Um Sonho Sem Limites

In Little Hope, New Hampshire, the beautiful and hot Suzanne Stone (Nicole Kidman) wants to be famous and is an aspiring TV personality. She marries Larry Maretto (Matt Dillon), whose father owns a restaurant, and convinces him to use this savings for the university buying a Mustang for her and a condo. Then she accepts to work for the local station receiving minimum wage to develop her own projects, including one with youths in a public school. She meets the punks Jimmy Emmett (Joaquin Phoenix), Russel Hines (Casey Affleck) and Lydia Mertz (Alison Folland) and records hours of tapes interviewing them. When Larry invites her to work at the restaurant in a talent show that he wants to implement, Suzanne sees a threat to her planned career and decides to get rid of her husband. She seduces Jimmy and convinces him that she is in love with him. Then she tells that Larry is a brutal man and Jummy decides to kill him. What will happen to Larry?

"To Die For" is a great tale of ambition and manipulation. Gus Van Sant uses the documentary style to show a beautiful and sexy woman that uses her limited intelligence and her body to reach what she has planned for her career. The cast has great performance and Nicole Kidman is perfect in the role of Suzanne Stone. The screenplay has a sort of black humor and the conclusion is ironical. My vote is seven.

Title (Brazil): "Um Sonho Sem Limites" ("A Dream Without Limits")

Note: On 19 March 2025, I saw this film again.

I'm a little hesitant with my rating of 8 because this isn't really a film to be taken too seriously; having said that, I was glued to the screen and it holds up to repeat viewings so that says a lot.

It's peculiar that the closing credits of this film bear the usual disclaimer that "any resemblance to real persons, living or dead, is entirely coincidental" when the film is in fact the story of New Hampshire school teacher Pamela Smart, who did indeed co hearse a teenage student into murdering her husband in pretty much the exact same manner as depicted here. Writer Buck Henry has changed the characters name, occupation, and a number of the irrelevant details, but this is unmistakably the Pamela Smart story.

Played as dark comedy...! The heretofore unimpressive Buck Henry redeemed himself in my eyes with this wickedly amusing script.

While peppering us with the kind of mirroring observations about the shallowness and stupidity of the media and the society it reflects which makes us both laugh and squirm with more than passing discomfort, the top-notch cast masterfully play out the excellent script in such a mesmerizing fashion you simply will not believe nearly two hours are gone when it is over.

Nicole Kidman in particular displays intelligence and acting prowess I never imagined her capable of; she is in practically every frame of the film and while her character is truly despicable, you can't stop watching. The three teens, played by Joaquin Phoenix, Casey Affleck, and Alison Folland (who stands out as the easily led girl with a not too subtle lesbian infatuation on Suzanne Stone) are engaging. Perhaps the best of the cast after the lead is Illeana Douglas as the deliciously smart ass sister-in-law, she had me in stitches! From the opening credits of rushing reporters superimposed over headlines and newsprint, to the closing credits overlaid with the rather brilliantly selected Donovan song Season of the Witch, this one is a must see film from an era of otherwise bland cinema.

In TO DIE FOR, Suzanne Stone (the glorious Nicole Kidman) is an ultra-ambitious, wannabe media megastar. This takes a certain type of person without fear, heart, or conscience. Stone puts her soulless tendencies to work, building her TV career by any means necessary.

Suzanne is driven to be in reality what she's always been in her own blank mind. She will be famous no matter what it takes. This includes relentless self-promotion and the murder of her impossibly clueless husband (Matt Dillon).

Ms. Kidman plays Suzanne Stone with gusto as an empty shell with a magnificent paintjob. She slithers and slinks along, manipulating the foolish (including a wonderful trio of lunkheads played by Joaquin Phoenix, Casey Affleck, and Alison Folland) and living only to be noticed.

This is a fantastic black comedy about the hollowness of celebrity and those who achieve it...

A lot of people dislike To Die For. The film's detractors largely find fault with its tone and subject matter. It is really the epitome of black comedy, and anyone expecting either pure comedy or pure suspense will be very disappointed.

That said, To Die For deserves a place in film history as one of the sharpest satires of television and fame, ranking alongside films such as Network. Forgive the cliche, but Nicole Kidman's performance is truly a revelation -- she shows talents that were clearly invisible in earlier travesties such as Far & Away and are only now beginning to resurface. But the real discovery in this film is the magnificent Illeana Douglass. It is scandalous that few people mention her amazing work when discussing To Die For. If for nothing else, the film should be seen for the work of Kidman and Douglass. (Note also that To Die For has one of Joaquin Phoenix's earliest roles.)

As other commentators here have suggested, you are not guaranteed to love this film. Nonetheless, as far as I'm concerned, it's required viewing if you're a film fan.

Nicole Kidman is right on target in this notable dark comedy, an adaptation of the Joyce Maynard novel which was itself inspired by a notorious real life story. Nicole, looking absolutely ravishing throughout, is a completely self-serving sociopath named Suzanne Stone who's simply hellbent on achieving her personal American dream of being a TV personality. When she realizes that her nice guy husband Larry (Matt Dillon, in a solid change of pace performance) is going to be an obstacle in her path, she turns on the heat and convinces dumb as dirt, lovelorn teenager Jimmy Emmett (Joaquin Phoenix, in his breakthrough performance) to bump off Larry. She then proceeds to play to the media to her hearts' content.

22 years later, this film version remains pretty damn relevant, in the era of reality television where just about any person can become a celebrity for no really good reason, and fame & fortune is still seen as a worthwhile goal. Working from a screenplay by actor Buck Henry, director Gus Van Sant gives us a thoroughly absorbing film with a fair amount of ideas to mull over. Just like any good dark comedy, it's funny in a twisted sort of way. I'm sure some people who've followed the story, or read the book, or seen the movie, must know one or more people like Suzanne Stone.

An exceptional cast full of familiar faces is the real drawing card: Phoenix, Casey Affleck as his degenerate "friend", Alison Folland as the awkward girl who hangs out with the two of them, Dan Hedaya and Maria Tucci as Larry's parents, Kurtwood Smith and Holland Taylor as Suzannes' folks, Tim Hopper and Michael Rispoli as investigating detectives, Wayne Knight as the manager of a local TV station, and especially Illeana Douglas as Larry's sister, a cynical sort who has Suzanne pegged right early on. Making cameo appearances are author Maynard (as Suzannes' lawyer), screenwriter Henry (as a huffy teacher), and filmmaker David Cronenberg as the mysterious man at the lake. Kidman is a marvel as she really struts her stuff for the camera.

Ultimately, one does feel somewhat sorry for Jimmy when it's seen just how pathetic he really is. He's just one of many characters who get jerked around by Suzanne, a master manipulator if ever there was one.

Eight out of 10.