Infinity - Um Amor Sem Limites

There is very little more that I can add to the kudos for this film, other than utter praise. I can understand and I know. You see, I am one of these people, a Scientist.

We as a breed are seldom understood and, more often than not, badly served by cinema image. This film of the quiet, patient, dedicated love between two people, one of whom is a Scientist, is a milestone.

Might I add that I have always felt that Matthew Broderick is a fantastic actor, especially in roles that require an average looking, quiet introspective character. He is perfect for this cinematic vehicle, and equal to the talents of a Tom Hanks any day. I was also impressed that he produced, directed and shared writing credits on this film project.

This was kind of a strange, low-key movie, one that isn't going to get a lot of attention, especially with a younger audience which wants anything but a slow- moving story. But, whatever your age, if you want simply a nice movie, you have one here.

Other reviewers here have gone into the details about the real-life persons this film is based on, so I will just make a few general comments I had while watching this.

First, I enjoyed Matthew Broderick's narration. Broderick usually plays likable roles and is an underrated actor, I think. I've never seen him in a bad performance. Even though this story is an emotional one, I found little emotion in the film but that makes it intriguing in parts.

Sometime past the halfway mark, I asked myself, "What is the point of this story?" There is a point, and there is more than what meets the eye to this. Those who have seen this film know what I mean. I'm making vague statements, but I don't want to give away anything.

I enjoyed the 1940s look to this, appreciated Patricia Arquette's against-type role; appreciated the fact there were no villains in here and the profanity was low. As I said, it's a nice film and touching drama.

Broderick and his mother wrote, produced and directed this film.

For fans of Feynman's books, this will be a disappointment. Matthew Broderick's performance doesn't capture the fire, playfulness and wonder of Feynman's personality (as do documentaries of his lectures). Furthermore, his direction botches many of the anecdotes, missing the points of emphasis and undermining the quirky humour and sense of irony in the original telling. For example, in the Chinese abacus scene (which is shifted to a much earlier period in Feynman's life), Broderick has Feynman initiate the challenge, whereas in real life, it was the hapless abacus salesman who challenged him, completely unaware that he was taking on a renowned physicist. Therefore, the sense of irony, and of Feinman's idiosyncrasy in the world of mere mortals, is lost. Only Patricia Arquette seems to have captured the essence of the memoirs, despite her often unintelligible dialogue.

I read the book, "What Do You Care What Other People Think" and did some research. From there I learned to respect the man. "Infinity" is a wonderful movie. It shows a real love story between two people. Feynman's desire to marry Arlene, even though she was ill, shows dedication to principles that are wanting in our society. This wasn't an easy thing.

Then there is the personal story of his work on the Manhattan Project. He was a practical physicist, who brought the science down to "our" level. Who can forget his demonstration of the "O-Ring" failure from the Shuttle Challenger. This approach changed my perception of the science and I learned to love physics.

So, yes, I recommend this movie.

Laura

Most of this movie concentrates on the life of Nobel Prize physicist Richard Feynman (born in 1918), roughly from age twenty to twenty-seven. During this time he got his Ph.D. from Princeton and participated in the Manhattan Project. Also in that time frame he met and married Arline Greenbaum. There are a couple of scenes, with Feynman being around the age of six, that establish his inquiring mind and his relationship with his father, but the main thrust of the movie details the relationship between Richard and Arline.

Having read Feynman's books "Surely You're Joking Mr. Feynman" and "What Do You Care What Other people Think," as well as having viewed several of his videos on YouTube, I felt that this movie did not capture what I perceive as Feynman's impishness and openness. Maybe this was because during the time period covered Feynman was dealing not only with his early career challenges but also with the serious health problems of Arline. I thought the movie did a good job of detailing how Feynman coped with the difficult conflict between his professional ambitions and his love and devotion to Arline.

I suppose most people's image of the 1940s comes from looking at bleached out color photos and videos from that time. Whoever decided on the lighting for this movie must have been under the impression that that is what things looked like at the time, since there seems to be some sepia-toned cast to much of the film. I suppose the desire was to add some sense of nostalgia for a past era, but I found the rather dark filming fosters an overall fogginess.

Feynman's academic career was glossed over with there being little desire to inform the audience as to what his scientific interests were. There was no mention of what his contributions were to the Manhattan Project, or why he was chosen to go to Los Alamos. There was some odd editing like the insertion early on of a hand tossing out small pieces of paper from atop a wooden post. After the atomic blast at Alamogordo there is a scene of Fermi doing some measurements of how the pieces of paper were scattered in order to estimate the power of the blast, but this was not made clear enough for most people to make the appropriate deduction. Also, the movie has Feynman looking at the atomic blast with unaided eyes which would have caused retinal burns.

The score tries to be manipulative, but winds up being intrusive. Every time there is a tender moment some sappy music is played.

I wish this movie could have given more of a hint of Feynman's being a witty, free-spirited genius, which I think he was.