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Alicia Silverstone stars in True Crime in which she plays a Catholic school girl about to graduate who has an intense interest in criminology. In a more innocent time she would have been cast as Nancy Drew.

One thing in those Nancy Drew novels and also with the Hardy Boys the juvenile sleuths never went after criminals whose mental states were in question. If you can recall the kids going after a sex criminal so be it, I sure can't. Takes a whole different kind of perspective in dealing with that. A theme that should have been more clearly developed but wasn't in the film.

During the course of the investigation she starts looking at a stranger hanging around where her school girl friends go. It turns out to be Kevin Dillon who is close to graduating the police academy. The two turn into an R rated Nancy Drew and Ted Nickerson. But it certainly doesn't end that way.

I think the roles were superficially drawn here and the players not given direction enough so they were left to their own devices. This had the potential to be better than it is.

Alicia Silverstone (pre-"Clueless") plays a modern-day crime-obsessed teenager attempting to solve the brutal slaying of a local girl. Pat Verducci wrote and directed this B-flick, which isn't especially well-made but is however surprisingly serious-minded in regards to its leading character. Silverstone is appealing and successful in carving out an interesting young woman here, despite the picture's kitschy undermining. The supporting cast (including Kevin Dillon and Michael Bowen) isn't bad, though the violence in the last act goes overboard. Not a cheesy camp-fest, but nothing exceptionally memorable either. *1/2 from ****

I try to be very objective when I view a low budget movie. I also apply a lower weight to independent and low budget productions versus the big budget productions. I expect near flawlessness from big budget productions and their studios. Therefore I apply tougher criteria to the major studio releases. But this movie was just a dud. Period. The premise was terrible. The main character, Mary Gordano (Alicia Silverstone), was unbelievable as a high school senior with an unquenchable desire to solve crimes. There was not enough depth in her character or her acting that pulled you into her world. Also, to make this movie more mysterious, the lighting in certain scenes did not set the mood, especially in the warehouse.

Once again another disappointing movie that I could only give three points to.

There's nothing worth seeing here. The plot is generic, the acting is bad, the characters are underwritten, the dialogue is painful, it's full of cliches. The only reason I saw this was because I'm a huge fan of '90s crime thrillers like Se7en and Kiss the Girls, and was hoping this would fall under that umbrella. It technically does genre and plot-wise, but quality-wise, this has to be one of the worst examples of the serial killer subgenre.

Silverstone's stone-faced performance does the movie no favors. At least Dillon knows he's in a trashy movie and his performance is suitably hammy as the mysterious rookie cop. He's also trying to an extent, unlike Silverstone who just looks bored. Watching them exchange dialogue is like watching a brick wall talk to a plastic bag. And their chemistry? Well, it's about as romantic and titillating as Irreversible.

I was at least hoping for some skin - an erotic sex scene to spice things up perhaps - but no, the movie deprived us of even that. There's no entertainment value to be had here. I laughed once, when Dillon first bumps into Silverstone's character and is promptly maced in the face. Though I'm not sure that was meant for laughs.

Again, there's no reason to see this movie, so don't. Watch Se7en again.

The movie never becomes intolerable to watch. And to tell it straight, it has nothing to show either, except maybe part-sexy Alicia Silverstone in a nerdy non-sexy character in revealing quite-sexy dresses. The story is very easy to follow or there's nothing to follow -- you can see in either way. There is no suspense, little action, unimpressive dialogs, unsatisfactory sensuality, same boring locations and very bland acting. Kevin Dillon is totally worthless. Silverstone... well, I didn't concentrate too much on her acting, I confess. Yet as I said earlier, if one has nothing to do except watching a movie, this won't look so bad. 4/10

I searched out this one after seeing the hilarious and linguistically challenging "Clueless" (1995), perhaps Alicia Silverstone's best known effort from early in her film career. "True Crime" has Kevin Dillon, which should be helpful in improving most film projects. In fact everyone in the cast does a good job . The only disappointment I think the movie has for me is an awkward "feel" to some of the scenes, coming from the need to run a quite uncompromising, grown up theme as part of what in tone starts out as a schoolgirl adventure.

Alicia Silverstone is pretty good in this one. She carries off well the naive enthusiasm and growing unease that affects Mary Giordano as she manoeuvres towards the truth behind the serial murders. I reckon her characterization of MG has some mileage in it too. The inference of the story line is that she goes on to a career in law enforcement. It could be really interesting for an older Silverstone to revisit Giordano at a time of crisis later in the officer's life. Just a thought!

"True Crime" shows its director in a good light. Pat Verducci also has the writing credit. I don't know of any other film work PV has done. I can only wonder what happened after such a promising start.

Like most productions, this one has a largely unknown supporting cast, although Bill Nunn (Detective Jerry Guinn) is hardly that. Over the past decade he seems to have been able to secure an impressive number of screen appearances. I recall seeing him recently in "Carriers" (1998), a made for TV presentation with a military theme. Bill Nunn played "Captain Arends". Fans of the classic US TV comedy show "Who's the Boss" may also have an interest in "Carriers" because the leading player is Judith Light, remembered with affection by many because of her lengthy involvement with the show.

"True Crime" could easily not have worked, but it does OK. I think it is an entertaining story worth seeing.

I have seen this movie and even though I kind of knew who the killer was from the beginning I still liked watching it. I would recommend it to other people. It comes on Lifetime movie network quite a lot. And I am thinking since it's close to Halloween they might play it more. So please be on the look out for it if you are interested in watching it. I believe that Alicia Silverstone played her part very well. I really like her as an actress and person. She seems so nice and down to earth. Kevin Dillon he's performance was so so for me. I am not trying to knock him or anything but I believe that his brother Matt would have been able to pull this bad evil serial killer persona better. Kevin just seems too sweet for me. But I think he did okay.

I saw this made-for-video movie on TV once and was quite impressed with it. It stars Alicia Silverstone as Mary Giordano, a student who has an addiction to mystery novels and detective magazines. She uses her knowledge of detective work to intervene in a homicide case, and teams up with police cadet Tony Campbell (Kevin Dillon) to try to solve it.

The chemistry between Mary and Tony were good and the movie has a good thrilling and exhilarating feel to it. For a made-for-video movie, the script made for an exciting plot and kept me engaged, especially when he came to the part when Mary finds herself becoming a victim of her own circumstances.

While the plot may be predictable, it does go at a steady momentum and the acting throughout wasn't bad. Overall, this makes for a good movie to keep you entertained on a slow night.

Grade B

RELEASED TO VIDEO IN 1995/1996 and written & directed by Pat Verducci, "True Crime" (aka "Dangerous Kiss") is a mystery/crime/teen/romance starring Alicia Silverstone as a Catholic school senior in California who befriends a police cadet (Kevin Dillon) to solve a case of serial killings of young women. Their investigations lead them to a traveling carnival. Bill Nunn plays the girl's detective friend and the cadet's boss.

This came out right after Alicia's breakthrough flicks "The Crush" (1993) and "Clueless" (1995) and, while entertaining for what it is, it pales by comparison. The main problem isn't the cast, locations or excellent percussion-oriented score, but rather the script; and, more specifically, who the killer turns out being. With just a couple imaginative tweaks this could've been a very satisfying teen mystery à la Nancy Drew, but with considerable edge. Still, Silverstone makes it agreeable, along with the other highlights noted. If you like those other two flicks, this is a must.

THE MOVIE RUNS 1 hour, 34 minutes and was shot in Los Feliz, Los Angeles, CA.

GRADE: B-

The high school age of the story's protagonist trivializes the entire film. Mary (Alicia Silverstone) has an interest in "true crime". And there just happens to be an unsolved murder in her town. So after school, Mary sets out on an adventure to catch the killer, not unlike the youthful fictional character Nancy Drew.

Silverstone gives a nice performance. But I just can't take Mary seriously, so stereotyped is her view of crime, and so easy and predictable are the story's plot points. Naturally, she has easy access to the local police chief. Naturally, she finds romance. And naturally, she encounters some dangerous situations. It's just too easy, too predictable, and too convenient. Further, the plot climax is clichéd and trite. The film is about one step above a kid's after-school special.

I like the carnival setting, always ripe for intrigue and mystery, and the accompanying lighting gives a sense of the macabre. And the film's score is unusual and haunting, especially during the title sequence.

Though Silverstone is well cast, Kevin Dillon is not, looking too young and hip for a newbie cop. Film prod design and costumes are acceptable, as is the editing.

The main problem here is the scriptwriter's bubble-gum approach to murder. Nancy Drew and the Hardy Boys may have been believable forty years ago. In today's institutionalized world, they are not.

Honestly, the only things going for this are Alicia Silverstone in the lead role, Bill Nunn in a supporting role, and Michael Bowen in a VERY minor role. Together, they ALMOST make up for Not Matt Dillon and the fact that it has a very bare-bones story with too many suspensions of disbelief needed for a movie that tries to feel grounded and realistic. It doesn't even have anything remotely approaching the small-town feel that would usually be required for a movie to expect the kind of suspension of disbelief this one asks of the viewer.

Seriously, this movie is something that should really only be watched by anyone wanting to watch EVERYTHING featuring a particular actor (Alicia Silverstone for me) or someone who just wants a bit of mindless background noise. Even then, the streaming version is awful.

I believe that this is the worst film Alicia Silverstone has ever appeared in. Makes her previous films like The Crush(1993) look like a cinematic masterpiece. Alicia Silverstone's performance as Mary Giordano is unconvincing and at times annoying. A bland Hollywood low budget film with a mystery that is uncompelling as well as tiredly predictable. Might have been a good film if the film director had put some creative energy into the story. The repressed erotic emotions of Mary Giordano never reaches a three dimensional depth. The worst of Italian Giallos is still better than True Crime(1995) and the best of 1990s Teen slasher horror flick. La Sindrome di Stendhal/Stendhal Syndrome(1996) had a similar serial killer-young police woman cat and mouse relationship that was more developed than in True Crime(1995). Bill Nunn gives the only performance of the film that makes the movie a worthwhile view. Lame attempts at plot twists that never surprises or shocks.

Mary Giordano (Alicia Silverstone) is a smart Catholic school girl obsessed with true crimes. She goes to school with her sister Vicki (Marla Sokoloff) and best friend Liz McConnell (Tara Subkoff). Police detective Jerry Guinn (Bill Nunn) is her mentor following her dead father's footsteps. A fellow student Kathleen Donlevy is killed by who turns out to be a serial killer. She investigates with the help of police cadet Tony Campbell (Kevin Dillon).

Mary is a darker teenage Nancy Drew. That has potential and it's interesting to dip her toe into sexual tension. However I wish it's not played up as erotica and it's too broadly done. The murder case is relatively uninspired. It's so uninspired that they investigate a traveling carnival. The actors are pretty good but there are some really clunky lines. I don't like the poorly done dream sequences. Going back to the carnival is bad enough. I don't know how she could still hang on to that carnival ride after being knocked unconscious. This is a borderline movie but I have to go a slightly negative.

I'm an Alicia Silverstone fan. She has that most memorable masterpiece that is CLUELESS to her credit. I didn't know about this title until searching for THE BABYSITTER on Amazon spewed this out as a related title that I might like.

Unfortunately, I am quite disappointed. Movie is kinda lame in a dull way. There's not enough to make you feel something for the character. Nothing bright. Alicia needs a chirpy script. EXCESS BAGGAGE, though way inferior to CLUELESS, does a whole lot better.

If we don't feel for the character, it is all to no avail. Movie seems like just an excuse to have a few gory scenes that, in any case, seem totally out of place in such a tepid little flick. Too much wallowing in referring to 'scattered body parts' reveals a sadistic bloodthirsty Freudian slip of the scriptwriter. The hanging corpse was another dud of a scene. I'm in such a bad mood after just watching this, that my review is just filled with negativity, so if it sucks, it's because the film was so bleak I'm still recovering.

I absolutely know Alicia would have been up to portraying a much-more upbeat character had there been a better script. I've studied the 18 other reviews and why some of them are so positive about Pat Verducci I just can't fathom. Maybe he bribed them? Maybe he is their uncle? Maybe they stand to inherit? Maybe they want to be cast in his next (????) movie?

No involvement, no magic, that's the cause of death, the true crime of TRUE CRIME. With hindsight, I'd have made this movie with Alicia cast as a fashion-conscious Nancy Drew with a weakness for some Questionable Type, but this Kevin Dillon, she'd have wrinkled her nose and said "As if...!" So sue me, Amy Heckerling!

I wasn't expecting much from this but after seeing the rating on Amazon prime (9.3) I thought it couldn't be that bad. Hands down, the worst movie I've seen in a few years. Definite skip.

My problem with this film is that it looked like someone wrote it in one day and then proceeded to cast the actors and film in the next week. There were glaring plot holes in this film. They created scenes that had no logic in them just to keep the movie flowing.

The acting from just about everyone was poor. The main female was just so out of place.

Why does IMDb have this listed as a video and not a film? Why didn't it show up on my prime search? I had to type silverstone instead.

This is the best made-for-TV movie of all-time! Am I saying this because I'm a huge Silverstone fan? Partially, but even without her, I'd still see it. I'm a fan of serial killer genre films, and believe this to be a great entry in that category. Also, Mary Giordano easily ranks among Alicia's top five character creations. Totally memorable - like she really exists. I'd have her on my side, too, if there was a mystery to be solved. She plays the character, like she does with her real life, with complete confidence in everything she does. Seems sweet, honest, nice...just like she is in real life. So is that acting? Yes, indeed, she's sort of a rebel once again. This time she's not bad, she's too good and a bit afraid to do things that seem above the law. But she doesn't do things the normal teenager would do. Instead, she spends her time reading detective mags and solves crimes. A cliche abounds: she's sort of avenging her father's death, in a different way than vigilante-style. At the time, Alicia seemed to be playing the same characters: rebellious, seductive, without a parent, a loner. This happens here, too, but she's a bit nerdy this time around. That doesn't matter; she's still cool as a nerd. Check this out soon, or else Giordano will be investigating why you haven't...

i got to see the whole movie last night and i found it very exciting.it was at least,not like the teen-slasher movies that pop out every now and then.the search for the killer and the 'partner' relationship between the hero&the so-called bad guy was parts i liked about the movie.also,i remember once being on the edge of my seat during a specific scene in the movie.i mean it's exciting.maybe some time later,i might watch the movie again...

It's a great movie one of my favorites that she's starred in but the biggest annoyances the title. It's known throughout the cinema world as true crime but when you watch the movie the title states dangerous kiss 🤷it's very annoying if you have not watched it in forever or have never see it before🤦

This is a nice piece of work. Very sexy and engaging enough plot to keep my interest throughout. Its main disadvantage is that it seems like it was made-for-TV: Full screen, and though there were several sex scenes, there was absolutely no nudity (but boy did it come close!). Strange, too, since Netflix shows that it was rated R.

Nonetheless, very titillating, and I wish Alicia Silverstone made more movies like this.

One Netflix reviewer stated that it was part of a series, but I have been unable to find out what series that is. I'd like to find out, though, because this movie was THAT good.

Walt D in LV. 8/23/2005