Delicada Atração

BEAUTIFUL THING is a unique drama - presenting an adolescent gay couple as complex individuals, within a greater setting (an English housing project) that also captures a bit of a slice-of-life feel. I like the working-class setting, and wasn't bothered by the accents - as an American it required me to pay attention - a good thing as there are many subtle details that make this a very rich drama.

It does tug at the heartstrings a bit, and it lays on the cuteness a bit more than it should, but I loved the characters anyway, and the setting and context (very nicely detailed film-making) keeps those minor gripes minor.

There have been so many cynical or clichéd gay dramas released during the last decade or two, especially in the US (gay film from elsewhere in the world often seems so much more fresh and lifelike) - in many ways this film was (and remains) a real breath of fresh air.

By the time this was released I was already in my 20's but still this tale of teenage love and awakening desire between these two boys stirred something inside of me and now in my 40's it still breaks my heart and how misspent my youth was, afraid of what others would think of me.

Such bravery in the story telling, so frank and honest in it's portrayal of a same sex love at that time - I adore this movie how ever dated it may feel now. The message still remains - Make your own kind of music !!

Great casting, wonderful soundtrack and, for a change for a movie about gay love, a happy ending !!

The film will always remain in my heart of what could have been for me xxx

A film about the gay working class runs the risk of portraying two sets of stereotypes. But 'Beautiful Thing', Hettie MacDonald's sweet little movie, is lifted above mere cliché through the quirky humanity of its characters, and the atmospheric cinematography of the ugly-beautiful London overspill estate of Thamesmead. Unlike many "gay" films, it manages to display sympathy for its characters without becoming unduly celebratory (a tone that rarely makes for good cinema). In fact, it has something of the feel of a Mike Leigh film, although it's a lower key affair than most of Leigh's movies: a little less intense, a little less depressing, and a just little less funny. But that is, of course, to judge it against the highest of standards. In it's own right, it's a modest, but distinctive and highly likable film.

Once again, I am overwhelmed by the excellence of British film-making & acting. I truly bow to the British honing of the craft of acting, which is brilliantly presented in this film. Storyline aside, the acting of the mother "Sandra" is superb; you feel every emotion on her face as she struggles to make a better life for herself and her son, as well as accept her son's growing awareness of his own sexuality. Remarkably, she is my favourite character in this film, notwithstanding the performances of the 2 boys, who are superb. The boyfriend, Tony, is also wonderful as a supporting character. My favourite scenes are actually sequential: first, the shot of Sandra following the boys in a cab, as the shock & turmoil of her emotions is beautifully portrayed during this scene; second, the followup scene with the boys in the park, probably, for me, the most wonderfully innocent, beautiful and intimate scene in the film. I'm probably being silly; every scene in this beautiful film is a treasure and at triumph, for anyone who's ever been in love. I know I will treasure this film always.

Never have I seen such a simple film that was so satisfying. The screenwriter dealt with the issue of homosexuality among teenagers in a realistic and smart manner. Every time the film becomes a little too dramatic, the director has something funny happen to lighten the atmosphere, which makes for a sweet and touching film. Also, all the characters are complex, so that bad characters do good things and good characters do bad things. Nobody is perfect and nobody is all bad, which makes the film even more realistic. It's similar to the more recent Get Real, but Beautiful Thing is definitely better. This is without a doubt my favorite gay film. Only the British can make a film this good!