O Poder do Amor

I understand that hell hath no fury like a woman scorned. But if this film is any indication of the way women think today, God help mankind.

Something To Talk About poses a moral dilemma; A good woman is cheated on by her husband, what are her options? I believe a good litmus test of fairness is that it should work in reverse. If that were done in this case, (i.e.) if the man was the faithful one and the woman the cheat, would this script work? Undoubtedly, if they were to make such a film, there would be an outcry from women so loud it would make a Queer Nation rally at a NASCAR race sound like an ant sneeze.

Juxtapose the events as mentioned and imagine, if you will, a film coddled by conservatives, where all women were whores and the virtuous male lead is cheated on. His wife, no matter how repentant, contrite and persistent, is hung out to dry continuously for the filthy tramp that she is while he flirts with his new female options. Then, just to underscore how biased society is today, all the men in the theater jump up at the conclusion of the film and clap for joy because the male lead is so brave.

Does writer Callie Khouri, (Thelma & Louis, go figure) think it's comforting to leave no hope of ever mending past mistakes? I suppose to some people that is the makings for a great film, but in the real world all people make mistakes and forgiveness is a virtue. As George Bailey would say: "It comes in awfully handy down here, Bub."

This films twisted message is this: the answer to a woman being scorned is to fight back, but on a frightening, Star Wars Dark Lord kind of level. In that regard this movie should definitely be seen by anyone considering dating Callie Khouri.

This time it is the man who is unfaithful but the ending is different. When we watched "A Walk on The Moon", "Unfaithful" and "The Bridges of Madison County" we saw three married women have torrid affairs but who were portrayed as sympathetic characters. They ended up staying with their husbands (though the husband in "Unfaithful" probably ended up in prison) while still in love with the men with whom they committed adultery. The husbands who were aware of their wives unfaithfulness, and the one who didn't, all opted to "stand by their women" and were portrayed as being at fault by virtue of working too hard and not paying enough attention to the wives.

But here the shoe is on the other foot. The husband is the one who strays and he is portrayed as being at fault, even though his wife has become distant and unresponsive to him. The double standard is obvious. Kyra Sedgwick was by far the most enjoyable character in the film. She was outstanding as the protective sister of betrayed Julia Roberts. The b*ll kicking scene is painful, but funny. I really liked her and will be looking for more of her work in the future.

The setting is a horse farm that is ruled over by the patriarch played by Robert Duvall. Grace is his assistant manager and carries much of the load. Her husband (Dennis Quaid) is caught cheating on her and she moves out of their bedroom to her sisters apartment. Though her husband is truly repentant and struggles to get her back she is unrelenting and eventually returns to school and we are left wondering if there is ever a reunion. I enjoyed the movie but was struck by the difference in the treatment of male infidelity versus that of the female. I give it a 7/10.

Sterling cast, featuring not only Julia Roberts and Dennis Quaid but also Robert Duvall, Gena Rowlands and Kyra Sedgwick, in a handsomely-made but rather ordinary, women's TV-type light drama (with barbed language added). Roberts plays harried working mom down South who discovers husband Quaid has been unfaithful; they fight, discuss divorce, fight some more, while Roberts gets advice from her well-to-do parents (they ponder the situation when the answers should be obvious). Pleasant cast nearly masks the fact this is completely rote material (with Sedgwick as Roberts' p.o.'ed sister who gets in the proverbial crotch kick). Pokey, overly-familiar, overlong film with too few laughs and too much inane banter. Photographed by the famous Sven Nykvist, who indeed gives the picture a rich, glossy look. ** from ****

A Southern woman (Julia Roberts) finds out her husband (Dennis Quaid) is cheating on her. This sets off complications that involve her whole family-her fiery sister (Kyra Sedgwick), gruff father (Robert Duvall) and understanding mother (Gena Rowlands).

This plot has been done many times before and there are no real surprises--but it has a good pro-female script. That's no surprise--it was written by Callie Khouri who also wrote "Thelma & Louise". The dialogue is sharp and adult and the stars give it their all.

I've never really been a big fan of Roberts but she is very good here faking a credible Southern accent. She has a GREAT scene when she confronts her club about her husband's infidelity. Sedgwick is just fantastic as her sister--full of fire and having a great time. Surprisingly Rowlands wasn't that good at first--way too muted but she eventually got better and is wonderful in a scene in which she tells off Duvall. Quaid and Duvall are lousy in their roles...but they're given NOTHING to work with--this picture is about the women. The only male character with any depth is Jamie (Brett Cullen)--very handsome, intelligent and caring--a real great performance.

A word of advice--this movie is VERY R rated. There's tons of swearing (especially from Sedgwick) and VERY frank sexual dialogue--it is NOT for the kids (unless it's an edited for TV version). It's an adult movie.

Predictable but well-done. Worth catching.

When it comes to directors like Lasse Hallström, I always expect maximum, best, masterpiece. After movies that he made back in Finland and brilliant "What's Eating Gilbert Grape" I think that my expectations were justified. Sadly, this movie came just behind Gilbert so I can live with one mediocre movie after a huge success with Gilbert and then later movie like "The Cider House Rules", "Chocolat"...

Hallström likes to make family movies, where he can expose the whole family with all their pluses and minuses. In this case, story was written by Callie Khouri (Thelma & Louise), typical 'women are always good' writer. In the middle of the story we've got Grace Bichon (Julia Roberts), who founds out that her husband Eddie (Dennis Quaid) is unfaithful. With her daughter, she decides to come back home at ranch. There she must face her traditional father Wyly (Robert Duvall) and mother Georgia (Gena Rowlands), who seems to be doing whatever Wyly wants. The only person who fully understands her is her sister Emma Rae (Kyra Sedgwick).

I disagree that there is nothing to talk about in this movie. Yes, this movie has some obvious problems: the script is not brilliant which is mostly seen in situations that we've all seen before and characters like Eddie, Wyly and Georgia are written on a way that there is nothing for actors to act. But all Hallström characters are alive (you can identify with them) and about family problems that are presented in this movie there is plenty to talk about. For example, what strong woman like Grace does when she's cheated, how to explain her young daughter that her dad isn't living with them any more; the whole relationship of Bichon's after infidelity. On the other hand, we've got relationship between two sisters, between Wyly and Georgia King and so on. So we've got plenty stuff to talk about only if you think about it for a while. What this script lacks is quality writing of male characters. Duvall's and Quaid's characters are simply not developed enough.

About acting part, I must admit that Julia Roberts is very good in this role, just like Kyra Sedgwick and Brett Cullen (his character is the only male character that is made right). Duvall, Rowlands & Quaid have nothing to act, like I said before. But I read one comment that says that Duvall shouldn't act in any movie. That is what made me angry so I had to write it. Man is a screen and stage legend!

So to end, if you can watch this family drama about marriage, infidelity and love. It's not the best choice coming from Hallström but it's a bearable one.