AVALIAÇÃO DA IMDb
5,6/10
2,7 mil
SUA AVALIAÇÃO
Verloc mora na Londres de 1886 com uma bela esposa e seu irmão retardado. Ele é agente da embaixada russa. Um novo embaixador quer mais dele do que nos últimos anos - algo com uma bomba. Ver... Ler tudoVerloc mora na Londres de 1886 com uma bela esposa e seu irmão retardado. Ele é agente da embaixada russa. Um novo embaixador quer mais dele do que nos últimos anos - algo com uma bomba. Verloc também informa a polícia.Verloc mora na Londres de 1886 com uma bela esposa e seu irmão retardado. Ele é agente da embaixada russa. Um novo embaixador quer mais dele do que nos últimos anos - algo com uma bomba. Verloc também informa a polícia.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Louis Costa
- Beggar Boy
- (não creditado)
Toby Hinson
- Student
- (não creditado)
Robin Williams
- The Professor
- (não creditado)
Fred Wood
- Man Jostled in Alley ( by 'The Professor')
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Joseph Conrad was a visionary. He realized that the society in which we live is imperfect and hypocritical. Over one hundred years ago he realized, as did Herman Melville and other great thinkers, that women do not enjoy an equal stature with men in society. So he chose to write a great novel that deals with this issue both subtly and forcefully. The Secret Agent is not what it may seem to some to be upon first reading or viewing -- i.e., a spy thriller. On the contrary, it is an in-depth analysis and portrayal of the relative powerlessness of most women in society. It does not preach. It does not advocate. Conrad leaves it up to the reader (or viewer in the case of the excellent movie version) to draw whatever conclusions are pertinent for that person. Thus it is art, because it creates an enduring impression that seems to come from the reader's or viewer's own mind.
The movie version is superbly acted by a cast of master actors who quite clearly are very pleased to be participating with each other in creating this masterpiece movie. One gets the impression that each of the "lucky" actors has great respect for the book and its author and its messages, much as many Shakespearean players do when they "give their all" for the play.
The result is a realistic heart-wrenching tragedy. This may explain why it is not favored among common moviegoers that want and expect a Hollywood happy ending. Instead they get the real world, superbly depicted.
If you want fun, don't view this film. If you want to be challenged intellectually and ethically, then by all means watch it several times. And then tell your serious-minded friends and acquaintances about the existence of this movie. They will thank you!
Professor JimBob
The movie version is superbly acted by a cast of master actors who quite clearly are very pleased to be participating with each other in creating this masterpiece movie. One gets the impression that each of the "lucky" actors has great respect for the book and its author and its messages, much as many Shakespearean players do when they "give their all" for the play.
The result is a realistic heart-wrenching tragedy. This may explain why it is not favored among common moviegoers that want and expect a Hollywood happy ending. Instead they get the real world, superbly depicted.
If you want fun, don't view this film. If you want to be challenged intellectually and ethically, then by all means watch it several times. And then tell your serious-minded friends and acquaintances about the existence of this movie. They will thank you!
Professor JimBob
This is a very dark and mysterious piece of work that captures the sooty mood and gritty feel of Victorian London. Even the extras seem plucked, unbathed, right out of Limehouse and Whitechapel. An unshaven mad bomber is an odd role for Robin Williams. As always, he does it well but unfortunately Williams is Williams and all I could think of was Patch Adams. Bob Hoskins may be best portrayer of losers in all filmdom. Certainly his character here, Verloc, is a confused and pitiable loser. The plot is dark and even a little pointless. The sombre cinematography with its muted colours, deep shadows and European texture emphasizes the grim story of shattered lives . At times there is some needless "creative" camera work. Nevertheless this very unconventional film makes for a satisfying if, at times, puzzling couple of hours
Anyone looking for some exciting tale along the lines of the Bourne trilogy in a film named The Secret Agent is going to be disappointed.
What you have here is a dark and deep intellectual exercise in the actions of spies, anarchists, agent provocateurs, and the like in 19th Century England.
While Bob Hoskins (Unleashed, Who Framed Roger Rabbit) leads the cast, it is truly an ensemble film.
Hoskins is a man playing all sides. He is an anarchist, but in the employ of the Russians, and under the thumb of a local police inspector (Jim Broadbent). His wife (Patricia Arquette) only married him to gain protection for disabled brother (Christian Bale). When the Russian boss (Eddie Izzard) puts the pressure on, he has to act and he manages to kill the brother. Everything falls apart at that point, and it is where the film really gets interesting. So, if you bail before that, you miss it all.
One of the most interesting things in the film was his actions after his wife found out that her brother was killed. She is leaving, and he orders her to stay. He is stuffing his face while "consoling" her and sits on the couch. He then tells her, "I know what you need. Come over here." I hope this is not a reflection of the attitude of men towards women in this period, but I am afraid that it probably is. Anyway, it was what she needed, but not in the way he imagined.
Things do not end well in this film. There is a good performance by Gérard Depardieu (Cyrano de Bergerac, The Man in the Iron Mask) towards the end, and a great performance by Robin Williams throughout.
They must really like Conrad's story, as it has been done on TV a couple of times before this film. It is worth your time.
What you have here is a dark and deep intellectual exercise in the actions of spies, anarchists, agent provocateurs, and the like in 19th Century England.
While Bob Hoskins (Unleashed, Who Framed Roger Rabbit) leads the cast, it is truly an ensemble film.
Hoskins is a man playing all sides. He is an anarchist, but in the employ of the Russians, and under the thumb of a local police inspector (Jim Broadbent). His wife (Patricia Arquette) only married him to gain protection for disabled brother (Christian Bale). When the Russian boss (Eddie Izzard) puts the pressure on, he has to act and he manages to kill the brother. Everything falls apart at that point, and it is where the film really gets interesting. So, if you bail before that, you miss it all.
One of the most interesting things in the film was his actions after his wife found out that her brother was killed. She is leaving, and he orders her to stay. He is stuffing his face while "consoling" her and sits on the couch. He then tells her, "I know what you need. Come over here." I hope this is not a reflection of the attitude of men towards women in this period, but I am afraid that it probably is. Anyway, it was what she needed, but not in the way he imagined.
Things do not end well in this film. There is a good performance by Gérard Depardieu (Cyrano de Bergerac, The Man in the Iron Mask) towards the end, and a great performance by Robin Williams throughout.
They must really like Conrad's story, as it has been done on TV a couple of times before this film. It is worth your time.
"I have no future, but I am a force," says the Robin Williams character, minutes before he completes his mission. A chilling glimpse into the mind of the fanatic. Superb performances by almost everyone (Eddie Izzard does the most unconvincing accent since the last time John Malkovich played an Englishman), a great score by Philip Glass, and the last five minutes will freeze your blood. (Two Academy Award winners here, and neither of them is Bob Hoskins -- what is wrong with those people in Hollywood?)
Whoever cares about international terrorism? It's just a boring subject, let's face it. Any objections? Well, I can understand if there are some. This film, however, might unexpectedly make you accept the truth of the above provocative statements. At least until the next time you zap to a TV news channel that is.
It's hard not to see awesome potential in doing an adaptation of Joseph Conrad's 'The Secret Agent'. And it's hard to believe such a boring and inconsequential mess could be created following up on that very idea. Incredible, just think of the following issues explored in the movie: a web of anarchist militants finding political refuge in 1880s London, an agent provocateur run by the Russian embassy, a would-be suicide bomber, human drama complicating plots and counter-plots and so on. If I managed to excite you a little by mentioning these themes, so sorry, the film will still be boring.
To say something positive, at least it's not altogether unwatchable and, totally unexpectedly for me, the scenes between two actors from whom I would have normally anticipated the least were actually some of the best moments of the film, the scenes between Robin Williams and Gérard Depardieu, both playing anarchists with a rather mysterious (anarchic?) mindset. Oh, and it's quite likely I'll read the book after all, for what I have seen at least was enough to convince me that it might be a good idea.
It's hard not to see awesome potential in doing an adaptation of Joseph Conrad's 'The Secret Agent'. And it's hard to believe such a boring and inconsequential mess could be created following up on that very idea. Incredible, just think of the following issues explored in the movie: a web of anarchist militants finding political refuge in 1880s London, an agent provocateur run by the Russian embassy, a would-be suicide bomber, human drama complicating plots and counter-plots and so on. If I managed to excite you a little by mentioning these themes, so sorry, the film will still be boring.
To say something positive, at least it's not altogether unwatchable and, totally unexpectedly for me, the scenes between two actors from whom I would have normally anticipated the least were actually some of the best moments of the film, the scenes between Robin Williams and Gérard Depardieu, both playing anarchists with a rather mysterious (anarchic?) mindset. Oh, and it's quite likely I'll read the book after all, for what I have seen at least was enough to convince me that it might be a good idea.
Você sabia?
- CuriosidadesBob Hoskins was originally set to direct as well.
- ConexõesReferenced in Aliens vs. Predator 2 (2001)
Principais escolhas
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- How long is The Secret Agent?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- The Secret Agent
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 7.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 106.606
- Fim de semana de estreia nos EUA e Canadá
- US$ 25.909
- 10 de nov. de 1996
- Faturamento bruto mundial
- US$ 106.606
- Tempo de duração
- 1 h 35 min(95 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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