Meus Tios Heróis

Directed by Diane Keaton, this is a beautiful, child's eye view of a difficult but enlightening period in a young boy's life. From Franz Lidz's autobiographical book, it's the story of his experiences coming to terms with his mother's cancer (described to him by his father as "a very bad cold"), and the changes within his family brought about by her illness. Offered little more in the way of explanation or reassurance by his father who is naturally overwhelmed with losing his beautiful wife (well-played by Andie MacDowell), the boy bonds for the first time with his two endearingly oddball uncles. The emotional aspects and situations are expressed subtly but richly, with a warm cinematic vision.

John Turturro is excellent as the boy's father, who we see as being rather cold and cerebral, always preoccupied and dismissive. The father is a genius, the mother tells her son, explaining that his scientific mind might make him seem like he's from another planet, but to try and cut him some slack and learn to appreciate him. His true feeling and human quality is finally exposed when, during an extended study of his face late in the film, Turturro shows us all the emotion of this brilliant young man who is helpless in the face of his wife's devastating disease.

The certifiably mad Uncle Danny is played by Michael Richards, who is finally given the opportunity to bring his Kramer, of Seinfeld fame, to a fully realized and hilariously paranoid characterization. Going to live for a time with Uncle Arthur and Uncle Danny, the boy, Steven (re- named "Franz" by his uncles and played impressively by then 12-year-old Nathan Watt) experiences a look into his family history and decides to study for his Bar Mitzvah, contrary to his atheist father's wishes. He also cleverly engineers a solution to the "Lindquist Problem" (a war the uncles have going on with their landlord), and learns to care for and about the two of them. Thus he returns home to his immediate family and his dying mother, newly confident and better equipped to cherish the remaining moments of her life.

This is a special movie and I couldn't recommend it more highly. There's no sense of the maudlin where it might have gone that way, but there is great humor that will be enjoyable to a wide range of ages.

This movie shows how you can find heros in the most unlikely people and places. Michael Richards character, Danny, was out-spoken and rude, but his quote, "People, they get trapped in their own history unless someone shows them a way out" is a great way of thinking, and the movie shows the hardship of growing up and finding someone special when no one else understands what you're going through. With another great direction job of Diane Keaton, brilliant performances by Andie MacDowell, and Michael Richards and an amazing score by Thomas Newman, this movie lets you know that heros can come from anywhere and be anybody.

OH! How could anyone NOT love this movie? It's so good. Andie MacDowell and John Turturro make such a cute movie couple. The real show stealer was Michael Richards. Through the movie, you're not saying, 'Hey, why is Kramer being serious?' Instead, you say, 'Wow, Michael Richards is a good actor.' This was a rare opportunity to see him do a better-than-Kramer-by-not-being-Kramer performance. I would love to see him do more serious work like this. It's very tearful at the end. Parts are mildly funny, but this movie is pure drama and it's beautiful.

Since this story goes back and forth between a comedy and a really sad, dramatic story, I guess you could call it unique. The drama is much more at the end involving Andie McDowell's character.

Supposedly, this is a true-life story of Steven "Franz" Lidz and his wacky family - the kid (Nathan Watt), the father (John Turturro) and the two uncles (Maury Chaykin and Michael Richards.). The story has a lot of Jewish flavor and religious themes, pro and con. It's not an easy story to explain so I won't go past what I've said that it's simply an interesting portrait of a different-kind of family with lots of laughs early on but tears later.

You could get an idea early on that it's kind of a sweet movie, but there are some uncomfortable scenes in here. There is a little bit of about everything, guaranteed to strike everyone's emotions somewhere along the way. The story stayed with me long after I first watched it.

Based on Steven Lidz's memoir of his childhood in New York. His father is (we are told) a brilliant inventor; Steven adores his mother and is adored in return. Steven's relatives include two genially crazy uncles, Danny and Arthur, who live together in an apartment across town. Precise diagnoses are never discussed and their behavior is seen from the point of view of a boy, but they both appear to have variants of schizophrenia, Danny being paranoid and Arthur more undifferentiated. Steven's almost blissful family life is cruelly interrupted when his mother becomes ill with cancer. Unhappy with his home life after the change, he 'runs away' to live with his uncles. Their apartment is a crowded archive of their mental illness. Steven is alternately fascinated and mortified by their bizarre behavior, but by sharing their world, he becomes a better person. This movie has no real plot or payoff, but it is captivating and moving. My upbringing was completely different from Steven's, but as a member of a Jewish family that has produced both some very bright people and some very crazy people, I can say that the film conveys the accuracy of 'felt life'. It is the antithesis of today's usual deadly conformist, formulaic and violence-ridden Hollywood films.

Nathan Watt does a very good job as Steven. John Turturro as his father is part of the long and distinguished tradition in American film and television of Italians playing Jews (and vice versa); he's done it at least once before ("Barton Fink"). You can't help but see a bit of Cosmo Kramer in Michael Richards's performance as Danny. Best of all was Arthur as played by that shambling, rumpled Canadian bear Maury Chaikin. Most of the IMDb reviews rave about Andie MacDowell, but this Jewish reviewer feels that in fact she was woefully miscast as Steven's mother Selma; in her looks, her speech, her mannerisms, her body language, and her demeanor, she totally fails to convince as a New York Jewish woman. This was the sort of role that should have gone to someone like Lisa Edelstein, Bette Midler, Tovah Feldshuh or Debra Winger.