Fiel, mas nem Tanto

I just love this film. First, Paul Mazursky is one of my all time favourite directors and the performances (other than Ryan O'Neal's) are just top notch. It's a great screenplay, the editing is on point.. there is little not to love here. I say it when it came out and I can still quote it years later. It's a small film, no special effects, no spectacular stunts. But Cher and Chazz Palminteri have great chemistry both deserve much praise here and Mazursky handles it with his usual understanding of how people interact in real life. His "Next Stop Greenwich Village" is in my top 10 films of all time. But this is my second favourite film of his. A great director in really fine form... and it's worth a watch.

Faithful (1996)

*** (out of 4)

Jack (Ryan O'Neil) is a lying, cheating husband who is having an affair with his 24-year-old secretary while his wife Margaret (Cher) sits at home living in a state of depression wondering what has gone wrong with her life. Margaret has all the money in the world but this isn't enough because she missing the touch of her husband plus she's too scared to leave him even though she knows he's cheating on her. With their twentieth anniversary here Margaret decides to make a change.

Before any change can take place, Jack (Chazz Palminteri), a Mafia hit man enters the house at gunpoint and tells the wife that she's going to die. Jack ties Margaret to a chair and tells her that he's waiting for the phone to ring twice, which is the signal from her husband that he's got an alibi and that the killing can take place. While waiting for the phone call Jack and Margaret begin talking and Jack is shocked to learn that the change the wife was going to do was kill herself. When Jack hears this he realizes that he has saved her life and the two also begin to realize that they have more in common than Margaret ever did with her husband.

Faithful was released to limited theaters back in 1996 and died a quick death without much buzz around the film. The box office take was small and there wasn't too much critical talk about the film but to me this is a very underrated art film with some very deep drama and a twisted sense of black humor, which sadly tried to be sold to the public as some sort of lighthearted comedy. This is the type of film that's about nothing at all. There's not too much going on throughout the film except for the appeal of its cast and the dialogue being spoken by them.

When I said the film was about nothing that's the honest truth because there isn't a single thing that happens in the film. We are given a setup but a minute later we know there's not going to be anything bad that happens. We can see it in the characters and we can see the silly setup and while we're expecting something funny to happen the screenplay by Palminteri takes a different approach and goes for some heavy handled drama, which seems out of place yet the actors are so convincing that we are brought deeper into the situation. This story was originally a stage play by Palminteri and while it doesn't translate too well to the screen there's still plenty to enjoy here.

Cher has always been a reliable actress and she does a wonderful job here in a demanding role that takes her from a suicidal case to an overly powerful and vengeful wife seeking answers in her life. The suicide part of the performance is done without words and we can just look at her eyes and see how she's feeling and know exactly why she's feeling it. At the end of the film Cher confronts her cheating husband and while this could have gone over the top, Cher's performance is so compelling that everything comes off believable and makes up from the heavy drama earlier in the film. Ryan O'Neil has never been an actor I've overly enjoyed but he's also very nice here. Chazz Palminteri on the other hand is one of my favorite character actors who has proved himself in Robert DeNiro's A Bronx Tale as well as Woody Allen's Bullets Over Broadway. His thick New York accent and mobster like personality is very charming and his dramatic turn here comes off wonderfully well.

I think Faithful has been forgotten because it's not really a film with any sort of payoff. There's never any suspense that someone is going to get killed and there's not enough laughs to keep a mainstream audience interested. Instead we are given a dialogue driven film with two depressed people and an adulterous husband who tries to have his wife killed. I think the film could have used a bit more comedy and the stuff with Palminteri's shrink never really works. This is the type of film that when it's over the viewer will probably ask themselves what was the point of the film. There isn't a point to the movie. Instead, we're given wonderful dialogue and three wonderful performances making the situation more interesting than it should be.

I came across this movie on late night TV with no previous knowledge of the movie not knowing any of the cast and was pleasantly surprised. Do not get me wrong this in not a great movie but it is certainly a lot better than the usual late night moves we find on terrestrial TV her in the UK. As I learnt from the opening credits that this was adapted from a play by the co-lead Chazz Palminteri and it really shows with the vast majority of the movie being set in the one location the house of the female lead Margaret (played by Cher whom normally really grates me by in this is not to bad, though she has had so much plastic surgery she does look like an extra from 'The Dark Crystal). The premise is of Tony a hit-man being sent by Margaret's husband to kill her, but this turns into a wiseguy farce with lots or role reversals especially with the re-appearance of the husband Jack (a slimy Ryon O'Neil). The direction really is point the camera and the set and shoot adding to the theatre feeling but considering there are pretty much only three characters on screen most of the time we get some decent chemistry between them and a not totally predictable outcomes. I would not go out of my way to see this again but would not avoid it on a bored afternoon trapped in some hotel or another.

Comcast cable gave "Faithful" just 2 stars, so I wasn't sure I wanted to see it. But I love films Cher has starred in, so I watched it not expecting too much. It's a small but delightful film about the interaction of a woman and the hit-man hired to kill her.

Maggie (Cher) is an extremely wealthy housewife. She drives a Rolls, and lives in a modern mansion that seems large enough to house a hotel or resort. But she is depressed. Her husband of 20 years, Jack (Ryan O'Neal), has been neglecting her. They haven't had sex for months and she is sure he is having an affair. A hit-man, Tony (Chazz Palminteri), sneaks into her house and ties her to a chair. He explains that her husband hired him to kill her, but he has to wait until the husband signals (by phoning and hanging up after two rings) that he has reached his alibi location.

While waiting, Maggie tries to convince Tony to work for her instead of her husband. Tony becomes distressed and calls his psychotherapist, Dr. Susskind (Paul Mazursky, who also was the film's Director).

While this does not sound like a comedy, in what drama does a hit-man call his therapist during a job? Besides, there is the anticipation that Maggy will come out on top. She is Cher after-all!

Chazz Palminteri is excellent as the troubled hit-man. He also wrote the play the film is based on, and wrote the screenplay. Robert De Niro is listed as the Producer.

There are some minor problems that I didn't think about until writing this review. They don't really matter:

1. Maggie considers herself a housewife. But how does she spend her days? Wouldn't such a person have a circle of girlfriends who discuss each others family problems?

2. Shouldn't such a large home have a staff to run it? It has an elaborate security system but no staff to respond to intrusions? A cook? A maid to keep the many rooms clean? 3. Cher's acting seemed to me to somehow to be a little off, as if she didn't put her full effort into it. In other films she has been a superb actress.

The film was adapted from a play, so it is not surprising that nearly all the scenes are in the mansion.

"Faithful" directed by Paul Mazurski doesn't add anything to his otherwise prestigious resume. As a comedy director, Mr. Mazurski has done better. Unfortunately, he doesn't appear to have been inspired, by the story or by his cast.

In fact, one of the worst things in the film is the overbearing role of Chazz Palmentieri, whose Tony is one of the most obnoxious things he has played in the movies. Cher, as Margaret, the redheaded woman, married to a rat fink, doesn't bring anything new to the screen. She could do much better, but unfortunately, not here. Finally, Ryan O'Neal doesn't have much to do.

The best thing about "Faithful" is its 91 minutes running time! Sorry Mr. Mazurski, you need to stay away from whoever told you Chass Palmentieri's screen play had possibilities.