Adicionar um enredo no seu idiomaThe boxing champ's promoter thinks change is needed. He finds the one man who's beaten his champ, a white man now in a rock band. Like Rocky, he trains heavily whereas the champ slacks.The boxing champ's promoter thinks change is needed. He finds the one man who's beaten his champ, a white man now in a rock band. Like Rocky, he trains heavily whereas the champ slacks.The boxing champ's promoter thinks change is needed. He finds the one man who's beaten his champ, a white man now in a rock band. Like Rocky, he trains heavily whereas the champ slacks.
- Direção
- Roteiristas
- Artistas
- Bambi
- (as Salli Richardson)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
And it's a comedy yet it's decidedly un-funny. Wayans elicits a laugh or two, and Foxx is amusing...but these two guys should be good for non-stop laughs! And Jackson is almost *too* smooth for this role. He's also much too brilliant an actor...he's poorly suited for a role that's not nearly as competent as he is.
All in all: I actually liked this better the second time I saw it (which isn't saying that much). It's more amusing than I remember it to be. But that's still not enough. It's hardly a keeper - with this kind of cast (oh, by the way - nice cameo by Method Man but someone shoot Brian Setzer PLEASE!!!) it could be SO SO SO much better! 5/10.
I am not a fan of boxing and know nothing about the sport but this film is more about corruption in sport and grubby business dealings, and is simply set in the world of boxing. That said, the idea could not be successfully transposed to another arena thanks to the flamboyant and corrupt nature of the boxing world.
Samuel L. Jackson is deliciously over the top and excellent support from comedy stalwarts like Jeff Goldblum, Jon Lovitz, Damon Wayans, John Rhys Davies, and the increasingly famous Jamie Foxx make this a riotous comedy. This is one of the most quotable films I've ever come across and if you're a fan of comedy you won't regret watching this, even if you don't like it as much as I do.
The casting is the movie's biggest hit; everyone was in the right place. The script is lissome, coming to its point without any elongation. The characters are made in a way that suits the desired in this drollery of a movie. It harmonies smartly, carrying out itself as enjoyable, being an enough compensation from director (Reginald Hudlin) for his previous, real bad, movie (Boomerang - 1992).
It was so good to an extent that forces you to ask why it was that short? Why the gifted supporting actors (Jon Lovitz, Cheech Marin, Jamie Foxx,..) didn't have more on-screen time with more material? Actually, it's not basically a comedy inasmuch as a satire; that could bother some I suppose, since the funniness wasn't as high as the sarcastic criticism, with comic actors around while not making many laughs. However, it said all what (Oliver Stone)'s surely heavier, louder, and longer movie (Any Given Sunday - 1999) stretched and overload, 3 years later, and in focused nice way as well.
(The Great White Hype) is a jest where the substance is itself the surface totally unlike the world it sneered at. It's only imperfect point is that some jests can't be used more than once. So, despite how I liked it, I may find nothing in it to be re-watched again, except for (Damon Wayans) running after the ice cream's van of course!
Finally, do I smell a point of view in the title about how the great hype is "white" in the first place?!
The entire cast was excellent, leaning into the cheesiness of their roles and script, but doing so in a very funny way. Three standouts for me: Jackson's performance as the devious yet charismatic master promoter was delightful; Peter Berg is great as an idealist whose good heart but dim wits get used as the center-piece for one of the very things he hates most; and Salli Richardson-Whitfield is absolutely stunning both in her beauty and in her commanding presence despite her male-dominated environment.
Você sabia?
- CuriosidadesReverend Fred Sultan (Samuel L. Jackson) greets a man with shoulder length black hair and a black suit, with "Hey Vincent, Vincent, where's Jules man?", a reference to Jackson's character in Pulp Fiction: Tempo de Violência (1994).
- Erros de gravaçãoWhen Roper is watching the soap opera, and throws the ring away to watch his entourage chase it, it clearly falls out of the box as it skips on the floor. Yet, when Rollo puts it on, before Roper takes it, he takes it out of the box.
- Citações
Rev. Fred Sultan: if there isn't a white heavyweight out there for you, I'm going to create you one.
James Roper: [Confused] "white heavyweight?", The words don't even go together, it's like saying "black unity"
- Cenas durante ou pós-créditosWhile walking back to dressing room after fight, Conklin is followed by two little people from his entourage.
- Trilhas sonorasMovin' On
Performed by DJ U-Neek (as D.J. U-Neek) featuring Nyt Owl
Written by Annie Lennox, David A. Stewart (as Dave Stewart), DJ U-Neek (as D.J. U-Neek), Nyt Owl
Based on "Sweet Dreams (Are Made Of This)"
Written by Annie Lennox and David A. Stewart (as Dave Stwart)
Produced by DJ U-Neek (as D.J. U-Neek) for U-Neek Entertainment, Inc.
D.J. U-Neek and Nyt Owl appear courtesy of U-Neek Entertainment, Inc./King Pin Records, Inc.
Principais escolhas
- How long is The Great White Hype?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- El gran golpe
- Locações de filme
- Hoover Dam, Arizona-Nevada Border, EUA(Location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 8.008.255
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.349.481
- 5 de mai. de 1996
- Faturamento bruto mundial
- US$ 8.008.255
- Tempo de duração
- 1 h 31 min(91 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1