De Volta às Aulas

uhm what I am suppose to say. After the accident in 1994, there are people think that Kitano Takeshi could never direct or become an actor again. But he has come back from the death and tell us what life is all about. If you read his biography, watch his films in time order, you feel like you are watching his lifetime. You would see how Kitano portrays life and death from his own experience in real life.

Take his accident in 1994 as a mark. Before his accident, Sonatine and Violent Cop are bleak and sad. They showed life affairs that can not be escaped. The whole world wants to swallow our heroes, but they are too tough to be gobbled. But in the end, the heroes choose death to end this permanent fight against the brutal world.

After the accident, in Kids Return, it's not how to die to escape, its about how to live to face this brutal world. Remember the time when he made Kids Return, the Japanese still haven't recognized his talent and he had to endure many critics that had lead to his self destruction. But after he left the hospital, he appeared in Gonin The Five as an actor, directed Kid Return.( Kitano could drop directing and become a comedian again becuz Japanese like him as a comedian, that way is easier, but he didn't do as they wished) Kitano Takeshi has never lose his belief in himself. In Kids Return, I feel like Kitano wanted to begin his life again, left behind all the critics and desire to be recognized by Japanese. No matter how things get bad, life just begin when you feel that you are ready. It's never late to begin your life, yes never.

One more thing I want to say, after this film, Kitano made Hana-bi which received the Golden Lion at Cannes. Japanese started to recognize him as a director. At that time, he's 50.

"Kids Return" is not a particularly enjoyable or must-see viewing experience. However, it might be worth showing to stupid teenagers, as the lesson in this 'Don't be an idiot'---and clearly illustrates the life of two morons as they enter adulthood.

Shinji and Masaru are two teenage juvenile delinquents. They often don't bother going to school and when they do, they goof off, beat up fellow students for their lunch money and commit petty crimes. However, as the film progresses you see some light at the end of the tunnel for the pair when they decide to take up boxing. However, one of them soon tires of it and joins the yakuza (Japanese mob). The other has a future as a great boxer. However, in BOTH cases, a lack of follow-through and stupidity ends up undoing their paths and by the end of the film, they are two unemployed idiots with no future.

Takeshi Kitano wrote and directed this film but did not appear in it. It's interesting in that so many of his other films seem to glorify the mob life--or at least look at it from a rather judgment neutral point of view. Here, however, it seems to be much more of a morality play where Kitano is taking away a lot of the romance and you see that dumb punks grow into dumb young adults! Well done but also not particularly enjoyable viewing.

Takeshi doesn't make me disappoint again. This type is very rare to him, but he did it well. It confirmed his high level of controlling kinds of types. The character act very naturally and the living individuality affect me deeply. Comparable with his former works, it will adjoin you more. The boxing scene is stunning. The friendship of characters is unforgettable. Here I must be honor of Jô Hisaishi(the composer of this music), because it's important parts of Takeshi's work. The music is exciting and moving. Anyway it is a very meaningful movie about youth. This work attract me to look for others of Takeshi. Because I know it's my favorite directors in Japan besides Kurosawa.

Underlying message of the movie is to not let bad seeds, doubters, downers, and peer pressure hamper your progress to become great -- they are tests to see if you have what it takes to push forward

Kitano's comeback film after his suicide attempt

Follows two friends from high school who bullied kids . One fateful day they get jumped by a boxer and decide to adjust their lifestyles with the heart (some passionate some timid) of champions

So many things in this film are so well done. There is the nicely written and told story, the very suitable cast, the perfectly composed music and, of course, the excellent direction.

It was, from my point of view, a very good idea to have a variety of protagonists who are all, in some way, related to each other: all of them are just about to leave school and look for an adequate and fulfilling life. Some of them succeed, and some fail. Now the feat was to link all these single story lines together and make one film out of it. And Kitano really succeeded in this sector. And again this film has a lot of autobiographical elements in it. Kitano's own past as a delinquent or comedian for example.

The music was again a real pleasure. Joe Hisashi really knows his craft to compose very fitting melodies, which always remind me of old Japanese folk songs, and use them perfectly timed in Kitano's films.

If you've seen other Kitano movies and missed this one, you will definitely like it. For those who want to try out a Kitano film for the first time: watch it! It will be a very contemplative and rewarding experience.