Fronteiras do Crime

More often than not, an early title card that reads "inspired by a true story" translates to a film maker's apology for what is going to be an embarrassing work. And electronic titles as well, the cheapest possible-cheap like they use for the late-night cable movies suggests this project was scrapped-pieces pasted together into something presentable, but hardly watchable.

And when you're right, you're right.

Good, lonely boy meets bad, bad girl, in a bad, bad, bad, movie

It seems inappropriate to criticize the actors, as I can't imagine there was even a script. Every scene seems to be a series of bad improvs, almost amateurish audition pieces. I was a John McNaughton fan based on his first feature: "Henry:Portrait of a Serial Killer", a low budget, but high-energy, inventive piece of film making. But this mess is only familiar to that film as regards overall production value.

By my count this makes 5 movies in a row where the high point of Ashley Judd's performance seems to be her undressing and /or use of dirty language. This list includes her role as the young Norma Jean Baker (Marilyn Monroe). Maybe a case of life imitates art?

This was surprisingly good (based on a true story) about a young couple who get in over their heads. Luke Perry (who I've never liked as an actor) is believable as the cop-husband who loses track. Ashley Judd, a lovely and talented actress who makes too many bad films, is edgy, sardonic, and nihilistic in a beautiful and frightening way. She cooks the space surrounding her and it's a joy to see.

A 7 out of 10. Best performance = Ashley Judd. If Ms. Judd made more films like this, she would be respected more instead of being lusted after quite so much. She needs better advisers when it comes to her film choices (just my opinion; I think she's great). This film probably did no business, but it's worth your time and very human.

I don't know why, but I haven't been able to get into the films of director John McNaughton. Of the films of his I've seen(HENRY: PORTRAIT OF A SERIAL KILLER, MAD DOG AND GLORY, WILD THINGS, and this), I can see obvious talent, but for some reason he hasn't put it all together for me(HENRY, the best of those, was tighter, but had some problems). At least here, I can detail what went wrong for me. For one, there were too many shouting matches(someone ought to tell actors that yelling is not the only way to express anger). For another, I've never really liked Luke Perry, and he runs the gamut of expressions here from A to B. Ashley Judd is quite good here, giving an intuitive performance, and never quite answering what's wrong with her character, but letting us guess for ourselves(of course, she's a drug addict and alcoholic, but there seems to be more to it). And the details of this supposedly true story seem fascinating. I just wish it added up to more.

"Normal Life" was barely given a theatrical release by its studio, Fine Line. That's a shame, because there is a lot that is worthy in this movie. John McNaughton was a good choice to direct this movie, because in "Henry: Portrait Of A Serial Killer", he showed he had a talent for showing those in lower class positions with low self esteem - just like the two main characters in this movie. These characters have high ambitions and try to do better (at least initially), but they are shot down by themselves and their surrounding society. They want, but don't get, respect. The movie is focused on their insides, not much on what surrounds them like their jobs. They are drawn together because they are two lost souls - they at least have that to share. The two actors are excellent in their roles (Luke Perry sheds his pretty-boy image completely here.) The movie is not perfect - there are a few details that are not explained (like what exactly is used to justify Perry's character's firing from his job.) Also, the movie is a bit too long, more noticeably in the first half of the movie - cutting fifteen or so minutes from the movie would have helped. But despite these faults, the movie is still well worth seeking out.

The film starts with the FBI arresting Luke Perry during a car robbery and tracks back to two years prior. It is at this point that Perry first meets Ashley Judd and his life begins to change. Essentially he becomes trapped by his love with a woman that is clearly no good for him - leading to fights, crime and his eventual capture.

Perry takes a huge leap away from his 90210 posterboy image with a good haunted performance as the man forced to live outside his small-town "normal life" by Judd's desire for more excitement than a small town can give.

Ashley Judd is excellent as Pam, constantly riddled with suffering and inconsistency as she flies around emotionally, cuts herself with knives and puts guns to her head and only finds peace when taking drugs, spending money or stealing. The only criticism is that she is required to be nude almost once every ten minutes - this doesn't develop her character and made me think that the director wanted to have it there to satisfy the men in the audience, it almost like she was being exploited.

Overall the film is well plotted and makes Perry's change almost believable - however his final change doesn't totally make sense. That said it's a pretty emotional ride that doesn't let you get bored at any point, is well acted and well scripted. All through the film you can't help but feel sad for Perry as he is henpecked, corrupted and ultimately tormented by Judd's childish alluring Pam.