Hamsun

First of all I'd like to say that this movie was more exciting than I would have thought it to be in the start. Which is always a plus. In the beginning it was odd to me that Knut Hamsun were played by a Swedish actor and his wife Marie Hamsun were played by a Danish actor. But to tell you the truth, after a while you hardly noticed the language difference. And they could probably not have found a better Knut and Marie for this movie. The movie starts right before the second world war, and the 'action' in it is mostly about the Hamsun family's life during the second world war and afterwards. It was kind sad that the movie started so late in Hamsun's life, seeing that he was around the age of 80 (?) in the war years. Because Knut Hamsun had an utterly exciting life before that, and the most of his writings were written before that. It was confusing to me who his kids were at times, seeing that they weren't introduced to us that well. This is a great movie about an Norwegian author who rather took side with the Germans during the second world war, since he despited the English. Or was he on the German side? this movie takes up this dilemma, which no one yet can be a 100% sure about. But just remember. This movie only takes the Last years of Knut Hamsun's life. You should know a few things about his life before this, if you want to understand the movie properly.

This Norwegian-Swedish-Danish-German coproduction directed by Jan Troell is quite a compelling watch.

Max von Sydow playing a great role as the old writer In his early 80'ies. The Norwegian Nobel laureate has written some profoundly world-renowned novels made into films since 1916.

This film takes on Hamsun's legacy as an anti-British and pro-nazi spokesman. It tells the naïve older man's belief in the 3rd Reich, but with Norway as a sovereign nation. He meets up with Hitler, who he admires, to ask him to save Norway from Reichskommisar Terboven.

Following the last years of Hamsun's life (he died in 1952) this film gives an upright depiction of the national hero ruining his reputation with his nazi sympathies.

The film lets Max von Sydow and Danish Gitte Nørby as his wife Marie Sydow speak their own native languages, even if both Knut and Marie was Norwegian. This is it first off-outting but you soon forget it. Why it's done? Maybe making it easier to accept that he was a traitor?

In Scandinavian filmography this is a must watch.

The extraordinary Max von Sydow stars in this terrific film about the fine line between complicity and collaboration in the life of a Noble Prize winning writer from Norway during the Nazi occupation. But this film is also so much more than that: it is a film about the complex and heart-wrenching relations between the writer, his wife and their children. Like "The Wonderful, Horrible Life of Leni Riefenstahl," this film asks where we draw the line in holding artists responsible for their art and actions in an oft confusing world. But it takes that question a step further in examining how his art may also have cost him his relationships with his wife and children.

This is a beautifully filmed, well-acted movie; a true character study of the inner lives of a family, particularly Knut Hamsun and his wife, Marie, evocatively portrayed by Ghita Norby. It is a subtle and slow-paced film in true Scandinavian fashion and von Sydow again shows us why he will be remembered of one of the finest actors of cinema's first 100 years. I highly recommend it, and for those who are interested in other movies dealing with this theme, especially as it relates to artists, so often regarded as naive regarding politics and how they are may be used and manipulated for political gain, I highly recommend "Mother Night," the aforementioned documentary about Riefenstahl, and "Mephisto."

Legendary director Jan Troell tells an uncompromising story from the Second World War in epic breadth and opulent images. His work avoids clear separations between good and evil. With Hamsun Jan Troell now makes use of a central protagonist who is both anti-hero and a victim of delusion. Late Max von Sydow offers the best portrayal of his life in the formation of Hamsun, an aloof, neck-wielding writer who was almost deaf completely dependent on his wife (Ghita Nørby). The film's plot begins in 1935, when Nobel Prize-winning Norwegian writer Knut Hamsun's passion for Hitler became increasingly known to everyone. The national bard is on the spotlight and becomes a traitor when he publicly speaks out for the German occupiers in 1940. It also portrays the relationship between Hamsun and his wife Marie in the years 1935 to 1952. They both sympathized with the Nazis, and this led to a lengthy trial against Hamsun which is one of the best highlights of the films.

Jan Troell tells of relationship and emotions at the end of the Second World War. He wraps the whole thing up in a melancholy drama, which is also loosened up again and again with a lot of dialog wit and humor. From the start, Troell has managed to break with classic clichés and shuffle the cards again and again. Hamsun is not what you would call entertainment, nor is it 100% clear who its audience is, but a good film nonetheless. The whole tragic tale is one of Jan Troell's yet again magic moments. He has so many of them. RIP Max von Sydow. there is plenty of competition, but his performance as Hamsun will be his greatest.

Out of all the countless films and shows I've watched over the course of my life, there's barely a single one that felt like such an obvious insult to any reasonable viewer and reason itself.

Written by one of europes most notorious rad-fems (a man btw), this film seems to be some kind of attempt to "deconstruct" Hamsun as a person by people who seemingly hated him and had him live rentfree in their head for decades.

The film isn't called "Knut Hamsun" but "Hamsun" for a reason. It's all about his wife and written from her radical feminist, jealous, bitter and angry perspective (allthough his children and every other living being seem to hate him as well in this fever dream of a film).

The whole thing is an almost Ibsen-like (that's an insult) moral play, superficial, one-sided and always playing/turning men and women against each other.

You have to search with a magnifying glas in order to find one single scene that is at least somewhat realistic or one that doesn't just exist in order to stamp on Hamsuns grave when he can't defend himself.

It doesn't take a Hamsun fan, nor an academic who dedicated himself to Hamsun for a long time (like me) in order to see through this film after just 5 minutes.

Ironicly, the more the film tries to throw dirt on Hamsun, the more likable and human he gets. Especially since he's literally the only person in the film who isn't driven by obsessive, pathological moralism and self-righteousness.

All that said, I want to end this review with a friendly suggestion: Whatever you do, read the books of a writer for gods sake, not books about him. And avoid films about him since they are mostly too flattering or evil-spirited anyway.