Adicionar um enredo no seu idiomaIn the early 14th century, Scottish warrior and Earl Robert the Bruce is crowned King of Scots, leading Scotland during the First War of Scottish Independence against England.In the early 14th century, Scottish warrior and Earl Robert the Bruce is crowned King of Scots, leading Scotland during the First War of Scottish Independence against England.In the early 14th century, Scottish warrior and Earl Robert the Bruce is crowned King of Scots, leading Scotland during the First War of Scottish Independence against England.
- Direção
- Roteiristas
- Artistas
Barrie Ingham
- Gloucester
- (as Barry Ingham)
Heather Flannagan
- Majorie Bruce
- (as Heather Flannigan)
Avaliações em destaque
This is not an easy film to follow in the beginning. Granted the period it portrays is also quite confused. The film jumps into events and characters quickly without really allowing one to develop who they are. This is not aided by a poor sound quality which makes it hard to follow dialog and plot at times. I think editing might have hurt this film as well.
The best actor by far is Brian Blessed who steals all the other roles as Edward I (Hammer of the Scots) Again we see a pretty heavy-handed portrayal of this great English King a la Braveheart! Also, as mentioned by the previous reviewer the English are wee bit too evil, and the Scots a wee bit too good! The Bruce for one thing is shown as rather saintly in the film. This he certainly was not! His murder of Comyen the Red in the church abby was certainly one of the more foul acts of the time. The Bruce was no saint, but again he had to be pretty ruthless given the times he lived in.
This was a Cromwell Productions film, and since they did a pretty good historical documentary of the Bruce and Bannockburn in a previous work it is surprising that they white-wash the history so much in this drama here. The battle scene at Bannockburn while good, is not as impressive as billed. For one thing the intervention of the Highland Gillies seems over-done. The battle was largely won by the Scottish Schiltrons long before the surging horde of Highlanders from the bluff above! Also the legendary dual between the Bruce and De Bohan the day before the main battle is completely omitted! This would have made for a splendid movie fight scene and did much to build the Bruce's legend as a great fighter! Instead he kills the English knight during the general melee of the battle. Not as convincing! Those seeking a film above the level of Braveheart wont really find that here. In fact Braveheart while complete fantasy, makes for a more coherent film. The Bruce is a modest work at best. Perhaps it is not surprising that it has all but gone out of print.
The best actor by far is Brian Blessed who steals all the other roles as Edward I (Hammer of the Scots) Again we see a pretty heavy-handed portrayal of this great English King a la Braveheart! Also, as mentioned by the previous reviewer the English are wee bit too evil, and the Scots a wee bit too good! The Bruce for one thing is shown as rather saintly in the film. This he certainly was not! His murder of Comyen the Red in the church abby was certainly one of the more foul acts of the time. The Bruce was no saint, but again he had to be pretty ruthless given the times he lived in.
This was a Cromwell Productions film, and since they did a pretty good historical documentary of the Bruce and Bannockburn in a previous work it is surprising that they white-wash the history so much in this drama here. The battle scene at Bannockburn while good, is not as impressive as billed. For one thing the intervention of the Highland Gillies seems over-done. The battle was largely won by the Scottish Schiltrons long before the surging horde of Highlanders from the bluff above! Also the legendary dual between the Bruce and De Bohan the day before the main battle is completely omitted! This would have made for a splendid movie fight scene and did much to build the Bruce's legend as a great fighter! Instead he kills the English knight during the general melee of the battle. Not as convincing! Those seeking a film above the level of Braveheart wont really find that here. In fact Braveheart while complete fantasy, makes for a more coherent film. The Bruce is a modest work at best. Perhaps it is not surprising that it has all but gone out of print.
I got this film (and an exclusive baseball cap - hence the snazzy tagline above) back in 1996 when I turned 20. Given that Braveheart dominated Scottish cinema - even overshadowing the superior Rob Roy with Liam Neeson and Jessica Lang - a crowd funded production with distinct my mixed values was always going to struggle, no matter how well intentioned.
So I have a little soft spot for an amatuerish, threadbare movie that made a deeply flawed, if honest, attempt to accurately address the historical record during a crucial period of Scotland's history - no easy feat given the fragmented, contradictory, mythical or non - existent accounts of these times. A straightforward telling was never going to be possible.
Although it was a bit of fun watching 1990s pop culture icon Michael Van Wijk aka the villianeous Wolf from ITV's Gladiators, and Scottish folk singer Ronnie Brown (the surviving Corrie), a special nod must be given to Oliver Reed - head and shoulders the best thing about The Bruce. With his quiet, dignified and restrained performance was Reed showing us what he was capable of as an actor - preparation for an first class swansong with a Gladiator of a different kind?
So I have a little soft spot for an amatuerish, threadbare movie that made a deeply flawed, if honest, attempt to accurately address the historical record during a crucial period of Scotland's history - no easy feat given the fragmented, contradictory, mythical or non - existent accounts of these times. A straightforward telling was never going to be possible.
Although it was a bit of fun watching 1990s pop culture icon Michael Van Wijk aka the villianeous Wolf from ITV's Gladiators, and Scottish folk singer Ronnie Brown (the surviving Corrie), a special nod must be given to Oliver Reed - head and shoulders the best thing about The Bruce. With his quiet, dignified and restrained performance was Reed showing us what he was capable of as an actor - preparation for an first class swansong with a Gladiator of a different kind?
Reed, Blessed, Welch and van Wijk all turn in quality performances in this under-rated account of Scotland's greatest warrior (are you watching William Wallace?) but one cast member stands head and shoulders above his colleagues. In the final set, Stuart Poole, clad in garb to make Robin Hood jealous, congratulates the Bruce on his vanquishing of the foe. The dignity, grace and emotion evident in Poole's performance is a joy to behold. It's a shame he isn't credited on imdb...
What was the most irritating thing about this film?
The appalling acting? The revelation that medieval knights apparently fought with an assortment of *very* wobbly rubber axes and other assorted joke shop armaments (honestly, a Pythonesque cow flip would not have been misplaced). The fact that one of the most important battles in 14th century Europe looked more like a disorganised pub fight, with no discernible cues to the viewer as to who was English or Scottish? The incomprehensibly boring narrative? The most ham-fisted, cheesiest, cliché ridden 'tottie-scone' dialogue, ever?
Perhaps all of the above.
To me, however, there was a general eclipse of all that. It was the following.
The quest for Scottish Independence was decades in the making. It saw some of the most deftifying, heroic, savage, heartbreaking and bloodthirsty history that's ever been. We're talking about a time that, when the Scottish defensive wall at Berwick developed a weak spot, children and woman were sent to fill the place to keep the invader out. Every man, woman and child was at war.
In 1996 Scotland deserved a 'proper' movie. Yes, Braveheart was a movie that *deserved* to be made, in it's identification and selling of Scottish history - I applauded it's success - but in doing so I also openly acknowledged the fact that it was a bad film. A very bad film.
Consequently, 'The Bruce' served only to mutilate and befoul not only history itself, but the chance of one day exploring that history in a better capacity than Braveheart ever did - through film - by simply telling the story (trust me, a Screenwriter's dream - as it is, left well alone) on the back of a good budget and high-profile pitch.
The Director of the Bruce should be trialled for Cultural crimes and then, publicly, carted naked through the old streets of Edinburgh, before slowly being drawn against 'The Maiden'.
Shooting adverts for spam products might have been a challenge for him. Instead, he created the single worst movie on the planet (in every conceivable sense) with material that would have gifted a talented directorial new-start with a plethora of creative devices and opportunity.
In short, I wanted to scoop my own eyes out and replace them with cartoon bomb-jacks. And, in short, he ruined it for real directors of the future.
The appalling acting? The revelation that medieval knights apparently fought with an assortment of *very* wobbly rubber axes and other assorted joke shop armaments (honestly, a Pythonesque cow flip would not have been misplaced). The fact that one of the most important battles in 14th century Europe looked more like a disorganised pub fight, with no discernible cues to the viewer as to who was English or Scottish? The incomprehensibly boring narrative? The most ham-fisted, cheesiest, cliché ridden 'tottie-scone' dialogue, ever?
Perhaps all of the above.
To me, however, there was a general eclipse of all that. It was the following.
The quest for Scottish Independence was decades in the making. It saw some of the most deftifying, heroic, savage, heartbreaking and bloodthirsty history that's ever been. We're talking about a time that, when the Scottish defensive wall at Berwick developed a weak spot, children and woman were sent to fill the place to keep the invader out. Every man, woman and child was at war.
In 1996 Scotland deserved a 'proper' movie. Yes, Braveheart was a movie that *deserved* to be made, in it's identification and selling of Scottish history - I applauded it's success - but in doing so I also openly acknowledged the fact that it was a bad film. A very bad film.
Consequently, 'The Bruce' served only to mutilate and befoul not only history itself, but the chance of one day exploring that history in a better capacity than Braveheart ever did - through film - by simply telling the story (trust me, a Screenwriter's dream - as it is, left well alone) on the back of a good budget and high-profile pitch.
The Director of the Bruce should be trialled for Cultural crimes and then, publicly, carted naked through the old streets of Edinburgh, before slowly being drawn against 'The Maiden'.
Shooting adverts for spam products might have been a challenge for him. Instead, he created the single worst movie on the planet (in every conceivable sense) with material that would have gifted a talented directorial new-start with a plethora of creative devices and opportunity.
In short, I wanted to scoop my own eyes out and replace them with cartoon bomb-jacks. And, in short, he ruined it for real directors of the future.
This movie is the last straw in a list of films I have seen this week that have pushed me over the edge and forced me to join IMDb and spread some warning to the public. It was absolutely horrible. The film was drawn out and painfully boring. The sound, effects, and even picture quality seemed like they came from Willow (1988) or maybe even Conan the Barbarian (1982). The battle of Bannockburn was absolutely absurd. This "largest filmed reconstruction of medieval battle ever staged in the British Isles" made me snicker. There wasn't even a coherent formation at all, just a few guys with spears and horses running right through them. The scenes of Douglas, especially in the last battle, were simply horrible, as was most of the acting in the film.
Você sabia?
- CuriosidadesA Dunfermline schoolgirl skipped school one day and landed a part in this, crowning Robert the Bruce. She went on to film other scenes, including a corpse. Although she never got paid, she claims it was the most exciting thing that happened. She was shy because she'd never been in front of a camera before, but she found it easy, as the set was closed when Oliver Reed was in the coronation scene. The crown on Sandy (Robert The Bruce) kept slipping off his wig . He told the girl that inside was a dot which was supposed to sit at the back. This helped. The next scene was perfect and they kept it in the film, where she smiles at her friends next to her, happy that it stayed on.
- Cenas durante ou pós-créditos"This film was only made possible by the faith and courage of the Associate Producers". This is followed by a list of the names of over 200 individuals and organisations.
- Versões alternativasUK versions were cut by 16 secs by the BBFC to remove all shots of women's bloodstained breasts.
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- How long is The Bruce?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Robert Brus
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 500.000 (estimativa)
- Tempo de duração1 hora 47 minutos
- Mixagem de som
- Proporção
- 1.66 : 1
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