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IMDbPro

Estranhos Prazeres

Título original: Strange Days
  • 1995
  • 14
  • 2 h 25 min
AVALIAÇÃO DA IMDb
7,2/10
83 mil
SUA AVALIAÇÃO
POPULARIDADE
2.512
86
Ralph Fiennes, Angela Bassett, and Juliette Lewis in Estranhos Prazeres (1995)
CyberpunkThriller cibernéticoCrimeDramaFicção científicaSuspense

Um ex-policial transformado em vigarista descobre acidentalmente uma conspiração em Los Angeles, em 1999.Um ex-policial transformado em vigarista descobre acidentalmente uma conspiração em Los Angeles, em 1999.Um ex-policial transformado em vigarista descobre acidentalmente uma conspiração em Los Angeles, em 1999.

  • Direção
    • Kathryn Bigelow
  • Roteiristas
    • James Cameron
    • Jay Cocks
  • Artistas
    • Ralph Fiennes
    • Angela Bassett
    • Juliette Lewis
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    83 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    2.512
    86
    • Direção
      • Kathryn Bigelow
    • Roteiristas
      • James Cameron
      • Jay Cocks
    • Artistas
      • Ralph Fiennes
      • Angela Bassett
      • Juliette Lewis
    • 299Avaliações de usuários
    • 100Avaliações da crítica
    • 66Metascore
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias e 4 indicações no total

    Vídeos1

    Strange Days
    Trailer 2:54
    Strange Days

    Fotos110

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    Elenco principal96

    Editar
    Ralph Fiennes
    Ralph Fiennes
    • Lenny Nero
    Angela Bassett
    Angela Bassett
    • Lornette 'Mace' Mason
    Juliette Lewis
    Juliette Lewis
    • Faith Justin
    Tom Sizemore
    Tom Sizemore
    • Max Peltier
    Michael Wincott
    Michael Wincott
    • Philo Gant
    Vincent D'Onofrio
    Vincent D'Onofrio
    • Burton Steckler
    Glenn Plummer
    Glenn Plummer
    • Jeriko One
    Brigitte Bako
    Brigitte Bako
    • Iris
    Richard Edson
    Richard Edson
    • Tick
    William Fichtner
    William Fichtner
    • Dwayne Engelman
    Josef Sommer
    Josef Sommer
    • Palmer Strickland
    Joe Urla
    • Keith
    Nicky Katt
    Nicky Katt
    • Joey Corto
    Michael Jace
    Michael Jace
    • Wade Beemer
    Louise LeCavalier
    Louise LeCavalier
    • Cindy 'Vita' Minh
    David Carrera
    David Carrera
    • Duncan
    Jim Ishida
    Jim Ishida
    • Mr. Fumitsu
    Todd Graff
    Todd Graff
    • Tex Arcana
    • Direção
      • Kathryn Bigelow
    • Roteiristas
      • James Cameron
      • Jay Cocks
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários299

    7,282.5K
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    Avaliações em destaque

    7diffusionx

    Engaging, but Uneven

    Strange Days is an interesting film, with a great premise. It also happens to be well-executed, for the most part. The LA of the future (well, future back when it was released in 1995) is quite dystopian in nature, and Strange Days manages to present all facets of that using Taxi Driver-influenced car rides through the city while observing the chaos on the streets. In many ways, Strange Days manages to create a real-life and convincing future, and it feels like a true place, with things going on independently of the events in the movie, rather than feeling like a movie set.

    Atmosphere aside, though, the movie has many strengths. The plot is intriguing, and it flows quite smoothly. A lot of the dialogue is really quite interesting and gives the movie a nice feel (not to mention the actors do a pretty good job with the material). The characters are three-dimension and interesting. While the beginning parts were somewhat disjointed (at least in terms of plot), they did serve as an excellent setup. When the movie was its best (during the middle parts) there is a frantic sense of urgency that really drives the picture along. It's a very entertaining movie, and it managed to form an emotional link with me - always a good sign.

    Unfortunately, it kind of goes downhill after that. Strange Days ends up resorting to awfully cliche ideas, complete with plot elements seen a million times in movies before. All of this mars what could have been a real classic film. It's too bad that Cameron and Cocks had to resort back to this, since the movie has so many strengths and so many great things that it could have built on. While the movie is still above average, it just isn't as superb as it could have been. Nonetheless, Strange Days succeeds on many levels and is well worth watching.
    7Xstal

    Retinal Fetish...

    'Memories were meant to fade' and some years after its release this has become a little diminished and less visible, especially as it attempts to forecast a technological future that even today is somewhat ambitious.

    Always tricky predicting what's to come, although this does foresee with great clarity abuse by those in authority against the same classes and races that are so disenfranchised today - but maybe that wasn't such a big gamble to take. If I had a crystal ball I would foresee the same continuing for another twenty five years and quite probably in perpetuity.

    All in all a reasonable variation on a theme you have seen plenty of before and will continue to do so if this is your bag.
    8vithiet

    Great sci-fi thriller that hasn't aged badly

    Besides the amusing "futuristic" 1999 this movie hasn't aged badly at all. It is a still a great sci-fi thriller and also benefits from very good acting performances.
    9The_Movie_Cat

    "Are we impressed yet?"

    The answer being, of course, yes I am impressed.

    What a thoroughly enjoyable film Strange Days is. Fast-moving and occasionally violent, it's not high art but then neither is it dumbed-down fodder and it has much to commend it. The central plot revolves around an ex-cop (Fiennes, doing a - to my ears anyway - convincing American accent) peddling FBI technology on the black market. The SQUID technology (Super conducting QUantum Interface Device) electronically absorbs information from the central cortex and allows users to experience the thrill of another's sensations - be it murder, sex, robbery, etc. Of course, this central idea, while fascinating, does derive pretty much directly from a Twilight Zone episode. Were this a "classic" Zone episode from the b/w era, then people would have picked it up straight away and the game would be over. As it is, the inspiration comes from one of the colour Twilight Zone episodes which had even less viewers than Strange Days and so the movie can rest assured it is safe in obscurity. (Give up? Okay, it was episode 23, season three, 1989, "The Mind of Simon Foster". I'm an anorak, I know these things).

    But whether such were intentional is pretty much irrelevant as the magpie technique of this film takes from many texts and builds something greater than the parts. One of the two greatest science fiction films of the 90s - the other being the excellent "Twelve Monkeys" - both have built-in sell-by dates by fixing their time period in a very near locale. Hence while the supposed date of Monkeys is long past at 98, this film now becomes a historical document as of New Year's Eve 1999. But then does it follow that we will stop watching 2001 in 2002? Hopefully not, and Strange Days is one that too deserves to be revisited in years to come.

    The reason why I commend it most is its rewarding political stance. The development that gets adhered onto the "Squid" plot directly references the beating of Rodney King. Such contemporary referencing may again date it as quickly as the '99 setting, but then we also have Angela Bassett as a very empowered, yet caring black woman. Note how she and Lenny have exchanged traditional gender roles in this film, yet this feels not like some "macho woman" schtick but genuine characterisation. Lenny is a likeable, wisetalking street peddler who spends the film as a human punchbag. Gone is the cliched jaw-breaking action man role for him, instead his only retort to violence is "I'll give you my Rolex". This sense of, if you like, PC-ness, can also be evidenced with the lesbian couple kissing as the year 2000 breaks, or the (one scene only, admittedly) appearance of a disabled man as a central character.

    However, the boundary-pushing elements of this movie are tainted by the appearance of Juliet Lewis in the film. A capable actress, her only role appears to be as a receptacle for various men's sexual needs or to gratuitously expose her breasts on multiple occasions. This is a great shame, and a pity that a film which has such high intentions in almost every other area should fall back on unfortunate portrayal.

    The dialogue is pitched just about right without being particularly clever, though occasionally it stalls. "You're like a goddamn cruise missile, targetted on making it", Fiennes tells Faith (Lewis) at one point, managing to keep a straight face. Later, Bassett must endure having to say "These are used emotions. It's time to trade them in" and not use her gun on the scriptwriter. When the credits do roll, it's perhaps no surprise that James Cameron was the co-writer, as its slight perfunctory, by-the-numbers stance often reminds one of the machinations of "Titanic". Tom Sizemore as Max is every inch the one-dimensional Cameron "character", while plot twists sometimes feel heavily engineered. Maybe Jay Cocks is responsible for the script's more "human" feel, with particular note going to the moral debate of whether or not to expose the LAPD's murder of an influential black rapper. The two leads debate (internally, as well as verbally, a first for a Cameron movie) the implications and the possible consequences of such an action. Despite its flirtation with the mainstream, Strange Days is a film that dares to pervert the traditional course of Hollywood into a future that is worth seeing. Perhaps predictably, it made little impact at the box office.
    DJ Inferno

    One of my all time faves!

    Unfortunately, this film failed at the box-offices, although it´s one of the greatest masterpieces of the 90s. The first time I saw "Strange Days" was about five years ago, and then over and over again. If you think Ralph Fiennes is only able to play sensitive and problematic characters watch this: it´s his most unusual, but one of the best performances in his career - a performance of a coolness you only would expect from Samuel L. Jackson. Angela Bassett is one of the toughest women cinema has ever seen and Juliette Lewis, Tom Sizemore, Glenn Plummer, William Fichtner - every single role is casted perfectly...

    "Strange Days" is thriller, drama and big city ballad in one piece. I can´t remember any movie that reflects the philosophy of life of Generation X better than this one. Lenny deals with the "Squids" which are the experiences and emotions of men saved on a mini disc. Emotions as a product, a drug - a compensation of modern life for the growing loneliness and anonymity. The only possibility for weak persons like Lenny to feel real. A movie like "Fight Club" wouln´t have been possible without "Strange Days"; other releases like "The Cell" or even Scorsese´s "Bringing out the dead" copied the incomparable make. Although this film is older than six years it hasn´t lost anything explosive effects, what is connected with the video clip style this movie has, which gives "Strange Days" a touch of being ageless. The two most brilliant scenes are the opening sequence - the robbery in the Chinese restaurant - and the showdown down in the streets at the millenium party. Also the soundtrack (Deep Forest, Peter Gabriel, Skunk Anansia, Strange Fruit...) is one of the best I´ve ever heard, what makes "Strange Days" an unforgettable experience for every watcher. (10/10)

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Juliette Lewis did all her own vocals for the film for her character Faith's club performance.
    • Erros de gravação
      The safety cable is visible during the final 10 or 20 feet of Max's fall.
    • Citações

      Mace: Memories are meant to fade. They're designed that way for a reason.

    • Versões alternativas
      The older special edition laserdisc and DVD are the same. Both formats feature two deleted scenes and other extras. The solitary difference is that the laserdisc contains the Skunk Anansie music video for "Selling Jesus", which was not included on the US DVD release. The only DVD to feature the music video is the German special edition.
    • Conexões
      Edited into Strange Days: Deleted Scenes (2002)
    • Trilhas sonoras
      Strange Days
      Written by The Doors

      Performed by Prong featuring Ray Manzarek

      Courtesy of Epic Records

    Principais escolhas

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    Perguntas frequentes23

    • How long is Strange Days?Fornecido pela Alexa
    • In the final scene, the riot cop that tells Mace to get on the ground, am I crazy, or is that Mark Hamill?
    • So, did nero invent the "telepathy" machine or did he just deal the tapes. If not, who invented it?
    • What are the differences between the British BBFC 18 Version and the Uncensored Version?

    Detalhes

    Editar
    • Data de lançamento
      • 26 de abril de 1996 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Espanhol
    • Também conhecido como
      • Días extraños
    • Locações de filme
      • Westin Bonaventure Hotel & Suites - 404 S. Figueroa Street, Downtown, Los Angeles, Califórnia, EUA
    • Empresa de produção
      • Lightstorm Entertainment
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 42.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 7.959.291
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 31.062
      • 8 de out. de 1995
    • Faturamento bruto mundial
      • US$ 7.961.763
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 25 min(145 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.78 : 1(original/open matte)

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