Uma simulação de realidade virtual criada usando as personalidades de vários assassinos em série, consegue escapar para o mundo real, um ex-policial é encarregado de parar seu reinado de ter... Ler tudoUma simulação de realidade virtual criada usando as personalidades de vários assassinos em série, consegue escapar para o mundo real, um ex-policial é encarregado de parar seu reinado de terror.Uma simulação de realidade virtual criada usando as personalidades de vários assassinos em série, consegue escapar para o mundo real, um ex-policial é encarregado de parar seu reinado de terror.
- Prêmios
- 1 indicação no total
Gordon Jennison Noice
- Big Red
- (as J. Gordon Noice)
Miracle Vincent
- Christine Barnes
- (as Miracle Unique Vincent)
Avaliações em destaque
In the near future, Parker Barnes (Denzel Washington) is an ex-cop who has been sent to prison for murder. The circumstances surrounding his crime are disheartening and elicit empathy. Now, he is offered a chance at freedom from prison. Parker must hunt down and destroy a murderous cyborg, SID 6.7 (Russell Crowe), who is menacing the general public after jumping out of a virtual reality program. The chase takes on many twists and turns as SID terrorizes, shoots and kidnaps victims in his path. Can SID be stopped?
It may not be a science fiction masterpiece, but this film is worthwhile and intriguing. A second viewing may be required to truly understand and appreciate its complex plot. Then, too, the marvelous special effects enhance the look and feel of the film. It is not Denzel Washington's finest hour (he is adequate); however, Russell Crowe is positively gleeful in his portrayal of the ultimately designed killing machine. There are some humorous moments, somewhat lessening the overall dark and somber tone. On the down side, the ending may be a little too pat and leave a few loose ends untied. Recommended for science fiction and action movie fans who are on the lookout for lesser known films that may satisfy them for an evening.
It may not be a science fiction masterpiece, but this film is worthwhile and intriguing. A second viewing may be required to truly understand and appreciate its complex plot. Then, too, the marvelous special effects enhance the look and feel of the film. It is not Denzel Washington's finest hour (he is adequate); however, Russell Crowe is positively gleeful in his portrayal of the ultimately designed killing machine. There are some humorous moments, somewhat lessening the overall dark and somber tone. On the down side, the ending may be a little too pat and leave a few loose ends untied. Recommended for science fiction and action movie fans who are on the lookout for lesser known films that may satisfy them for an evening.
..you know you're in trouble.
Russell Crowe is joyfully over the top as an escaped criminal from cyber-world. He makes the most of it, and its a good thing, too, since the rest of the people onscreen are so deadly boring that his coming to 'our' world in order to destroy seems like a good idea.
Denzel is at his most humorless and looks silly in a leather cop outfit - he looks like he's going to a Halloween party thrown by Ian McKellan. He is recruited to find Sid 6.7, who was inexplicably brought to this world by evil little Stephen Spinella, and kill him. Denzel had confronted Sid 6.7 in cyberworld and they didn't exactly share a laugh. Sid is many criminals all in one body, and by no small coincidence, one of them killed Denzel's wife and child.
Its very violent and even sadistic and you've seen it before, and if you didn't, you didn't miss out on that much. Crowe is a like "The Terminator" but with better clothes. Denzel is like Linda Hamilton who was equally one-note. Kelly Lynch is along for the ride, along with Louise Fletcher, William Fitchner, Kevin J. O'Connor and William Forsythe.
3/10, all for Rusty's chewing of the scenery. Someone had to keep the audience interested, so he did more than anyone else involved.
Russell Crowe is joyfully over the top as an escaped criminal from cyber-world. He makes the most of it, and its a good thing, too, since the rest of the people onscreen are so deadly boring that his coming to 'our' world in order to destroy seems like a good idea.
Denzel is at his most humorless and looks silly in a leather cop outfit - he looks like he's going to a Halloween party thrown by Ian McKellan. He is recruited to find Sid 6.7, who was inexplicably brought to this world by evil little Stephen Spinella, and kill him. Denzel had confronted Sid 6.7 in cyberworld and they didn't exactly share a laugh. Sid is many criminals all in one body, and by no small coincidence, one of them killed Denzel's wife and child.
Its very violent and even sadistic and you've seen it before, and if you didn't, you didn't miss out on that much. Crowe is a like "The Terminator" but with better clothes. Denzel is like Linda Hamilton who was equally one-note. Kelly Lynch is along for the ride, along with Louise Fletcher, William Fitchner, Kevin J. O'Connor and William Forsythe.
3/10, all for Rusty's chewing of the scenery. Someone had to keep the audience interested, so he did more than anyone else involved.
For the most part, "Virtuosity" is basically another virtual reality-themed movie so full of action that it almost hurts. But interestingly enough, there is a little bit of a plot here. Denzel Washington plays Lt. Parker Barnes, who has to help find SID 6.7 (Russell Crowe), a virtual serial killer who has escaped into the real world in 1999 LA.
Yes, that certainly sounds like it could degenerate into the kind of garbage that Hollywood usually turns out. Much of the movie is in fact vaguely reminiscent of movies like "Demolition Man". But maybe we can interpret the movie as looking at the dangers of letting technology get too powerful, like what "2001: A Space Odyssey" looked at. Obviously, this isn't even remotely in the same league as that one, but given that it was released in 1995, it almost seems like a prediction of how computer-centric the world would become.
Not a masterpiece by any stretch - both Washington and Crowe have done much better work (and now they're both Oscar winners) - but worth seeing, if only once.
Yes, that certainly sounds like it could degenerate into the kind of garbage that Hollywood usually turns out. Much of the movie is in fact vaguely reminiscent of movies like "Demolition Man". But maybe we can interpret the movie as looking at the dangers of letting technology get too powerful, like what "2001: A Space Odyssey" looked at. Obviously, this isn't even remotely in the same league as that one, but given that it was released in 1995, it almost seems like a prediction of how computer-centric the world would become.
Not a masterpiece by any stretch - both Washington and Crowe have done much better work (and now they're both Oscar winners) - but worth seeing, if only once.
You can't help but like Crowe's gleeful portrayal of a schizophrenic nano-bot serial killer in this ridiculous film, and with futuristic fascists, pervey programmers and a bucket loads of virtual reality cyber nonsense, this should really be a winner in the style of The Demolition Man or the Robocop series. But where other films in the genre have used such tools as wit and plot to keep the more intelligent of the viewers amused, this film, um, hasn't.
The script is terrible. The acting (excluding Crowe, who only gets away with it thanks to a camp smile and some fortunate direction) is wooden. And the plot is illogical and frustrating.
The script is terrible. The acting (excluding Crowe, who only gets away with it thanks to a camp smile and some fortunate direction) is wooden. And the plot is illogical and frustrating.
The first great film for Russell Crowe, and a very interesting film to say the least. Cyber culture is rarely ever depicted in movies, but this was one of those films which brought some of these underground tendencies to light. What was even more interesting was how evil Sid 6.7 was. Crowe did an excellent job of portraying the demented cyber villain. I especially liked Denzel Washington, who always manages to be believable in his role when he doesn't try to be a soul brotha.' Granted, the cinematography was pretty average as well as the music, but then again, the performance of the two main stars really made this film a winner.
Você sabia?
- CuriosidadesAccording to Kelly Lynch, she and Denzel Washington were supposed to kiss. However, Washington had the scene dropped because he felt an interracial love scene would hurt the film's box-office chances.
- Erros de gravaçãoParker Barnes is arrested for allegedly shooting and killing SID's hostage at the train station, and later he is accused of killing the policemen who were taking him back to the station after SID murders them and "frees" Barnes (because he wants to see Barnes die a painful death when the satellite-linked chips explode in his brain). The problem is that both of Parker's alleged crimes are not plausible at all; if he shot the woman it would be obvious from the pattern of her wounds (since he was firing at SID from the front and SID fired at him, and shot and killed the hostage, from behind her) and he had his gun taken away and was handcuffed by the police before SID arrived for the murder/set-up.
- Cenas durante ou pós-créditosAt the end of the credits when the producers thanks technology companies for providing tools, one tools is listed as HSC Kal's Power Tools. This is a typo, since the product is Kai's Power Tools. They typo is even archived in TCM's movie information database (http://www.tcm.com/tcmdb/person/7915492%7C0/Hsc-Kal-S-Power-Tools-Bryce/)
- Versões alternativasThe original 1996 German video release was heavily edited to reduce the intensity of violence, in order to receive a "Not under 18" rating from the FSK. The uncut version was finally passed in 2013 with a "Not under 16" rating.
- ConexõesEdited into Twizzlers: The Movie (2015)
Principais escolhas
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- How long is Virtuosity?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Sid 6.7, la máquina asesina
- Locações de filme
- Gas Co. Tower - 555 W. 5th Street, Downtown, Los Angeles, Califórnia, EUA(fight scene near the ending)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 24.047.675
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.309.869
- 6 de ago. de 1995
- Faturamento bruto mundial
- US$ 24.047.675
- Tempo de duração
- 1 h 46 min(106 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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