Andersonville

At first I thought this might be an anti-confederate propaganda piece. While I am sure some of it was exaggerated. Like in most wars both sides had people who enjoyed others suffering. The real life camp commander was hung after the war for good reason. As you will see in the film. His bad behavior and cruelty is a crux of the plot. In that he gravitated to the role due to a personality that liked inflicting un-neccesary suffering on captured soldiers in a war (not criminals).

With the dynamic of the film not just being Confederates against Yankies, also the element of the unprincipled 'Raiders'. Essentially a civil war era prison capo, given favorable treatment to boss the camp for the confederates.

One of my favorite moments in the film is when a raider who is to reveal the location of a tunnel is dealt with. This part is one of those where you look away and look back. Won't say more on that cos it would spoil it.

It's not the best action film. But as a story this is great. The personality of the prisoners is portrayed superbly by a largely green cast (in 1996). It is important that you can empathise with the characters and that is done brilliantly here and probably why I would give it an 8 and not a 7. Matinee.

The movie Andersonville was one of intense drama. The historical subject matter made the film all the more pertinent to society today. Man against Man, Brother against Brother. That is what the Civil War was, and Andersonville was its worst. Men treating other men like animals and game for sport. The utter despair. The terrible suffering.

Andersonville is set during the Civil War, in the south, in a Prisoner Of War camp run by the Confederate Army. The story depicts the conditions of suffering that the Union soldiers endured while held captive. The best and the worst of humanity is shown in this film as the viewer is shown all ends of the spectrum of pain and suffering.

Peter Murnik's character, Limber Jim, was the voice of conscience in this film. Jim was the one who finally stood up to the injustice that other Union soldiers were enacting against their fellows. It was Jim who rallied the troops to a riot to stop the "Raiders" from continuing their carnage. Not a single 'Peter' scene went by without the viewer sensing the intensity. He portrayed it in his face, in his demeanor and most of all, in his eyes. In this film, Peter said so much without uttering a word. The look he gave in his eyes told the viewer the intensity of his feelings. His determination. His desire to see the wrongs righted. In a sense, Limber Jim was one of the saviours of this film. His standing up to the injustice he witnessed and lived through, enabled his fellow prisoners to also rise up and change the world around them, as small as it was.

In spite of the fact that this was a film and an artistic production, the real Andersonville shone through. The viewer came away knowing the despair that the Union soldiers felt and lived. There was no question that humanity, as a whole, had been wronged by the cruelty that took place at Andersonville. The human race came away from Andersonville worse off for having realized that we could fall so far from the very civilization we pride ourselves on creating to treat other fellow human beings the way the Union soldiers were treated.

Andersonville actually existed, and does so today as a Federal Park and tourist attraction. This movie is a very good link in telling the tale that so many never got to tell. The actors, staff and crew of Andersonville did such a magnificent job that anyone seeing this movie will know what it was like to have been there. They will know the suffering, the pain, the disease, the despair. The cast and crew are to be applauded for their efforts.

In his bio, Peter lists Andersonville as one of the projects he is most proud of. And, well he should be. He did an excellent performance and is to be commended. It will go down as one of the favorites with his fans. Once again, Peter's genius comes shining through.

Shows that neither side always knew what they were fighting for, as the case in most wars. Also shows the brutal side of humanity, as men on the same side killed one another when desperate...or at times just for slightly more comfort.

Don't really know who any of the actors were for the most part, and they were all GREAT! The main villain was little cheesy, but overall the acting was 9/10.

If you're interested in the civil war as it likely was, this is probably close to as real as you'll get as far as being a POW during it. Should be required viewing in high school.

My opinion is that Andersonville is the best Civil War movie ever made, period. As a former Civil War reenactor, I'm not going to sit here and nitpick at all the "mistakes." Were there mistakes? Sure. The timeline was a little fuzzy for one. But that does not detract from the power of this movie. The guards were not well fed regulars either, but so what? You don't have to take a test after watching this movie!

I think the REAL factor in Andersonville being such a great production was the fact that you had no real "name" people involved. Fredric Forrest may have been the biggest name in the film and is a career role actor - but WHAT an actor! These guys busted their balls for this film and it really shows. I heard one reenactor complain that the characters seemed "cartoonish," and I don't buy it. I bet he was refering to Jan Triska who played Wirz. Well, read up on Wirz. I think they got it pretty close.

Forgive me, my reenacting brethern, but alhough Gettysburg was a tolerable film (I got to be an extra in that) and Gods and Generals was a disaster, the problem with these productions was the fact that they relied way too heavily on reenactors. Reenactors are NOT actors! They were used most effectively in Glory, not so well in Gettysburg, and Gods and Generals? Don't want to even go there. Andersonville followed Glory's success formula in using reenactors as background with small parts filled in by them (my buddy Martin Leibschner playing the banjo in the Raider camp was a good use of the talent reenactors can bring to film).

Frankenheimer must be given a lot of credit, as should the writer. The script did get a little cheesy here and there, but not enough again to trash the overall production. Jarrod Emick (sp?) as Josiah Day did a nice job, but until that point he had been a stage actor mostly, and his voice inflections projected that. Still, he did a great job. Peter Murnik as Limber Jim added that "mystery character" to the film well (as the real Limber Jim who was at Andersonville is a mystery to history). Again, I can't think of one lame performance by any of the key actors here. They put 110% into the job and I commend them for it. And whoever was involved in the set design was on the ball too. To try and recreate that place was no small task.

I remember a reenactor bitching because for the "filling" of the stockade for the wide shots, they had to use women and even cardboard figures. Big frekin deal! When they are dots on the screen, did it REALLY matter?

I can't see this movie being topped in terms of a Civil War period piece. Hollywierd is always bent on turning just about every period piece into some type of romance for the younger target audience. Andersonville is certainly a refreshing change of pace to that drill.

The American Civil War, and Union soldiers are imprisoned at Andersonville, a crude stockade establishment presided over by the inept and cruel Captain Henry Wirz. It would prove to be a another dark and soul destroying chapter from the war.

Lets get it out there right away, Andersonville was not the only hell hole prison operating during the American Civil War. Information from both sides of the coin is available on line for those wishing to explore further. That said, Andersonville is a story that deserved and is needed to be told, and this John Frankenheimer directed two - parter brings it vividly into the viewers' lives.

In filmic substance terms it has all the standard POW movie cliche's. We follow a group of prisoners and a group of "convict bullies", with those in authority observing menacingly and proving desperately carefree as to the conditions of the prison and of humane traits in general.

But as formulaic as it ultimately is, there's a determination by the makers to keep the characterisations real and viable, and they achieve this in spades. Pic is also boosted by superb period detail, costuming is grade "A", while the production and art design for the prison is harrowingly effective.

Frankenheimer's tracking shots brings home the enormity of the misery, while Gary Chang's score is thankfully never bombastic. Cast are a mixed bag - to be expected in such a large ensemble piece - and you can't help but yearn for more of William H. Macy.

Yet even though 30 minutes could easily have been shaved off of the run time, Andersonville is a production that should stay with you. The coda serving to remind us that that should be the case. 7/10