Um especialista em proteção de testemunhas suspeita dos seus colegas de trabalho, quando lida com um caso envolvendo armas de alta tecnologia.Um especialista em proteção de testemunhas suspeita dos seus colegas de trabalho, quando lida com um caso envolvendo armas de alta tecnologia.Um especialista em proteção de testemunhas suspeita dos seus colegas de trabalho, quando lida com um caso envolvendo armas de alta tecnologia.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 3 vitórias e 2 indicações no total
Avaliações em destaque
Chuck Russel's Eraser is exploding and intense action film starring Arnold Scwarzenegger as secret government officer, who "erases" people i.e. destroys their past in order to save their future. He gets to erase an important witness (Vanessa Williams) who knows about her company's illegal activities as it sells guns to foreigners. The film is full of action and mayhem, which is great since hardboiled action films are not made too often in Hollywood anymore.
There are hardly any stops throughout the movie and the viewer should not be bored, at least I wasn't now that I watched the movie for the second time. It looks fantastic in its original widescreen format, and this is definitely among Arnold's more noteworthy performances and proves the talent of director Chuck (Scorpion King, Elm Street 3) Russell.
There are many effects that look pretty realistic and the crocodile shoot out is one memorable scene, and maybe that is the screenwriters' comment on zoos' that don't feed their animals sufficiently as the crocodiles are VERY hungry and fierce for food! Also, there is one over the top airplane scene, that really grabs an attention. The actors are great throughout the film and James Caan doesn't make an exception. The finale is perhaps little too familiar and relies on gun fights and explosions, but still, as a whole, I found this film very pleasant experience in its own genre. It is not the greatest action film ever made in Hollywood, but it is one of the most interesting US action films of the 90's.
7/10
There are hardly any stops throughout the movie and the viewer should not be bored, at least I wasn't now that I watched the movie for the second time. It looks fantastic in its original widescreen format, and this is definitely among Arnold's more noteworthy performances and proves the talent of director Chuck (Scorpion King, Elm Street 3) Russell.
There are many effects that look pretty realistic and the crocodile shoot out is one memorable scene, and maybe that is the screenwriters' comment on zoos' that don't feed their animals sufficiently as the crocodiles are VERY hungry and fierce for food! Also, there is one over the top airplane scene, that really grabs an attention. The actors are great throughout the film and James Caan doesn't make an exception. The finale is perhaps little too familiar and relies on gun fights and explosions, but still, as a whole, I found this film very pleasant experience in its own genre. It is not the greatest action film ever made in Hollywood, but it is one of the most interesting US action films of the 90's.
7/10
US Marshal John Kruger (Arnold Schwarzenegger) is an expert at erasing identities at WITSEC. Chief Beller (James Coburn) assigns Lee Cullen (Vanessa Williams) to him. She's a whistle-blower at defense contractor Cyrez Corporation. After getting the evidence for the government, she is resistant to WITSEC and killers come after her with high-tech weapons. Fellow Marshal Robert DeGuerin (James Caan) tells Kruger that someone is killing witnesses.
It's a nice action thriller. There are lots of gun action. The body count is pretty good. Arnold gets to hang out of a plane and battle some crocodiles. It probably needs a few more wisecracks to be as fun as some of Arnold's best. The one-liners aren't quite as good. I like it but people may be tired of his big action movies by that point.
It's a nice action thriller. There are lots of gun action. The body count is pretty good. Arnold gets to hang out of a plane and battle some crocodiles. It probably needs a few more wisecracks to be as fun as some of Arnold's best. The one-liners aren't quite as good. I like it but people may be tired of his big action movies by that point.
A super-slick slice of action, starring the reliable Arnie. This fast-paced flick has a lot bigger budget than Arnie's '80s offerings but it's not quite as enjoyable, despite an eye-popping array of visual effects and non-stop action sequences. There's a clinical detachment to this film, mainly due to the 'seen it all before' feel, as nothing really proves memorable or fresh.
However there are lots of reasons to watch. Arnie may look a little old these days but he's still as tough as ever, even more so than before as he has his hands and legs impaled by flying shrapnel (great scenes) and rips them out. Lots of baddies are killed and shot by Schwarzenegger, and it's great to see him return to a solid action role after the rather nauseating comedies like JUNIOR and JINGLE ALL THE WAY. Vanessa Williams is the female lead and remains competent, but being female she isn't really given much to do. James Caan enjoys himself in an over-the-top role as a sneering villain, much like Michael Caine in ON DEADLY GROUND. He makes a good adversary.
The special effects are all outstanding in this film, the super guns being most memorable as they leave plasma rings in the air after a bullet (an effect used more extensively in THE MATRIX). There are also a number of outrageous stunts and action sequences, set pieces including Arnie jumping out of a plane to get his parachute and a fight in a zoo, where crocodiles eat a number of bad guys in a hilarious moment: just a shame about the extremely dodgy nature of the CGI effects. The BBFC outrageously cut close to four minutes of the violence on this film's UK release, and it's definitely worth tracking down the uncut version. The violence in this is pleasingly hard-hitting and old school, as Schwarzenegger doesn't shy away from taking out the bad guys – and some good guys too, if need be.
However there are lots of reasons to watch. Arnie may look a little old these days but he's still as tough as ever, even more so than before as he has his hands and legs impaled by flying shrapnel (great scenes) and rips them out. Lots of baddies are killed and shot by Schwarzenegger, and it's great to see him return to a solid action role after the rather nauseating comedies like JUNIOR and JINGLE ALL THE WAY. Vanessa Williams is the female lead and remains competent, but being female she isn't really given much to do. James Caan enjoys himself in an over-the-top role as a sneering villain, much like Michael Caine in ON DEADLY GROUND. He makes a good adversary.
The special effects are all outstanding in this film, the super guns being most memorable as they leave plasma rings in the air after a bullet (an effect used more extensively in THE MATRIX). There are also a number of outrageous stunts and action sequences, set pieces including Arnie jumping out of a plane to get his parachute and a fight in a zoo, where crocodiles eat a number of bad guys in a hilarious moment: just a shame about the extremely dodgy nature of the CGI effects. The BBFC outrageously cut close to four minutes of the violence on this film's UK release, and it's definitely worth tracking down the uncut version. The violence in this is pleasingly hard-hitting and old school, as Schwarzenegger doesn't shy away from taking out the bad guys – and some good guys too, if need be.
Eraser is a film typical of its genre. What genre, you ask? Why, the "the terrorists-are-coming-and-it's one-man-against-the-world-so-shoot-em-up, blow-em-up, and save-the-girl-and-the-day" genre, of course. Too complicated for you? Don't worry, because the movie isn't. As a matter of fact, it's readily accessible to anyone over the age of 7 - not that this movie is age-appropriate for everyone over the age of 7 (Note: This was my favorite movie when I was 10) - but rather that the concepts, and thus the plot, are simple. This isn't a movie you go see if you're seeking a two hour thinking experience.
Casting Schwarzenegger for the lead instantly gives the main character, John Kruger, a personality of his own. Though nothing is ever known of his background (even by the end credits), that doesn't matter. Dialogue is used mainly for two purposes: to explain the unfolding saga of the federal scandal in the movie, and for the ever-composed and ever-cool Schwarzenegger to calm Dr. Lee Cullen (Vanessa Williams), a key witness in the scandal saga. Instead, what drives the movie is the action sequences and Schwarzenegger's resourcefulness in a myriad of combat situations where he always finds himself outmanned, outgunned, and beaten to the first punch, yet always manages to gain the upper hand.
Williams does an excellent job, and in many ways, is forced to be more of an "actor," per se, than Schwarzenegger. She has to display a wide array of emotions, from sadness, to fear, to regret, to resolve, and even anger, while Schwarzenegger is only called on to mainly display the final two. James Caan is legitimately a scumbag in his role as Robert DeGuerin, and James Coburn, in a smaller role, is fatherly to Kruger as Chief Beller. Solid, unspectacular performances all around...save that of Caan, who borders on something more.
The action in this movie is incredible for its time. The rail guns are visually impressive if not scientifically plausible (but who cares about that anyway?), and Schwarzenegger's combat ingenuity gives flavor and style to the action sequences. Director Russell seems to show a bizarre fixation with bloody puncture wounds (objects protruding entirely through the skin) throughout, but does show some creativity of his own in placing Schwarzenegger in clever combat situations where he can use his mind to outsmart his many more-heavily-armed enemies. Russell also plays with the moviegoer in several situations, making it unclear whether or not Kruger is alive after several close calls. This keeps moviegoers on the edge of their seats for the nonstop thrill ride that rarely pauses to take a breath. From the first scene to the last, explosions, shooting, and violence are the norm, and it is not meant to be any other way.
Casting Schwarzenegger for the lead instantly gives the main character, John Kruger, a personality of his own. Though nothing is ever known of his background (even by the end credits), that doesn't matter. Dialogue is used mainly for two purposes: to explain the unfolding saga of the federal scandal in the movie, and for the ever-composed and ever-cool Schwarzenegger to calm Dr. Lee Cullen (Vanessa Williams), a key witness in the scandal saga. Instead, what drives the movie is the action sequences and Schwarzenegger's resourcefulness in a myriad of combat situations where he always finds himself outmanned, outgunned, and beaten to the first punch, yet always manages to gain the upper hand.
Williams does an excellent job, and in many ways, is forced to be more of an "actor," per se, than Schwarzenegger. She has to display a wide array of emotions, from sadness, to fear, to regret, to resolve, and even anger, while Schwarzenegger is only called on to mainly display the final two. James Caan is legitimately a scumbag in his role as Robert DeGuerin, and James Coburn, in a smaller role, is fatherly to Kruger as Chief Beller. Solid, unspectacular performances all around...save that of Caan, who borders on something more.
The action in this movie is incredible for its time. The rail guns are visually impressive if not scientifically plausible (but who cares about that anyway?), and Schwarzenegger's combat ingenuity gives flavor and style to the action sequences. Director Russell seems to show a bizarre fixation with bloody puncture wounds (objects protruding entirely through the skin) throughout, but does show some creativity of his own in placing Schwarzenegger in clever combat situations where he can use his mind to outsmart his many more-heavily-armed enemies. Russell also plays with the moviegoer in several situations, making it unclear whether or not Kruger is alive after several close calls. This keeps moviegoers on the edge of their seats for the nonstop thrill ride that rarely pauses to take a breath. From the first scene to the last, explosions, shooting, and violence are the norm, and it is not meant to be any other way.
At the height of his action superstar career, Arnold Schwarzenegger's movies were all about guns and explosions. 'Eraser' delivers both in abundance.
Fortunately, 'Eraser' is not just a shallow action movie. This action thriller has flesh to the bone, and characters I cared about. We've seen this a million times before, where a victim of circumstance needs protection, being pursued by the bad guys, but few as thrilling and exciting as 'Eraser'.
Vanessa Williams stars as Lee Cullen, a senior executive at a weapons manufacturing company, Cyrez. She contains a disc with information on developing secret, powerful weapons, and some people will kill relentlessly to get their hands on the disc.
What follows, is an action-packed, fast-paced cat and mouse game, filled with intrigue and a few twists. There's loads of action and good visual effects. There are some funny moments, too. The crocodile scene was very well done! 'Eraser' delivers on every level, with an exciting finale.
Fortunately, 'Eraser' is not just a shallow action movie. This action thriller has flesh to the bone, and characters I cared about. We've seen this a million times before, where a victim of circumstance needs protection, being pursued by the bad guys, but few as thrilling and exciting as 'Eraser'.
Vanessa Williams stars as Lee Cullen, a senior executive at a weapons manufacturing company, Cyrez. She contains a disc with information on developing secret, powerful weapons, and some people will kill relentlessly to get their hands on the disc.
What follows, is an action-packed, fast-paced cat and mouse game, filled with intrigue and a few twists. There's loads of action and good visual effects. There are some funny moments, too. The crocodile scene was very well done! 'Eraser' delivers on every level, with an exciting finale.
Você sabia?
- CuriosidadesThe John Kruger role was originally offered to Sylvester Stallone. He absolutely hated the script, turned the offer down and instead starred in Cop Land: A Cidade dos Tiras (1997).
- Erros de gravaçãoLee claims that she doesn't know what is on the encrypted disc. But she obviously does know as she was there when she herself copied it and saw the 3D schematic of the rail gun on the screen.
- Citações
Father Rodriguez: The police have returned to the safety of their doughnut shops.
- Versões alternativasIn later versions of the movie, the reference of UBS meaning "Union de Bank Swiss" is changed to "United Bank of Syria."
- Trilhas sonorasWhere Do We Go From Here
Written by Linda Thompson, David Foster, Evan Kopelson and Douglas Pashley
Produced and arranged by David Foster
Performed by Vanessa Williams
Courtesy of Mercury Records
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- El protector
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 100.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 101.295.562
- Fim de semana de estreia nos EUA e Canadá
- US$ 24.566.446
- 23 de jun. de 1996
- Faturamento bruto mundial
- US$ 242.295.562
- Tempo de duração1 hora 55 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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