A Gaiola das Loucas

When I read a few of the user comments on the site, I noticed one thing was missing: Hank Azaria. He really made the movie what it is. It's a funny movie in general, but he really makes it funny. This movie is one of his very best performances.

My mother loved this movie because of Williams. We would watch from time to time. She passed 5 yrs ago and I watched for first time since then. It's still funny and Nathan Lane is fantastic.

This film has the distinction of being quite possibly the funniest film that I've ever seen. I remember seeing this film the night it opened and laughing so hard that my friend told me she'd get up and leave me there if I didn't shut up!

Almost everyone I've talked to over the years swears by how hysterical this film is. There is a reason for that: Nathan Lane. This guy is a comic genius. He was nominated for a Golden Globe for his performance but should have been nominated for an Academy Award as well if you ask me. Originally when I first saw it, I didn't care for Robin Williams' character at all but the more I've seen it over the years (over fifty times) it grows on me. Dianne Wiest is her normal, ditzy self but is a scream here and Gene Hackman in that last scene...well, I don't want to give away anything.

Half of the fun of this film is the verbal repartee between the characters, especially anything between Hank Azaria, Nathan Lane or Dianne Wiest.

If you haven't seen this film, you owe it to yourself to just have fun and laugh the night away. Enjoy it!!!

My rating: 4 stars

What do you get when you get two comedy legends like Nathan Lane and the brilliant Robin Williams and tell them to be as camp and lovable as possible? This movie. It's heartwarming how much Albert (Nathan Lane) tries to make himself 'normal' for his stepson's girlfriend, just to finally see he is normal. He's a wonderful mother figure, and that's all that matters. It's a funny, smart and sweet story that's a good thing to watch whenever you just want to feel better.

Though nothing can beat "La Cage aux Folles," the film on which this American version is based, I still found "The Birdcage" delightful fun and hilarious at times, thanks to the comic geniuses of Robin Williams and Nathan Lane. Lane is the dramatic Albert, an over the top drag queen who has lived for years with Robin Williams, Armand, the owner of The Birdcage, where Albert performs. Armand once had a liaison with a woman, which produced a son, Val, who now wants to be married to the daughter of a conservative politician. In order for that to occur, Armand has to become butch, all gay art work, etc., needs to exit the apartment - and Albert must disappear for a few days.

Williams is hilarious - my two favorite scenes are his rehearsal with Albert and a young man appearing with him on stage, and the scene where he coaches Armand on being macho - priceless. Nathan Lane's shtick is familiar to me, as I've seen him in "The Producers" and "The Odd Couple" - he's a riot as the insecure, jealous, easily hurt Albert.

The role of Val is problematic, because how does one keep him from looking like a complete bastard as he shuts out Armand, who raised him. But Dan Futterman and Calista Flockhart as Barbara make a lovely young couple. Gene Hackman and Dianne Wiest are very funny as Barbara's befuddled parents.

It's been a long time since I've seen the French "La Cage aux Folles," and I saw the musical on Broadway as well. The French is superior to any version. The musical is quite poignant and emphasizes its statement in the song, "I Am Who I Am." The joy of the French film is that the actors playing the lovers, Ugo Tognazzi and Michel Serrault, play their roles very seriously, and the humor and poignancy come out of the situation and the outrageousness of the Armand character (Albin/Zaza in the French). In "The Birdcage," it's played for comedy all the way. That's okay. You'll still enjoy it. But see the original.