Quando a Casa Branca decide avaliar uma militar mulher, morta em combate, para uma medalha póstuma na ideia de criar uma heroína de guerra, o que se descobre pode ser mais negativo para a mo... Ler tudoQuando a Casa Branca decide avaliar uma militar mulher, morta em combate, para uma medalha póstuma na ideia de criar uma heroína de guerra, o que se descobre pode ser mais negativo para a moral do exército do que se imaginava.Quando a Casa Branca decide avaliar uma militar mulher, morta em combate, para uma medalha póstuma na ideia de criar uma heroína de guerra, o que se descobre pode ser mais negativo para a moral do exército do que se imaginava.
- Direção
- Roteirista
- Artistas
- Prêmios
- 9 vitórias e 7 indicações no total
- Bobcat 5
- (as Mark Adair-Riós)
Avaliações em destaque
There are two stories running simultaneously throughout the picture. The first - Denzel as commander of the tank battalion - is dark and understandably confusing. This lends itself to the realism and confusion of actual warfare where warriors are expected to determine friend vs. enemy at night while looking through infrared scopes while under intense fire. It is a daunting, and sometimes overwhelming, task to command.
The other story is of a heroic helicopter crew, led by Major Meg Ryan as the pilot, who goes down while trying to protect another downed chopper crew. Over the course of the next 24 hours, the heroes come to terms with who they are under intense enemy fire. What starts out as a clear-cut "give her the medal because the President and our government needs a female hero" turns into a genuine mystery as to whether the pilot truly deserves it or not.
There is very little difficulty separating the two stories. What becomes more complicated is how Denzel's character must overcome his own demons in order to objectively give America's most important wartime medal to a deserving/undeserving member of the service. Whether it would be the first female to be awarded this prestigious medal is irrelevant. It is right vs. wrong with a very important military mystery blocking Denzel's path to the easy path of just giving it to her.
This is a clever "did she/didn't she" narrative with sides changing their story at nearly every turn. Since there are so few witnesses under intense enemy fire, it's basically one soldier's word vs. another's - and who is telling the truth when one of them is dead. It also is the story of redemption for two very classy, honorable soldiers who deserve more from their country - and their other brothers in arms. Denzel has done this character before, which also makes him a perfect fit for the tortured commander who wants to do the right thing against the powers that be. Meg Ryan was surprisingly excellent at portraying a character who, through the stories changing multiple times, must be both heroic, cowardly, and still maintain dignity and honor in the face of overwhelming odds. It's fairly inspirational stuff.
This may not be the best war movie ever made. However, I believe it is definitely worth watching as a night's entertainment. I would place it on the same, well-done, stereotype-shattering heroic level as "Men of Honor". Well cast, well acted, and well done. 8 out of 10.
Still it's pretty good. And, Gott sei dank, it is not a story in which a woman proves herself as a good as a man, despite the fact that she is a member of the weaker sex. (What condescension.) Meg Ryan is a capable and courageous officer who happens to be a woman. Her sex is important to the politicians who are positively drooling over the prospect of awarding her the decoration, but isn't really important to the narrative.
The performances are better than I'd expected. Everyone, in fact, is quite good in their different ways. Matt Damon, in particular, gives a sensitive performance as a guilt-ridden medic, and looks the part, somewhat ascetic, his facial features askew with uncertainty. Meg Ryan doesn't have a chance to do more than shout orders with a Texas accent but she registers pain and determination well. Lou Diamond Phillips is perhaps the least articulated character, but that may be the fault of the role as written, which is fairly complex but a little obvious. Denzel Washington is the central figure. He's good as carrying that burden of guilt left over from his battlefield mistake but isn't too convincing as a drunk. In the end, he relieves himself of some of that torture by visiting the parents of one of the men he had killed and confessing his part in the incident. The first few times I saw this I kept thinking what some other actors would have done with this scene, but the last time I found his incarnate remorse rather moving.
There is one scene delicately shot, an uneasy exchange between the lying Damon and the perceptive Washington that's beautifully staged and acted, and another memorable first encounter between Washington and Phillips, in which both actors probe the edges of insubordination. Michael Dolan stands out in a featured bit part as a hospital orderly.
The battle scenes are well done, although a little confusing, as I'm sure they would have been at the time. Some generic conventions are adhered to. Four of our guys can slaughter dozens of them. The enemy runs headlong into a hail of bullets. But there are some interesting twists given to the situation. The Iraqis on the other side of the hill can be heard laughing at our boys (and our woman). And the ending is revisionist, but I won't go into it. Justice outs, let's say that.
It's a worthwhile watch for any number of reasons. Craftsmanlike if not poetic.
Denzel's story is one of sadness and guilt over the death of a friend during the Gulf war, a friend that he himself killed in a 'Friendly Fire' incident, during the confusion of battle. His country won't let him speak, and they shower him with medals; this only adds to the pain that begins to tear him apart.
Denzel's Character is given an assignment to determine whether a female helicopter pilot (Meg Ryan) deserves the medal of honour.
Meg's story, played out in flashbacks, is about a helicopter pilot and her crew saving a handful of soldiers, from the Iraqi onslaught. She is the first female to be considered for the medal of honour, and the question is, does she deserve what the American people would so love too see her receive.
Denzel, determined to get this one right, collects evidence and testimony from Ryans crew and the men that were saved. The problem is, Denzel's superiors want this medal awarded, but the simple truth is difficult to unveil. Every shred of evidence leads to more and more uncertainty as to whether this medal should be awarded.
Truly compelling direction and very special character portrayal make this an extremely enjoyable, very dramatic movie.
If you've over looked it, then give it a try. I think you'll be glad you did.
8/10
Você sabia?
- CuriosidadesIn order to lose the required amount of weight for the present-day scenes, Matt Damon went on a strict regimen of food deprivation and physical training. This caused his health to become so frail that he was put on medical supervision for several months after the shoot. However, his efforts didn't go unnoticed: director Francis Ford Coppola was so impressed by Damon's display of method acting that he offered him the leading role in O Homem Que Fazia Chover (1997). While making Gênio Indomável (1997), after regaining his healthy weight, Damon met Steven Spielberg (who was then casting O Resgate do Soldado Ryan (1998)). Spielberg told Damon that he had loved his performance in this movie and had wanted to hire him to play Private Ryan, but was afraid that Damon was too skinny. Once Spielberg saw Damon at his normal weight, he hired him for Ryan.
- Erros de gravaçãoThe Medal of Honor is never placed around the neck of anyone but the recipient of the award.
- Citações
Captain Karen Emma Walden: [to Monfriez, after she's been shot in the abdomen] I gave birth to a nine-pound baby, asshole. I think I can handle it.
- Trilhas sonorasAngel from Montgomery
Written by John Prine
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Valor bajo fuego
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 46.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 59.031.057
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.501.586
- 14 de jul. de 1996
- Faturamento bruto mundial
- US$ 100.860.818
- Tempo de duração
- 1 h 56 min(116 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1