Waterworld: O Segredo das Águas

I want the Costner bashers to sit down and watch "Rebirth of the Mothra III" on Sci-Fi Channel some time. Then they'll know that they have seen the worst movie ever made.

"Waterworld" is an escapist fantasy/action picture, not unlike the James Bond and Indiana Jones pictures. Costner's performance works on exactly the same level as the Connery/Moore/Brosnan portrayals of 007 and Harrison Ford's portrayal of Indy -- straightforward, grim, stoic, a little mean-spirited, a little cruel, unafraid of dirt, grime, death, or salt water.

It's not perfect by any means. I'm sure Costner hacked it to pieces in order to accommodate the two-hour-running-time maxim imposed by the studio, so that corporate could get their investment back. Now is the time for the extended DVD version; maybe that will explain where all those cigarettes came from, and how the Smokers converted raw crude into gasoline.

7 out of 10. Costner bashers should get over themselves and start giving Michael Bay and George Lucas what they deserve.

Pretty good dystopian flick, Hopper makes it twice as fun. Costner may not have been the best Hollywood A-lister for this movie but he manages to pull it off... barely. Child actor Tina Majorino does a fine job as Enola and Jeanne Tripplehorn is well cast as Helen, Enola's caretaker. The supporting cast of villains are mostly there to provides a few chuckles (keep an eye out for the brief appearance of Jack Black) which makes this more of a family movie than most end-of-world apocalyptic flicks out there. I'm not sure what the critics were expecting back when Waterworld was released, this isn't Dances With Wolves but it isn't Robin Hood: Prince of Thieves either. Waterworld deserves to stand on its own.

Ok, it was a financial disaster. So what? The film itself may have a few too many cliches but is not bad; I'd say it is actually very enjoyable for sci-fi fans.

"Waterworld" is one of those movies that everyone would rather passively make fun of rather than take the time to watch. This is unfortunate, because it really is a good movie. Sure, it's borrowing a lot from "Mad Max," but it's not like "Mad Max" was original fare to begin with. It's an interesting take on the genre, with some nice sets and costumes, a great soundtrack, and the coolest boat to ever appear on a movie screen. The script has thoughtfully and intricately worked out a new way of life in a post-apocalyptic world, and the supposed "plot holes" aren't as big as everyone makes them out to be (OK, we never really find out why dirt is so important in the future; so what? Is that enough to ruin the whole movie?).

If anything brings it down, it's Kevin Costner's performance. The brooding, gloomy hero shtick works, but he's still far too serious for a movie like this. If he'd had the good sense to be a little more tongue-in-cheek, it would have helped a LOT. Still, it's not a bad movie by any means, and I really think all the negativity toward it is unnecessary. Enough with all the complaining... just sit back and enjoy it!

8/10 stars.

I only just saw this movie for the first time the other day and was surprised that it was pretty good, because I had heard so many bad things about it. From now on, I will not be taking public opinion so seriously and will watch anything with a promising premise and good actors.

Tina Majorino was, as always, (see "When A Man Loves A Woman" and Corrina, Corrina") believable. It amazes me how many tears this child can summon and I still believe each one of them.

Kevin Costner wasn't really anything special. I had just seen The Postman the week before (which prompted me to watch Waterworld), and he seemed to me to be the same character. I could go on and on about comparisons, but I'll leave it at that. Although, I have to let you know there was a strange deja-vu thing happening between plot points and character developments.

Jeanne Tripplehorn was quite convincing. I thought their tans were all apt considering the habitat of the characters, but a bit overdone.

The most disappointing thing for me was how the film turned from a unique, (pre-Postman) fairly intelligent plot into a typical action film with explosions and chases. There were explosions toward the beginning that were a little overdone, but I felt they were necessary to introduce us to the Smokers and to Dennis Hopper's character. This film could have turned out quite well, if the last few scenes were completely re-written.