AVALIAÇÃO DA IMDb
5,4/10
22 mil
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Adicionar um enredo no seu idiomaTwo cops are forced to work together to solve a chain of mysterious killings by a killer nicknamed "The Family Man".Two cops are forced to work together to solve a chain of mysterious killings by a killer nicknamed "The Family Man".Two cops are forced to work together to solve a chain of mysterious killings by a killer nicknamed "The Family Man".
Alexa PenaVega
- Cole's Daughter
- (as Alexa Vega)
Avaliações em destaque
Neatly crafted action thriller, with Seagal on top wrist-snapping form as a Buddhist cop from New York, with a shadowy past, teamed with Wayans' wisecracking LA cop to investigate the gruesome murders of a serial killer, known as the `Family Man'. The two leads work well together; in typical buddy cop fashion which provides the film with the comic relief it needs to give the audience a break from the serious themes involved.
The script is competently composed; trying to surprise us as best it can with several twists and turns, however, the story is so fully packed with things going on that it's easy for the audience to get lost along the way. However, that is not a problem as Seagal is on the case with his usual array of impressive martial arts and likeable personality, encased in an interesting character. To me, Seagal represents, in a way, a modern day John Wayne, always playing the same out for justice, good guy role and taking no crap from anyone along the way. He is a screen presence that can carry even the most brainless of films, but this film has both brains and brawn. Wayans does very well here too, managing to avoid the typical stereotype of the African-American cop who is simply there for laughs.
The direction is standard but competent in keeping a relaxed balance between the hectic action (entwined with the tense build-ups) and the comedic peace-time goings on. The gorier parts of the film, like the murders, are handled with skill and successfully manage to create an eerie atmosphere rather than simply a gory head-turning occasion.
The Glimmer Man is not a masterpiece by any means but it serves its purpose well as a tense action thriller. It tries hard to be more than it is, but its lack of originality is its biggest flaw but it gets top marks for trying. You can't take anything away with you afterwards, but you can enjoy yourself along the way.
The script is competently composed; trying to surprise us as best it can with several twists and turns, however, the story is so fully packed with things going on that it's easy for the audience to get lost along the way. However, that is not a problem as Seagal is on the case with his usual array of impressive martial arts and likeable personality, encased in an interesting character. To me, Seagal represents, in a way, a modern day John Wayne, always playing the same out for justice, good guy role and taking no crap from anyone along the way. He is a screen presence that can carry even the most brainless of films, but this film has both brains and brawn. Wayans does very well here too, managing to avoid the typical stereotype of the African-American cop who is simply there for laughs.
The direction is standard but competent in keeping a relaxed balance between the hectic action (entwined with the tense build-ups) and the comedic peace-time goings on. The gorier parts of the film, like the murders, are handled with skill and successfully manage to create an eerie atmosphere rather than simply a gory head-turning occasion.
The Glimmer Man is not a masterpiece by any means but it serves its purpose well as a tense action thriller. It tries hard to be more than it is, but its lack of originality is its biggest flaw but it gets top marks for trying. You can't take anything away with you afterwards, but you can enjoy yourself along the way.
in my opinion this is one of Steven Seagal's better films,due in large part to having Keenan Ivory Wayans as a co star.they have good chemistry together.it's also one of his darkest films,at least of those i have seen to date.but there some funny moments to balance things out,comic relief,if you will.the fighting scenes are pretty are good,and as brutal as usual for a Seagal flick.you won't really find much new here,but if you're a Seagal fan,or a fan of the genre,this should keep you satisfied for the most part.by now,with Steven Seagal,you know what you're getting,or at least you should know.i was entertained for around 90 minutes or so.for me,The Glimmer Man is a 7/10
This movie is actually the proof that all you need to make a movie in Hollywood is a lot of unnecessary stupid action and a good ending story about 2 cops lynching bad guys. All 2 women in this movie that have a line other than 'aaaah', are dumb and over-sensitive. A few scenes that illustrate the originality of the script writers: bad guys in a car chase end up underneath a fuel truck, which explodes in a sea of fire... good guy falls out of a window, but can hold on to a ridge... cop:'do you know the doctor?' - girl: 'I don't need a shrink' - cop:'I never said he was a psychiater'...
Another aspect is the morality in this flick. On the one hand smokers are being prevented from lighting a cigarette, but on the other hand a cop can shoot someone in foot and hand during an interrogation. Of course this reflects the all-american point of view on the world: if you think someone is bad, you can beat the hell out of that person, without thinking twice.
Anyway, I know this movie might be fun for 80% of the American population, but I'm pretty sure this movie went 'straight to video' in Europe!
Another aspect is the morality in this flick. On the one hand smokers are being prevented from lighting a cigarette, but on the other hand a cop can shoot someone in foot and hand during an interrogation. Of course this reflects the all-american point of view on the world: if you think someone is bad, you can beat the hell out of that person, without thinking twice.
Anyway, I know this movie might be fun for 80% of the American population, but I'm pretty sure this movie went 'straight to video' in Europe!
A cop with an attitude is partnered up with a new-age cop with a shady past and amazing martial arts skills, to investigate a serial killer who crucifies his victims. Campbell sees it as a fairly straightforward case of a religious nut obeying orders from God; but Cole sees something else in some of the murders a sense of purpose and order that hints at a bigger plot. Going back to his handler at the CIA gets him nowhere but brings him to the attention of Frank Deverell and the Russian mafia. With so many people gunning for them, can Campbell and Cole stay alive long enough to get to the bottom of it? Although any film that contains both Seagal and a Wayans brother will hardly be an easy sell to me, I still decided to give this film a stab because I do like a solid action movie every now and again. Plot wise this film is about as weak as I had expected with a messy narrative that never really convinces and just seems like a couple of half-baked ideas crammed into one story with little concern with logical linkage or development. The hope seems to have been that enough action and energy would stop us seeing the holes sadly this doesn't work. The film has enough action to be worth watching but it isn't really anything special, although fans of Seagal will be used to this consistent standard.
The cast are just as average as you would expect. Seagal delivers everything with a total lack of emotion that is explained away by him being a totally calm Buddhist, as opposed to him just not being a very good actor. Physically he is pretty good here and his fight scenes do actually show a man with skill (as opposed to the out of shape man we have been shown almost waddling recently). Wayans tries to be a tough comic relief but his performances just reinforces the feeling of this being a formulaic mismatched cop movie; even if he is impressive in some of his action scenes as well. Neither of them are that good but they are certainly no worse than a lot of the reluctant buddy cops movies out there. The support cast should have been better but people like Gunton, Cox and Tobolowsky just sink into the mess rather than helping to raise it.
Overall this is a watchable "Friday night" style thriller that you will quite enjoy if all you want is watchable action surrounded by messy and clichéd plotting and delivery with "par for the course" acting. If you are after anything more than this then you'll be sorely disappointed as this is a weak film with an unimaginative plot, poor performances and only just enough action to be watchable if you're in an undemanding mood.
The cast are just as average as you would expect. Seagal delivers everything with a total lack of emotion that is explained away by him being a totally calm Buddhist, as opposed to him just not being a very good actor. Physically he is pretty good here and his fight scenes do actually show a man with skill (as opposed to the out of shape man we have been shown almost waddling recently). Wayans tries to be a tough comic relief but his performances just reinforces the feeling of this being a formulaic mismatched cop movie; even if he is impressive in some of his action scenes as well. Neither of them are that good but they are certainly no worse than a lot of the reluctant buddy cops movies out there. The support cast should have been better but people like Gunton, Cox and Tobolowsky just sink into the mess rather than helping to raise it.
Overall this is a watchable "Friday night" style thriller that you will quite enjoy if all you want is watchable action surrounded by messy and clichéd plotting and delivery with "par for the course" acting. If you are after anything more than this then you'll be sorely disappointed as this is a weak film with an unimaginative plot, poor performances and only just enough action to be watchable if you're in an undemanding mood.
While "The Glimmer Man" isn't any outstanding action movie, I will say that it is still worth watching if you enjoy Steven Seagal movies. That being said, then it should also be said that it is a fairly average Seagal movie in every sense of the phrase. It is one of those mass produced action movies that most action stars tend to settle into doing, you know finding a formula that works and milking it beyond dry.
Story-wise then "The Glimmer Man" is your stereotypical Seagal movie. Yep, he is an ex-something-something now turned law man and taking on the seedy underworld singlehandedly.
You know what you get here; the usual Seagal martial arts, wits and punchlines. Yes, it is all here, and the obligatory broken arm as well. And true to most other Seagal movies he is untouchable, except for a single blow that gets through and strikes him. Indeed, business as usual.
Having Seagal act opposite Keenen Ivory Wayans, well I had some initial reservation to this, as I thought it would be comedy in the trademark Wayans fashion. But luckily Keenen proved to surprise and did actual acting and no do comedy.
"The Glimmer Man" is enjoyable enough for what it is, and bear in mind that it is a Seagal movie after all.
Story-wise then "The Glimmer Man" is your stereotypical Seagal movie. Yep, he is an ex-something-something now turned law man and taking on the seedy underworld singlehandedly.
You know what you get here; the usual Seagal martial arts, wits and punchlines. Yes, it is all here, and the obligatory broken arm as well. And true to most other Seagal movies he is untouchable, except for a single blow that gets through and strikes him. Indeed, business as usual.
Having Seagal act opposite Keenen Ivory Wayans, well I had some initial reservation to this, as I thought it would be comedy in the trademark Wayans fashion. But luckily Keenen proved to surprise and did actual acting and no do comedy.
"The Glimmer Man" is enjoyable enough for what it is, and bear in mind that it is a Seagal movie after all.
Você sabia?
- CuriosidadesAccording to Keenen Ivory Wayans, one time during production, after waiting for a long time for Steven Seagal to finally show up on the set (he was known for not caring for the time when filming was to start, and would always show up very late), Seagal appeared with some script and said how it was the greatest script he ever read in his entire life. When Wayans asked him who wrote it, Seagal responded by saying; "I did."
- Erros de gravaçãoWhen Cole is talking about the dead woman in the autopsy room he says he thinks he's "Russian, most likely Georgian." Russian and Georgian are two distinct nationalities and ethnic groups. The fact that Georgia was at one time part of the Soviet Union does not make Georgians and Russians at all related.
- Versões alternativasIn the BBFC-approved UK video version, nine seconds are cut. In the scene where Cole confronts two Russians in the car, four seconds of Cole beating a Russian over the head nine times with his gun butt have been cut, and in the final fight scene, four seconds of Cole repeatedly punching Donald in the face after kicking him onto the table are cut.
- Trilhas sonorasSnake
Written by Steven Seagal, Todd Smallwood, and Matt Andes
Performed by Taj Mahal
Courtesy of Private Music
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- How long is The Glimmer Man?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Un hombre entre sombras
- Locações de filme
- Barclay Hotel - 103 W. 4th Street, Downtown, Los Angeles, Califórnia, EUA(As the Ovington Arms)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 45.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 20.351.264
- Fim de semana de estreia nos EUA e Canadá
- US$ 7.605.504
- 6 de out. de 1996
- Faturamento bruto mundial
- US$ 20.351.264
- Tempo de duração
- 1 h 31 min(91 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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