Queima de Arquivo

I again want to give this the full five, but not sure. I don't get why more people don't like this. It's so underrated, and yet it's everything people love about Arnold and his movies. Loud, big, violent action, cheesy one-liners, a good villain, and this time it even has entertainingly bad CGI an Vanessa Williams, which are two things I'm always down with watching. Mm

Arnold takes himself more seriously here it seems, at least until the second act. He delivers a great, movie-carrying performance as usual, and is compliment by the weirdly good Vanessa Williams, who ends up not being annoying. James Caan is a great villain, and definitely helps elevate it.

The action is exactly as you'd expect. With a plot involving big, hi-tech "chainguns", you know this is gonna be good. The opening house scene, the cabin scene, the plane scene, the zoo shootout, and the lab shootout are all cool, along with other scenes. The plane scene defies any logic or realism, and is lots of fun. The CGI is bad, but whatever. There's also a scene with a bad CGI crocodile that rips a dude's arm off, and attacks Arnold, who makes up for the effects by kicking it in the face and shooting it. The final battle though, is just perfect. It's total balls-out action, with Arnold becoming a one-man army as usual, and shooting tons of people with two chainguns before fighting James Caan on top of a giant metal container.

I really love this and recommend it. It needs more attention and is as good as most of Arnold's other films.

After Arnold Schwarzenegger's 1997 heart surgery, his box office popularity faded. 1996's "Kindergarten Cop" is a comedy, and he did not play the lead role in "Batman and Robin," even though his name grabbed him top billing. That makes "Eraser" his last great action film until "Terminator 3" became his last hurrah, for now anyway. Schwarzenegger plays John Kruger, "The Eraser." He puts the protection in the Witness Protection Program.

I cannot imagine a better beginning. Two thugs have invaded the home of a Federal witness (Robert Pastorelli). His wife writhes on the floor as the duo prepare to burn the house. Hearing gagged screams of a visibly bound woman having gasoline poured on her is not a pleasant experience for most people, nor is the sight of an innocent man about to have his tongue removed. The sounds and images ramp up audience hate towards the two, then greatly increases the euphoria when Kruger comes in and kills them in a most unpleasant fashion. His timely rough justice spurs us to root even for him even harder later on, even if the effect is on a subconscious level.

His next assignment is Lee Cullen (Vanessa Williams) who works Cyrez, a weapons manufacturer. Company President William Donahue (the always dependable James Cromwell) is selling high tech weapons on the open market, weapons that are supposed to be for the United States only. As Kruger points out, the men who recruit Cullen fail to inform her that she will need to be placed under Witness Protection. She refuses the program and returns home. An encounter with hi-tech hit men forces her to reconsider, and Kruger places her in a secret location and gives her a new identity.

The new weapon is the rail gun. It uses magnetic fields to propel aluminum rounds close to the speed of light. Of course, that means it can shoot through walls, and its scope can see through them, though not in great detail. There is a side shot of one being fired later, and the rounds are obviously not moving as quickly as advertised. They leave a visible trail, but it takes two of three frames for them to move the length of the shot, when it should be all the way through in one, but I don't care. The graphic looks cool and such a small detail is hardly a deal breaker.

Any list of the positives must start with Vanessa Williams. Cullen is hardly a part with Oscar caliber demands, but Williams plays her about as perfectly as possible. She is firm and disdainful when speaking to Donahue, then firm and surprised during her later meeting with FBI agents. She is often required to act fearfully, and in a state of controlled panic. Selling those emotions is not easy. I have acting experience, I should know. The former Miss America is more known as a singer than an actress, but her performance here illustrates why she received a musical theater scholarship to Syracuse. The aftermath of the first attack on her provides her best moment.

Similar praise goes to James Caan, playing Kruger's mentor. Caan is also a talented actor. The same can also be said of James Coburn as the Witness Protection agency's highest officer. Both had spent over thirty years in movie acting by 1996, and there abilities are evident in how well they convey their authority. There are too many action films with weak acting, but people like Williams, Caan, Coburn and Pastorelli ensure that "Eraser" is the opposite. Melora Walters provides arguably the best acting in her small but animated part as the Pastorelli character's wife.

The action, of course, must be well done, and for the most part it lives up to the Schwarzenegger standards. The opening scene is set up so well it does not have to be good, but it is, and the precedent is set. The action is not Arnold's best, but still more than adequate. I was disappointed at how little the rail gun is used, and I probably would have voted an eight if it made more appearances. When it does come, the action is not disappointing. Watching Arnold wield them brought a big smile to my face. Their lack of screen time a detriment, but with good acting and clever plot, there are still more than enough qualities to earn a full recommendation for yet another good effort from Mr. Schwarzenegger.

To enjoy Eraser you must...

1. Already like Schwarzenegger and his films 2. Suspend your disbelief 3. Have popcorn and nibbles on hand while you watch 4. Find a comfy chair 5. Enjoy the ride If you can do that, you'll find that your two hours spent in front of the TV will not be wasted.

Simple as that. Some people called Eraser 'Arnie's last great action film' (not including Terminator 3). That it may be. He got old. He went into politics. Action heroes became younger, better-looking and the stunts they participated in more elaborate and dangerous.

So maybe Eraser is Arnie's 'swansong?' Maybe not. I hear he's gearing up to do some 'post-politics' acting. If so, following in Eraser's footsteps would not be that badder place to start.

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A decade ago, this Arnold Schwarzenegger action flick was fairly hot stuff but I wonder if it would have the impact today since special effects are so much better and we've seen so many of these type of action stories in the past 10 years.

One of Arnold's keys to his successful career in films was simply that his movies were entertaining, and that's why people come to the theaters. High-brow critics often forget that. "Eraser" is a prime example. Entertainment alone is how this particular movie survives since common logic doesn't exist while violence and profanity are overdone. But, despite it's low-brow tastes and stupidity, it's still generally fun to watch if you can put your brain on hold for two hours. It's also fun to hear if you have a nice surround system.

This movie has one of the most outrageous action scenes I've ever seen on film, even to this day: one in which Arnold hangs from the outside of a jet airplane, finally lets go, free-falls to catch his parachute that had been ripped off, and then has to worry about the jet plane which had circled around and was going to smash him!!

The audio came into play nicely each time the super rifle that was featured in the movie was shot. Vanessa Williams plays the female lead satisfactorily and James Caan is very effective as the villain. Robert Pastorelli and James Coburn also add to the fun. A few laughs along the way help this no-brainer to become even more entertaining.

A super-slick slice of action, starring the reliable Arnie. This fast-paced flick has a lot bigger budget than Arnie's '80s offerings but it's not quite as enjoyable, despite an eye-popping array of visual effects and non-stop action sequences. There's a clinical detachment to this film, mainly due to the 'seen it all before' feel, as nothing really proves memorable or fresh.

However there are lots of reasons to watch. Arnie may look a little old these days but he's still as tough as ever, even more so than before as he has his hands and legs impaled by flying shrapnel (great scenes) and rips them out. Lots of baddies are killed and shot by Schwarzenegger, and it's great to see him return to a solid action role after the rather nauseating comedies like JUNIOR and JINGLE ALL THE WAY. Vanessa Williams is the female lead and remains competent, but being female she isn't really given much to do. James Caan enjoys himself in an over-the-top role as a sneering villain, much like Michael Caine in ON DEADLY GROUND. He makes a good adversary.

The special effects are all outstanding in this film, the super guns being most memorable as they leave plasma rings in the air after a bullet (an effect used more extensively in THE MATRIX). There are also a number of outrageous stunts and action sequences, set pieces including Arnie jumping out of a plane to get his parachute and a fight in a zoo, where crocodiles eat a number of bad guys in a hilarious moment: just a shame about the extremely dodgy nature of the CGI effects. The BBFC outrageously cut close to four minutes of the violence on this film's UK release, and it's definitely worth tracking down the uncut version. The violence in this is pleasingly hard-hitting and old school, as Schwarzenegger doesn't shy away from taking out the bad guys – and some good guys too, if need be.