Michael, Anjo e Sedutor

Angels are a bit of an American obsession, but are often rather boring. They are the messengers of God, and also the arc angels are great warriors (Lucifer being the toughest and best looking until he was kicked out of heaven).

So what happens if you don't believe in anything, let alone angels and you are sent to investigate an angel story, only to meet one with wings and less than angelic attitude.

Maybe that is what America needs, being a puritan is different from being good. Michael is a rude, obnoxious, womanizing messenger of heaven who will fulfill your wishes, and make you care enough about the world that you will be touched.

Funny, but not greatly so, touching but not overly sentimental, intelligent without being clever...it is just a good simple, small comedy. Watch on a lazy Sunday afternoon.

Wow, I think the overall average rating of this film on this site is incredibly low. There's really no reason to dislike this film. "Michael" is a simple, but fairly original, and easily enjoyable romantic comedy. The plot involves a group of reporters/experts going to examine the mysterious appearance of an angel (John Travolta) in the midwest. The angel proves to be less saintly and more worldly than we would expect, and that's what makes it entertaining. His interest in women and the Beatles takes a new spin on the angel thing. The romantic side of this film involves Michael the angel trying to get Andie MacDowell and William Hurt together. The two of them may not have the all-time greatest on-screen chemistry, but they certainly have enough to make it work well. Everyone who has rated this film so low (a 5.4??), come on! The film is not that bad. In fact, I found it quite funny and memorable. Sure, it's not the best thing you'll ever see, but it's still good. This is a film I feel has been remarkably underrated. It's fun, romantic, and recommended by me.

*** out of ****

in this, yet again, Nora Ephron pleaser. How can you not sniggle, laugh, guffaw and even cheer for a love-handled, smoking, suger-eating, beer-drinking, bull-charging, bar-dancing Archangel who sloops cereal and pie with his whole left-hand wrapped around a spoon-handle while outfitted in Vinnie Barbarino's middle-aged body with wings? It's one of the most ludicrous, classic, side-splitting images available on the silver screen. And if you don't 'get' that image, here's a quarter --- go buy yourself a life.

I found the supporting cast, well -- well-cast. Hurt, MacDowell, Pastorelli, Hoskins, Stapleton et al played the characters they were given to a 'T." And despite Travolta stealing the show, those characters are quintessential to the storyline – you'll see. Though this is a simple feel-good story (nothing complicated to follow, just out of the ordinary) with laughs, sniffles and a touch of heart, you can't get out of this without some introspection into your own life. Maybe that's why the IMDb nay-sayers of this film have such a problem with it (you poor, sad people).

Please – do yourself a favor, ignore the 'lifeless' and treat yourself to something GOOD. Lord knows, we can't get enough of that

Possibly the best John Travolta role ever. Saturday Night Fever was a great movie & role, but a LONG time ago. I can't think of many of his movies or roles I've even liked, and it's easy to think of rotten ones. He can do meanies like in Pulp Fiction, but he makes the perfect funky angel, and it's hard to imagine anyone doing a better (equally slobby) job with it. Plot summaries are available everywhere, but the plot isn't the point. Just go for the ride and enjoy the cleverness of the little funnies along the way. There is nothing to dislike about this movie, unless one is searching for something profound. I wish there were more movies like this. We need a break from deep or awesome or grisly or complex or hysterical.

1996's MICHAEL is warm and winning comedy-fantasy that features one of my favorite performances from the John Travolta library. Travolta gives one of his breeziest and most likable performances as Michael, an archangel whose quiet existence at the home of a lonely innkeeper named Pansy (Jean Stapleton) is disrupted when Pansy reports Michael's presence in her home to a "National Enquirer"-like newspaper and the editor (Bob Hoskins) sends reporters (William Hurt, Andie McDowell, Robert Pastorelli) to the motel to check it out. Hurt, McDowell, and Pastorelli are quite good as the jaded news staffers who have a hard time accepting they've met an angel but this is Travolta's show and he rules as the pot-bellied, sugar-eating, cookie-smelling, pie-loving, Aretha-loving, bull-chasing Michael, an angel who just isn't what you think you of when you think of angels. And you have to love the scene in the bar when he and the ladies dance to "Chain of Fools". I love this movie more and more every time I watch it and it's mainly because of the completely winning performance from John Travolta.