Terra E Liberdade

Anarchists have remained almost invisible in mass media films. Worse, when they have appeared, it is generally some bourgeois stereotype of anarchists as violent or some socialist stereotype of anarchists as infantile. Here they are shown more accurately as organized and committed to the nitty-gritty basics of the revolution of everyday life.

British director Ken Loach made a film that finally attempts an anarchist's view of anarchists in Spain during the civil war against the fascists. The victors write history, so as losers of that war, their history has for too long remained untold. But this 1995 film, "Land & Freedom" shows what they were fighting for and what they were fighting against. One of the best aspects here is that the film also shows how the communists aggressively destroyed the anarchists more than their supposed common enemy. This I take as a lesson for today's left:

The melancholy hopelessness of our own 21st century is a consequence of that tragic defeat by the fascists -- largely because the Left fragmented and was brutally dominated by Leninist dictators. Historical progress is now merely spinning its wheels in futility, recycling every old thing again as a farce. The only solution is land and freedom.

P.S. Another sympathetic film based on these events is "For Whom the Bell Tolls" (1943) based on the Hemingway novel, starring Gary Cooper and Ingrid Bergman. This one is less politically aware however, so it focuses more on the romance. See info at http://www.imdb.com/title/tt0035896/combined

It's one of my favorite movies. The director made an outstanding job representing this glorious and terrible part of the Civil War. It's a movie with a low budget, a good historical representation and a great job from the actors. Iciar Bollain is great. They told me (when I saw it back in 1995) the actors, even many extras, played roles according to their political ideas. I'm thankful for the individuals foreigners who came to my country Spain, from all parts of Europe, USA, etc, to fight against the arise of the fascism in Europe. So I'm thankful for this movie. You'll love the guys of the POUM. You'll also understand why the good guys can't win. Please notice that the Spanish Civil War ended in April 1939, and that the Second World War started in July 1939. 4 more months and instead of the history saying that the 2WW started in Poland, it would say that started in Spain. Well, this is the only movie I know about the Spanish Civil War.

... When it is not even acknowledged?

A left-wing lad goes to Spain, joins the otherwise totally obscure Marxist POUM militia, and experiences at first hand serious political differences with the Communists and their competing militia. Well, the lad does not actually get wounded in the throat during the course of the movie, but otherwise this is the biography of Eric Blair (George Orwell), as described in his book "Homage to Catalonia".

In spite of the single source cribbing, I did like this film in general since films about Spain in English, other than Canadian ones with Donald Sutherland as Dr. Norman Bethune, are few and far between.

It was wonderful to see a priest being shot in this film -- I don't mean it that way! -- since anti-clericalism was an important element both in the Spanish Civil War and in the French Revolution although it rarely seems to be mentioned much in the English-speaking world. The people in both countries felt the burden of traditional, oppressive, hypocritical Catholicism, just like the kind we had here in the Province of Quebec before the Quiet Revolution of the 1960's. At the other end of the political scale, the poor treatment of priests in Spain was a motivating force for Fascists in France to join the Charlemagne division of the Waffen SS to defend the cause of Christianity, or so The Sorrow and the Pity attests.

The Spanish war was about liberation from autocracy amidst a blizzard of competing, doctrinaire, left political philosophies. That was a really exciting time to be politically active, and there is a great scene of grassroots socialism in action at a town meeting.

The film has a rough-hewn, half-finished look characteristic of Ken Loach, but don't let that put you off. Anyone who can get worked up about the sometimes microscopic, casuistical differences between the Grits and the Tories, or the Democrats and the GOP, or New Labour and those other Tories, or Labor and National, or the SDP and the CDU, etc. should really love a movie, and a conflict, where the political spectrum is so broad for a change. Political animals of whatever bent should get a kick out of it.

The picture begins in recent times when a granddaughter looking for papers aware her grandfather fought in Spanish War Civil (1936-1939) that is the subject matter of the movie. Then happens a long flashback where are developed the facts about David (Ian Hart), a working-class and unemployed young . He's an English communist who leaves Liverpool and comes to join the Republicans troops against the General Franco army . He joined the P.O.U.M. (Partido Obrero Unificacion Marxista) of Trosky ideology, for that reason are called Troskists. There he meets women fighters ( Rosana Pastor, Iciar Bollain) and the International brigades (Tom Gilroy). David befriends the militia people and fights in the trenches of the battles of Teruel and Ebro. David is wounded and while he's in Barcelona occurs confrontation between FAI, CNT anarchists followers of the leader Durruti (who gave name to the Column Durruti), regular troops of the Republican government, Stalinists and Troskists. Then David decides to return to his previous militia.

This interesting historical story is a passionate retelling and a touching warlike drama. The film originated an intense discussion in Spain about its principal theme , the Spanish Civil War . However the intense debate about ownership of lands proceeded in pseudo-documentary style is overlong and dull. Adequate cinematography by Barry Ackroyd , Ken Loach's usual . Perceptible and sensible musical score by George Fenton. ¨Land and freedom ¨ was a Spanish- British co-production and obtained much success in the Spain box-office . The film belongs a splendid trilogy by Ken Loach, developing historical deeds from a thoughtful point of sight , such as ¨Hidden agenda¨ and ¨The wind that shakes the barley¨.

The motion picture is professionally directed by Ken Loach. In the 90s he directed a series of award-winning movies firmly establishing him as one of the best European filmmakers with ¨Riff-Raff¨, ¨Raining stones¨ and ¨My name is Joe¨ winning several prizes in Cannes, and of course ¨Land and freedom¨ which achieved the Ecumenical Prize and the International critics Prize at the 1995 Cannes Film Festival. In the 2000s, Loach went on his special landmark about socialist realism with ¨Bread and Roses¨, ¨The Navigators¨, ¨Sweet sixteen¨, ¨Just a kiss¨, and ¨It's free world¨. This rich human drama appeal to Ken Loach enthusiasts and history buffs.

Ken Loach proves once again, that he is a director of the very highest calibre. He has crafted a film about the Spanish Civil War (1936-9), which was the prelude to WW2.

Truthfully I could care less about the politics of this tragic episode in world history, BUT the director,by his sheer genius & craftsmanship made me sit at the edge of my seat & pay close attention. Subtitles are used sparingly & it is hard to make some of the dialogue out due thick accent, The acting is so skillfull you needed no dialogue,you are able to understand each actors feelings & emotions. Credit this to Mr.Loach, The only actor I have heard of in this film is the lead IAN HART/ He & all the others do an excellent job. This film was made in 1995, & barely released,another example of distributors not knowing a GREAT film from a hole in the ground. Even this is a war film, there is very little violence, a good history lesson for the younger ones, then a trip to the library to find out more.

My rating is ***1/2 95/100 points 9 on IMDb