Adicionar um enredo no seu idiomaAfter her thief mother's execution, Moll grows up in a nunnery until an abusive priest prompts her teenage rebellion. She flees to London's streets and, facing hardship, takes work as a pros... Ler tudoAfter her thief mother's execution, Moll grows up in a nunnery until an abusive priest prompts her teenage rebellion. She flees to London's streets and, facing hardship, takes work as a prostitute for Mrs. Allworthy, meeting Hibble.After her thief mother's execution, Moll grows up in a nunnery until an abusive priest prompts her teenage rebellion. She flees to London's streets and, facing hardship, takes work as a prostitute for Mrs. Allworthy, meeting Hibble.
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- 4 indicações no total
Avaliações em destaque
Entertaining but slowly paced version based on title character from Daniel Defoe's prestigious novel
Pretty good film , well played , compellingly made and adequately setting . A picture much after the style of ¨Tom Jones¨ and ¨Fanny Hill¨ with bag of incident and color . This period piece turns out to be the 5th on-screen adaptation of Daniel Defoe's 1722 novel , though it misses of the lip-smacking period relish spoiled with a slow and overlong narrative . Being slightly faith to Defoe novel in telling the fortunes and misfortunes of this lively hustler who eventually finds herself working at the brothel of greed and with a scheming landlady . Gorgeous costumes are appropriate to this 18th period . Nice acting from Robin Wright Penn as the wickedly seductive Moll , a spirited heroine who becomes a sensitive prostitute and who briefly finds happiness . Robin Wright holds everything together with help a talented supporting casting . Jon Lynch also gives a heartfelt acting as a crippled as well as enamored artist who finds inspiration on Moll' beauty . The secondary cast is frankly good , such as : Stockard Channing , Jim Sheridan , Maria Doyle Kennedy , Brenda Fricker , Geraldine James and Jeremy Brett's last film . It packs a colorful and glimmer cinematography by David Tattersall . Evocative and stirring soundtrack by Mark Mancina , adding classic music . The motion picture was professionally written and directed by Pen Densham .
Other films based on the bawdy , rousing retelling from Daniel Defoe's novel are the followings : ¨ The amorous adventures of Moll Flanders¨ (1965) by Terence Young with Kim Novak , Richard Johnson , Lilli Palmer , Vittorio De Sica , George Sanders , Leo McKern . Furthermore , TV rendition (1976) ¨Moll Flanders¨ with Julia Foster , Kenneth Haigh , Barry Jackson and Ian Ogilvy . And TV Mini-series in four episodes ¨Fortunes and Misfortunes of Moll Flanders" by David Attwood with Alex Kingstone , Daniel Craig , James Fleet , Diana Rigg , Tom Ward , Roger Ashton-Griffiths , Ronald Frazer , James Larkin and Christopher Fulford
In the movie, a sentimental Moll wades through a heap of anachronisms. She remains more or less a prisoner of her past and conventional morality at all times. The movie claims that only the character and not the plot is based on Dafoe's book but it is tough to recognize any aspect of Dafoe's Moll here. Which I guess brings us back to considering the movie on its own terms. Imagine Titanic without the special effects (i.e., maybe a good movie for a 14-year-old girl).
Robin Wright is a spirited Moll and is well supported by Morgan Freeman as a slave she meets on her travels who looks out for her from then on, and Stockard Channing as a scheming brothel madam. Aisling Corcoran plays Flora, the daughter Moll abandoned, and who she leaves her story to inform her of her origins.
A little muddled, and no doubt a disappointment for those wishing to see an adaptation of the book (for this, see the excellent version with Alex Kingston made the same year), this 'Moll Flanders' nevertheless looks great and benefits from a great performance from Wright. Well worth a look.
7/10
I had not read the book prior to watching this movie, but had read IMDb reviews that it was far from accurate, so I was skeptical going into it. The movie, in fact, was outstanding! I was riveted, drawn into the story, and anxious to find out what happened next. It was fascinating and intriguing. I think the best comparison I can make with it is a Dickens story set about 150 years earlier than his books. It's dark and gritty, highlighting the lowlifes of society and the shortcomings of the society that contributes to make these lowlifes. Yet there is considerable irony and a bit of humor to counteract the darkness. Love, life, death, joy, grief, sickness, deprivation, aspiration.... It is in short a microcosm of life as it is today, but through the window of days past. One feels the emotions that the characters are experiencing, because they are feelings we've already experienced ourselves. However, although this movie is frequently tragic, it is not a tragedy. I could not recommend it so highly if it was, because I don't like to walk away from a movie feeling depressed.
I liked the movie so much that I began reading the book that very night, and I finished it 8 days later. Where did the book differ from the movie? It would be easier to state where they resembled each other! I would have been hard-pressed to see any similarity between the two had they been published under different titles. For one thing, the book covers the title character's entire life up past the age of 60, whereas the movie only takes her up to maybe 30, and what goes on in that time frame is widely different from what goes on in the book.
In the movie makers' defense, they do have in the opening credits the following caveat: "Based on a character in a novel by Daniel Defoe". Okay, so it's based on the CHARACTER of Moll Flanders, not on the story itself. That's a legitimate, though tiny-print, concept. However, even the CHARACTER of Moll Flanders in the movie is quite different from the book. One big digression (out of many) is that movie-Moll has strong paternal, motherly characteristics, whereas book-Moll has essentially none. Secondly, Moll's name isn't even really Moll in the book; it never tells us her real name, and "Moll Flanders" is merely one of her many aliases, and one that she doesn't pick up until her 50s.
I can't possibly go into all the digressions. It would be boring and overextend the 1000 words limit. Suffice it to say, there is scarcely a shadow of similarity between the one and the other. If you have read the book, disregard the title and watch this as its own entity. If you haven't read the book, no need to worry about seeing any spoilers that might ruin a future reading. There is almost no overlap.
However, in spite of this "sin" of gross inaccuracy, I LOVED the movie, and I thought the book was only mediocre. The movie had a great plot development; the book has almost no plot. It was first published in 1722 and, like much early fiction, is mostly just a chain of events. We are told the many escapades of Moll Flanders, but there is no real story arc. (I'm not saying don't read it, just know what you're getting into; it's interesting, but not terribly fulfilling as a novel, in the modern sense of the genre.)
I was impressed with Robin Wright's performance (as Moll). I had thought little of her acting in "Princess Bride", and almost didn't watch the film because she had the title role; but she did a much better job in this film, and showed a much fuller range of acting ability and emotion. The other actors also filled their roles superbly. And the settings and costumes were magnificently done.
One thing that may affect your opinion of this movie is the content. By all standards I've ever watched, this ought to be R-rated. It's not extremely explicit (hence it is not in fact R), but it is considerably so for a PG-13, and I would be cautious showing this to young viewers. Not just for sexuality, but also for some rather graphic scenes (including blood) and overall mature themes.
However, for a mature viewer I think this was a fantastic movie with a great storyline. It's very thought-provoking, and the impression of it still lingers with me a couple weeks later. The writers used Defoe's book as a springboard to better ideas and a more cohesive and rewarding story. It would have been more accurate to have said that it was "inspired by" Defoe's book, rather than "based on", but it is one of those rare cases where the movie is in fact better than the book.
Você sabia?
- CuriosidadesFinal theatrical movie of Jeremy Brett (Artist's Father).
- Erros de gravaçãoThe motion of the ship below deck is unrealistic. At 0:32:00 and 1:50:00 the scene inside the cabin shows rocking along one axis only - side to side - when the ship was in a storm. Anyone with practical experience with boats and ships in the rough weather depicted would expect pitching fore and aft as well, and violent crashes from bashing into waves, creating a corkscrewing roll that contributes so much to seasickness. Also at 1:50:00 an exterior shot of the ship in the storm is accompanied by a command "reef the mizzen mast" but the sails are hanging limply; the heavy roar of the wind suggests they could not be in the eye of the storm.
- Citações
Moll Flanders: Don't you understand? I'm going to fail you.
Artist: I can accept that.
Moll Flanders: No, *feel that!*
[hits him on his chest]
Moll Flanders: That's nothing compared to the pain that comes with me. "They hung her mother!" *Feel that!*
[she continues to hit him and begins to cry]
Moll Flanders: "She slept with *hundreds* of men!", *Feel it!*, "She's a bitch and a trollop" and I hate you!
[picks up her things and heads for the door]
Moll Flanders: This is madness.
[walks out the door]
Moll Flanders: [storms Back In] I forgot me bleedin', stupid shoes!
- Trilhas sonorasFull of Grace
Written by Sarah McLachlan
Performed by Sarah McLachlan
Produced by Pierre Marchand
Courtesy of Nettwerk Productions & Arista Records
Principais escolhas
- How long is Moll Flanders?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Moll Flanders
- Locações de filme
- Glendalough, County Wicklow, Irlanda(cemetery)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 3.486.957
- Fim de semana de estreia nos EUA e Canadá
- US$ 955.606
- 16 de jun. de 1996
- Faturamento bruto mundial
- US$ 3.486.957
- Tempo de duração2 horas 3 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1