. They have no choice in the tragedy that forces itself on their lives, yet they must find ways to overcome and affect what positive change they can.

Some say there is not enough "action" in the film. It is not an "action" movie. There are plenty of Dolph Lundgren vehicles out there if that is all you want. This film is about how episodes of moving history effects everyday people's lives.

While it is difficult to separate oneself from the politics of "the troubles" I think its important to keep in mind that this is a film, not a documentary. Its goal is to be historically authentic, not accurate. The message is one that speaks to mothers on all sides of the political divide. I think that one of the reviewers unfortunately missed the point of the movie which is featured in the title.

As a film this is an incredibly moving portrait of the horror, sacrifice and absurdity of war. The cast is outstanding; Helen Mirren is simply stunning, Fionnula Flanagan gives a powerful performance, Aidan Gillen is stirring as Helen Mirren's son and Bobby Sands' cell mate and finally John Lynch portrays the role of Bobby Sands quite fairly. The writers and director Terry George and Jim Sheridan have done an outstanding job writing and filming a story that transcends conflict and speaks to humanity we all share. While it shows the injustice of the position from which many of the North Ireland Catholics faced (and therein lies its political slant) the title firmly roots this film as so much more. I highly recommend this film for its historical authenticity and the brilliant performance by Helen Mirren.