Gotti - No Comando da Máfia

For a TV movie this is very good. Why Mr. Assante doesn't get more good parts is amazing to me. He nails this part and if you have ever read anything about Gotti you have to believe that the two met. The movie has some great scenes. The best are when the mob guys are just hanging around. The creators of "Sopranos" have used this very well because while wiseguys are not always wise they are sure colorful.

If you enjoyed the Sopranos then you should enjoy this piece, despite its age. It has weathered well. It's not as disjointed as the modern adaptation with John Travolta, and Armand Assante gives at least an equal showing, if not slightly better, not as vicious and calculating, but certainly ferocious and believable. It's better cast than the modern version and consequently the street speak of these players comes across as more authentic. It's not as jumbled as the modern version, and the timeline is one of its greater strengths. Anthony Quinn is supreme, and brings all my compliments above to the fore. Here you'll see many of the Sopranos actors in their earlier roles. Delightful for movie buffs. If you're into mob movies then this is as essential as The Godfather or Goodfellas or Casino.

Story's the same but the players change. Gangsters battle their way to fortune - and for Gotti, some fame, and ultimately the fortune weakens ties and sows doubt about motives and loyalty. Gotti was a hard-working, charming mobster and his commitment took him to the top of the Gambino crime family but when you get to the top, you have to be the most rational to stay there for a long time. Missteps can easily let in who you thought were your allies and there's a reason people aren't mob bosses long.

The film features great acting by Armando Assante, William Forsythe, and Anthony Quinn as the head of the Gambino family. Quinn owns the scenes he is in. Assante makes the Teflon Don charming but also so vain that little slights set him off. Forsythe is electric and the air of menace around him is practically a character in and of itself.

As always, it takes good writing to bring an exciting story to the screen and so writers Gene Mustain, Jerry Capeci, and Steve Shagan deserve credit for showing the excesses of the life of the Teflon Don and for not stinting on the brutality of life as a mafioso. The wealth and power that mob bosses get ultimately does them in as they start to believe their own legends. Mustain, Capeci, and Shagan show the hard work but also the violence that brings them down hard.

Gotti ruled NYC for a while and as a kid at the time I heard his name a lot. This film is a good primer for learning about the life and times of John Gotti.

Gotti is exceptional piece of film brought to the small screen,the cast is outstanding and nail biting stuff from the start to the very end. armand assante`s performance is so chilling as the dapper don,and it brings so much intensity leaving the audience compelled by this larger than life charismatic figure of the underworld.The dialogue is snappy and the onscreen chemistry between Assante`s portrayal of Gotti and Quinns as Neil dellacross is more than convincing.This film works well because it doesn't rely to much on violence as its predessors did in Goodfellas and others like casino.

Some years ago I was in Canton, Ohio going to my hotel in a cab and when the driver learned I was from New York he asked me kind of hesitantly that being from the Big Apple had I ever run into John Gotti. I learned there and then what an impression Gotti had made with his Dapper Don public persona. So in this film Gotti I can easily understand that brief scene where the couple from Rochester gush over Armand Assante when they meet him in a restaurant. And Assante plays it to the hilt ordering champagne for the couple's table. You would have thought they met Cary Grant.

The made for TV movie Gotti hits all the noted incidents in the Gotti legend. Based in part in the research and writings of Jerry Capeci who used to report on gangland activities in the Daily News the script gives us a three dimensional portrait of Gotti.

It used to fascinate me that when Joey Gallo was killed and later Joe Columbo was shot and lived in a coma for about 7 years it would resonate once and for all that publicity seeking gangsters don't really make out in the end. It makes them a more visible target to shoot at.

I like very much what William Forsythe did with the part of Sammy the Bull Gravano, Gotti's underboss and total opposite of him in personality. Forsythe who was Al Capone in the revived Untouchables series does the gangster persona very well.

In fact this film also boasts the casting of a pair of old Hollywood oldtimers. Marc Lawrence did gangster parts in old Hollywood plays the aging Carlo Gambino and Anthony Quinn who did a few of those parts as well in his varied career plays Gotti patron Neil Dellacroce the Gambino underboss. Quinn has some great scenes with Assante trying to warn him of the error of his ways.

This film should have gotten the theatrical release it was originally intended.