AVALIAÇÃO DA IMDb
8,0/10
63 mil
SUA AVALIAÇÃO
Um grupo de socialistas sérvios se prepara para a guerra em um porão surreal cheio de festas, tragédias, amor e ódio.Um grupo de socialistas sérvios se prepara para a guerra em um porão surreal cheio de festas, tragédias, amor e ódio.Um grupo de socialistas sérvios se prepara para a guerra em um porão surreal cheio de festas, tragédias, amor e ódio.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 8 vitórias e 11 indicações no total
Predrag 'Miki' Manojlovic
- Marko
- (as Miki Manojlovic)
- …
Srdjan 'Zika' Todorovic
- Jovan
- (as Srdjan Todorovic)
Danilo 'Bata' Stojkovic
- Deda
- (as Bata Stojkovic)
Nele Karajlic
- Falling Gypsy
- (as Dr. Nele Karajlic)
Avaliações em destaque
10inframan
When I first saw this movie on the indie channel, I taped it. I immediately watched it again, totally stunned by the extent of energy, imagination, ideas, images with which I was being blasted. Talk about a universal masterpiece! This movie should be required viewing on every screen, large & small in the US. We Americans lead such narrow sheltered lives; we are so eager to see things in black & white, to have our opinions dictated by columnists & newscasters. This movie should take off a few blinders. On the other hand, people will still opt for easy cartoon ideologies over the indisputable truth about the ferocious & predatory predilections of all "sides" of humanity. Thank god for visionary humorists like Kusturica.
Comical, chaotic, patriotic, satirical, philosophical, questioning, critical, ironic and many other things, throughout the plot we perceive the different layers of the plot, which in turn, requires a certain abstraction from those who watch, because in general, the characters and lived situations are just abstractions or representations.
Divided into three acts, it tells the story from the beginning to the end of Yugoslavia, through WWII, the Cold War and the dissolution of the country. We have four characters, and here, I'm going to talk a little bit about what each one represents, according to what I understand.
Crni: The Partizans, who truly love the country, fight and die for it.
Natalija: Yugoslavia itself, which at a certain moment is with Germany represented by the Official, at a certain moment with the Rebels, and a good part with the Politicians.
Marko: The corrupt, politicians, generals who, in order to stay in power, commit the greatest atrocities and betray the trust of even their brothers, friends and family.
Ivan: The Yugoslav people, who, don't understand what's happening when the war starts, much less when the war ends and Yugoslavia ends. Perhaps symbolized as on crutches, due to the country's institutional fragility.
In the first act, we have the second world war, where Natalija has love for the first three characters (Crni and German Officer, Marko), representing, the passage of domination throughout history, Crni at one point tries to date Natalija, but who does date her? Is the officer, and after the war with the Allied victory ends up staying with Marko. Also, we have a memorable scene of Ivan hitting the officer and saying, "You think you're going to have her, you filthy pig."
In the second act, we have the cold war and also the longest act of the film, I believe due to the long 40 years of the period. Right now we have The characters trapped living in a basement forced to build weapons, living under sub-human conditions, which to me means, the curtain of communism in relation to capitalism. The guns, it represents, perhaps the arms race. Marko, the politician/general who profits and lives very well from this arms trade (portrayed in Lord of War) while leaving the people living in fear of enemy domination, closed to the world that exists beyond the basement.
In the last act, we have Ivan, totally weakened from having lived through so many wars, who discovers he is being deceived all the time about the basement and the lies told as a form of control, coming across the capitalist world for the first time, having a shock to discover that your country no longer exists. In fact, the doctor who talks to him, perhaps represents NATO.
The most interesting thing for me is that the film does not seek to point out right and wrong, villains and heroes, only to portray the facts in a raw and comic way.
Anyway, I hope that my interpretation of what this film tries to tell will help other cinephiles. I'm Brazilian so I may have misunderstood the film if that's the case forgive me, I did a quick read about Yugoslav history to write this review.
Divided into three acts, it tells the story from the beginning to the end of Yugoslavia, through WWII, the Cold War and the dissolution of the country. We have four characters, and here, I'm going to talk a little bit about what each one represents, according to what I understand.
Crni: The Partizans, who truly love the country, fight and die for it.
Natalija: Yugoslavia itself, which at a certain moment is with Germany represented by the Official, at a certain moment with the Rebels, and a good part with the Politicians.
Marko: The corrupt, politicians, generals who, in order to stay in power, commit the greatest atrocities and betray the trust of even their brothers, friends and family.
Ivan: The Yugoslav people, who, don't understand what's happening when the war starts, much less when the war ends and Yugoslavia ends. Perhaps symbolized as on crutches, due to the country's institutional fragility.
In the first act, we have the second world war, where Natalija has love for the first three characters (Crni and German Officer, Marko), representing, the passage of domination throughout history, Crni at one point tries to date Natalija, but who does date her? Is the officer, and after the war with the Allied victory ends up staying with Marko. Also, we have a memorable scene of Ivan hitting the officer and saying, "You think you're going to have her, you filthy pig."
In the second act, we have the cold war and also the longest act of the film, I believe due to the long 40 years of the period. Right now we have The characters trapped living in a basement forced to build weapons, living under sub-human conditions, which to me means, the curtain of communism in relation to capitalism. The guns, it represents, perhaps the arms race. Marko, the politician/general who profits and lives very well from this arms trade (portrayed in Lord of War) while leaving the people living in fear of enemy domination, closed to the world that exists beyond the basement.
In the last act, we have Ivan, totally weakened from having lived through so many wars, who discovers he is being deceived all the time about the basement and the lies told as a form of control, coming across the capitalist world for the first time, having a shock to discover that your country no longer exists. In fact, the doctor who talks to him, perhaps represents NATO.
The most interesting thing for me is that the film does not seek to point out right and wrong, villains and heroes, only to portray the facts in a raw and comic way.
Anyway, I hope that my interpretation of what this film tries to tell will help other cinephiles. I'm Brazilian so I may have misunderstood the film if that's the case forgive me, I did a quick read about Yugoslav history to write this review.
While attending college in Boston a Croatian friend of mine told me about this movie. I rented it a few days later, and let me say this is one of the greatest foreign films I have seen. While the historical and political substance of the film is largely missed by me, the story is strong enough that I connected emotionally with it. The humor of the film is very refreshing, being used to war films that are too heavy or dull to make me laugh. I recommend this film to anyone who appreciates a well told story. You will be rewarded with a beautiful picture.
10pickle-7
I rarely weep during movies. At the end of this film, however, I began to weep bitterly--not because I was saddened by the story (although it is sad), but because I knew that I could never hope to create anything as beautiful as the movie I had just watched. It is this sort of film that both inspires and frightens aspiring film makers.
10ycornu-1
Underground is The Film, my favorite... And nobody hasn't written any greeting comments in 2005. So, I'm happy to be the first and I wish the best year 2005 to all the Underground's fans. If you never had this chance to see the long version (5 hours) of the film, give your priority, this year, to watch it. After this, the Palme d'Or version will feel you so short!!! If you live in Paris, I can help you to discover the complete Chef d'Oeuvre.
Therefore, I understand that the film could be criticized on the political depths. But it is so easy to make movies without any involvement. Kusturica worked for 3 years on the film and involved himself on the content. But the film treatment is not only about Balkans war, but mainly about human ferocity and betrayment. Speaking Cinema, there is no film controlling so well aestheticism, scenario, actors, music and creativity. Emir did it and I am sorry that some arrogant journalists killed the film, getting it off the Cinema theaters without the popular success that Underground deserved.
Therefore, I understand that the film could be criticized on the political depths. But it is so easy to make movies without any involvement. Kusturica worked for 3 years on the film and involved himself on the content. But the film treatment is not only about Balkans war, but mainly about human ferocity and betrayment. Speaking Cinema, there is no film controlling so well aestheticism, scenario, actors, music and creativity. Emir did it and I am sorry that some arrogant journalists killed the film, getting it off the Cinema theaters without the popular success that Underground deserved.
Você sabia?
- CuriosidadesThe director's cut ran for over 320 minutes.
- Versões alternativasThere is a 300 minutes version of this film produced for television.
- ConexõesFeatured in Cannes... les 400 coups (1997)
Principais escolhas
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- How long is Underground?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Underground
- Locações de filme
- Plovdiv, Bulgária(Tunels)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 14.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 171.082
- Faturamento bruto mundial
- US$ 182.134
- Tempo de duração2 horas 50 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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What was the official certification given to Underground: Mentiras de Guerra (1995) in Brazil?
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