Contos da Meia-Noite

Redeeming all at once,the adolescent film,the film made up with sketches and the B-movie horror genre,it was too good to be true.And however,"campfire tales " could have done all that.Preceding "the sixth sense",the film recalls,more than "Jacob's ladder" ,the obscure "carnival of souls " (1962)."Campfire tales",like the three movies mentioned has an ending with coup de théâtre,completely unusual.

So why is half of the movie routine and business as usual?OK,the honeymooners are useful for the plot,but their whole sketch has no real connection with the main story.The same goes for the little girl surfing online and her dog.On the other hand,the last sketch is at once scary and significant:its conclusion magnificently segues into that of the whole movie.

One marvelous scene:one of the boys is getting cold and he asks the girls to share their blanket:isn't it it an extraordinary clue?A lot of directors would dream of such a trick.Had the film had an internal cohesion,had he used all its sketches as it did for the last one,it would have solved the squaring of the circle and the three -despised- genres,which I mention above ,would have been enhanced.Yes,it was a heaven sent opportunity.Try to see it anyway ,it deserves better than its poor rating.

After the success of Scream, everyone and their mother seemed to want to make some hip slasher movie with a cast of semi-familiar TV faces. In that sense, Campfire Tales fits that formula, but the stories themselves are far from the winking, slash-happy Scream successors.

A car load of teens has an accident and spend their time telling creepy stories to each other as they wait to be rescued. The first story tells the classic urban legend of the couple who park where they shouldn't and a grim surprise awaits them in the morning. The second is a disturbing variation of the "people can lick, too" urban legend about a dog who fails to protect a little girl from danger. The final installment centers on a biker who falls for a mysterious young woman with a dangerous daddy.

Each story is told with a fairly straight face and the second story really brings the chills. The final twist ending is painfully predictable, but all three stories are so solid that you probably won't mind much.

Campfire Tales was unfairly neglected upon release and I hope a wider audience will get to experience it at some point.

Sporting surprisingly high production values and a cast full of familiar faces, the horror anthology "Campfire Tales" will keep genre fans mildly amused.

Why only mildly amused? Well, the cast isn't the only familiar thing about this movie. Most eek freaks have already heard variations of the film's stories around campfires of their own. To wit, the opening segment (starring James Marsden and Amy Smart) is a quick retread of "The Hook" urban legend.

The three main tales, told by a group of teenagers (including Christine Taylor and Christopher Masterson) get progressively better. Ron Livingston turns up in an acceptable bit about terrorized honeymooners, followed by a rather creepy cautionary tale of an Internet predator. Finally, the always effectual Glenn Quinn plays a stranded biker who falls for a mute, mysterious girl (Jacinda Barrett) in the film's best segment.

Of course, it's those storytelling kids who suffer the nastiest twist of all.

The film's end title music, a slightly retooled version of "The Monster Mash" is weirdly fitting. Though entertaining, "Campfire Tales" is nothing new.

Good (not great) little horror film with a high "creep" factor (not to be confused with a 1991 movie by the same name, or the more recent (2001) Campfire STORIES). Central tale of stranded teens telling ghost stories around a campfire in spooky woods nicely leads into, and ties together the different stories that make up the bulk of the movie (Watch for Ron Livingston (Office Space, Band of Brothers) and Jennifer MacDonald in a spirited, sexy segment ("The Honeymoon")). Solid acting and a few truly "scary" moments make this an above-average chiller. Good example of interesting story line, coupled with quality ensemble acting resulting in a whole greater than the sum of its parts. "Surprise" ending of the main story adds nice creepy twist, although some may see it coming. Movie is not available on DVD, but can be found on VHS.

The horror anthology movie has been a popular source of enjoyment for horror fans for a number of decades. As is pretty much always the case, the quality of each segment of the films varies - and this always will be the case. Case in point Campfire Tales.

Something of a little treat for those inclined, this offers up four main stories and a wraparound device which involves four teenagers telling the tales around a campfire after their car has crashed. In my own anthology experiences, the main stories have tended to improve in quality as each story plays out, Campfire Tales is different, it opens weakly - has two great stories in the middle - and then closes on a damp boring squib. leading into the big - if unsurprising - reveal at films end.

The poster for the film puts Amy Smart and James Marsden up at the front, which is a bum steer given that their screen time is not massive. Their story, "The Hook", opens the film and it's poor, devoid of scares and tension, and it obviously gears itself up for a chilling reveal but it ends up more funny (even baffling) than creepy.

"The Honeymoon" is up next and things significantly improve. Based on one of the most famous of urban legends, this finds a young couple of honeymooners stranded out in the woods when their camper van runs out of petrol. Choices are made, menacing terror begins, which all leads to a genuinely shocking finale.

Next up is "People Can Lick Too", which finds a young girl home alone and stalked by a paedophile she met on line. The whole episode has a sinister eeriness to it, with some reveals sending chills down the spine. The ending is heart stopping and blood curdling.

The last segment is "The Locket", which is well acted but ultimately more wistful and ethereal than anything scary or unnerving. Though the denouement is sure to appeal to many. Nice musical score here as well. And on to the reveal, straight out of The Twilight Zone and from any number of films of the same ilk. Great fun even if not all the stories knock it out of the park. 7.5/10