The Empty Mirror

I strongly disagree with the comments made about this movie. It's not obscene. It's an honest attempt to get at the heart of one of the most fascinating and significant people in history. Sure, it takes some chances but all great works of art do. Is there any guarantee that Hitler actually had the thoughts that the writers of this movie think he had? No. But that's the case with most biographical movies. All in all, I found the movie disturbing, enlightening, and very much worth seeing.

For a relatively young, post-war Boomer like myself, this spellbinding movie poses a question which is more fascinating than Hitler himself ever was. Out here in ultra-liberal California, why do we still pay any attention to this guy? He died in the Bunker in Berlin on April 30, 1945, five years before I was even born.

Over the years, I've seen multiple object lessons on the benefits of tolerance and the sheer self-destructiveness of intolerance. I've seen everything improve from my love-life to my job prospects, as I have become more tolerant, more "easy-going" over the years.

Maybe it's because World War Two is one of the cases in which good really did vanquish evil.

On the other hand, maybe there is something mesmerizing about mental pathology, or at least the type that this neurotic SOB had. This guy was no BS-ing Spiro Agnew, no sobbing Jimmy Swaggart, he was the "real deal", a man who truly did the devil's work. And yet, who coolly maintained a distance between his person and the "Final Solution to the Jewish Problem". An animal-loving, sentimental vegetarian who loved bloody war. A raging maniac who revelled in his own anger, but who never himself killed anyone in civilian life. An adherent of "physical culture" who was sallow-skinned and infected with syphilis. A charismatic figure who spent his private life in an odd sort of solitude. A man who lived for a "glorious" past, but whose operatives created jet airplanes, robot bombs and the first ballistic missile, majorly contributing to the Twentieth Century which he so detested.

Yeah, sometimes pathological men are entertaining. And this movie tells us something about him and a great more about ourselves. Research on the Third Reich itself can become a form of conquest.

There are many ways to portray Hitler. One is to trivialize him by making him funny ("The Producers," "The Great Dictator"). Another is simply to pronounce him "evil, and that's all you need to know about him." Those who do the latter are doing a great disservice to themselves, because in order to prevent another Hitler, another Third Reich, we must allow ourselves to get inside the head of this megalomaniac who, along with killing 6 million Jews (well, 5.7 million according to the movie Hitler) and 5.5 million "people of Christian origin," turned the most civilized country in Europe into a nation of barbarism, then into a ruin.

"The Empty Mirror" parallels the Third Reich in that it shows Hitler, dictating his memoirs in Hell, gradually disintegrating both emotionally and physically as he confronts the enormity of his horrific actions.

Yes, this movie would be considered politically incorrect by some for not portraying Hitler as a two-dimensional monster, all fire and brimstone, but showing that he had actual human emotions, had fallen in love with a facade of his own (and Dr. Goebbels) creation, and learning that once the facade was demolished, what lived behind it was a puny, cowardly man.

Acting was terrific on all counts. Rodway, although physically far more imposing than the Fuhrer, did an excellent job as his character alternated between lucidity and madness. Joel Grey was a splendid Dr. Josef Goebbels, a sarcastic smart-ass who was perhaps the world's first spin doctor. The Eva Braun character was both sweet and pathetic as Hitler's airheaded mistress, then wife, who wanted nothing more than attention from him. But most frightening were the little blond Deutsche Kinder who were mesmerized by Onkel Adolf, in the same way that 70 million Germans were during the 12 years of the Thousand Year Reich.

In one of the more revealing moments of the film, Hitler belittles Stalin, saying the latter will be simply a blip on the radar screen of life (I'm paraphrasing). He, of course, was right. Stalin may have killed more, and the KGB certainly matched the Gestapo in cruelty, but Russia was and is a nation where human life is cheap. Germany was not and is not, except for those 12 years.

While this isn't easy viewing, and requires some knowledge of history, it should be required viewing in high school Modern European History courses, along with "Schindler's List" and "Judgment at Nuremberg." If we understand Hitler, and how he was able to mesmerize 70 million otherwise highly intelligent people, then history will be far less likely to repeat itself.

A superficial pass over The Empty Mirror will lead to superficial conclusions. I saw this several years ago at an American Cinematheque screening in Los Angles. The director (himself Jewish) tried to take a look at Hitler as a man, unsullied by the gross oversimplifications that typically underscore such material.

Most people feel a need to discard Hitler as merely "insane" and "evil" because it conveniently avoids the stickiness of trying to develop an understanding of his psychology. Most other material about Hitler and the Third Reich may try to offer honest insights, but more often then not devolve at some point into oblique moral condemnation "All you REALLY need to know is that they were all very NAUGHTY/BAD/EVIL." They don't trust you to be intelligent and reach your own conclusions.

The Empty Mirror takes a reasonably unclouded look - the majority of Hitler's lines are taken directly from _Mein Kampf_ and his interaction with other significant figures of the era provide us with insight (conjectured but believable) into his thought processes, motives, and rationalizations.

The movie occurs in a surreal, dripping dark stone bunker which the camera never seems to quite capture the dimensions of. It's more of a "dream" state than actual location as the rooms change, occupants shift, uniforms taken on and off.

See the movie yourself. The director is for once not insulting our abilities and is providing an opportunity to reach our own conclusions. Swallow your distaste for the subject for an hour and a half and try to objectively form your own opinion.

Remember that this is the last movie hitler would ever want anyone to see - one that demystifies the "Fuhrer-myth" by showing him to NOT necessarily be a 2-dimensional cartoon hellbeast, but alas, merely a man.

The Empty Mirror is like a stage production, almost entirely a monologue. It is Adolph Hitler's fictitious self-examination (interrupted by a detached Sigmund Freud to give his objective analysis). I really enjoyed the writing and performances. The production is a bit cheap, but for what it is, it still works. My main complaint is the casting of Norman Rodway as Adolph Hitler. He portrays the insanity of Hitler with painfully acute skill. But, his long face and British accent breaks the illusion, taking the audience out of the story, and I feel he was just a poor choice for the part of such a well-known historical figure. The Roles of Goering, Goebbels, and Freud on the other hand were cast very well, with excellent performances.

The story illuminates the power of illusions and how someone could delude themselves into believing almost anything. It humanizes Hitler a bit, examining how he destroyed himself in his lust for power, and how the same thing could happen again.