Mickey e seu Cérebro em Apuros

This short was nominated for an Academy Award when it came out and I can see why. It's hilarious, exciting and the pace is frenetic and unrelenting. There are also quite a few gags pointed at heavy-duty Disney and/or movie fans, starting with the opening shot of Mickey playing a video game. Look at what he's playing. This is not your grandfather's Mickey. The visuals are great and the gags come almost as fast as the average Tex Avery cartoon.

This was recently released on the Disney Treasures Mickey Mouse In Living Color, Volume 2. If you haven't already got it, you probably better hurry. I doubt they'll last too long. The cost on the secondary market will be considerable. The set is great, as are the other Disney Treasures releases. This short is definitely recommended and the Disney Treasures sets cannot be more highly recommended!

This is the first time I comment on a film I haven't seen.

Not that I didn't want to. I bought the Disney Treasures/Mickey in Color 2 DVD set, official edition (not some bootleg) here in Germany. I watched Leonard Maltin announce it in his intro, including a second of snippet.. I watched all 5 hours of the DVDs, bonuses and all.. tried all the menus for hidden Easter eggs.. no luck.

As I've met possible censorship on another Treasures DVD just some days ago (Der Fuehrer's Face was missing from Chronological Donald 2 - possibly because displaying swastikas is illegal in today's Germany), I suspect a somewhat similar reason here.. not law, but viewer clearance. The whole Disney cartoons are cleared for age 0 and up. Now if a DVD contains just one item with a higher limit (6/12/16/18), it must display that clearance for the whole bundle.. I suspect that marketing considerations led the German distributor to self-censor and remove Runaway Brain, even though announced by Maltin. I'm really frustrated.

Update, July 11, 2011: Now I've watched the film, on YouTube. A nice combination of modern-day dynamics in cartoons with many 1930s themes: the ancient looks of Mickey and Minnie, the King-Kong, mad scientist, brain transplantation themes and so on... very likable! I was surprised that it was produced in France, but hey, that's globalisation...

So I'm softening my above point on censorship, too. It certainly exists, but given the Net, there just as certainly are ways around it. By the way: some weeks ago, I also located The Fuehrer's Face on archive.org.

As the second Mickey in Color DVD collection shows, after the release of the Brave Little Tailor Mickey's screen career was on a steady slide into the toilet. Outside of his feature appearances Mickey's films were dull. It wasn't until the 1980's with Mickey's Christmas Carol and The Prince and the Pauper that the animators knew what to do with the Disney symbol.

In 1995 they released this gem and it simply is one of the best Disney shorts ever produced. Mickey in need of money to buy a gift for Minnie gets mixed up with a mad scientist and mayhem that previously was only witnessed in Warner cartoons occurs. Its every horror movie cliche turned on its head.

What can I say? This is funny funny stuff, that Disney, attached to some live action box office dog, so odds are you've never seen it, which is a shame because its so good that it almost single handedly makes the Price of the Mickey Mouse in Color Volume Two DVD set worth buying.

Go track it down. Its only seven minutes long so you'll be able to watch it three or four times in a row with out feeling like you've wasted too much time.

This is a true Disney classic.

"Runaway Brain" was an attempt (or so the Disney studio announced before its release) to recapture the spirit of the earlier Mickey Mouse cartoons - not the series involving the dull suburbanite which fizzled out with "The Simple Things" in 1953, but the lively everymouse of the 1930s. But here's what they forgot: the banal Mickey Mouse cartoons c.1940-1953 were ALSO an attempt to recapture the spirit of the earlier Mickey Mouse cartoons. And THAT was an attempt made by the very same animators, writers etc. who had worked on the originals not long before. (The original directors, admittedly, had mostly either left the studio or gone on to work on features. The director of the later Mickeys was usually Charles Nichols, who HADN'T been responsible for the earlier ones, which makes him an easy target for blame - but some of his Mouseless cartoons, like "The Legend of Coyote Rock" and "Wonder Dog", show that he was a formidable talent, if not by the standards of his day, then certainly by the standards of ours.) If THESE people couldn't resurrect Mickey Mouse, what made Chris Bailey, with no prior credits at all (at least according to the IMDb), think that HE'D be able to?

The truth is that the charm of Mickey's earlier cartoons, while undeniable, is highly elusive. In one of his last great triumphs, the Oscar-winning "Brave Little Tailor" (1938), Mickey battles a giant, in a climax that ISN'T played for laughs, even though it has some comic touches. Ditto "Runaway Brain". But the danger of the earlier cartoon is real; the danger here is completely fake. The Gothic mad science of "The Mad Doctor" (1933) or "The Worm Turns" (1937) was not violated by the inclusion of a giant cartoonish rodent; here, no particular atmospheric effect even gets a chance to establish itself. The sometimes over-deliberate pacing of the earlier cartoons somehow failed to hurt them in the least. Here, the overly zippy pacing is fatal. What's wrong with "Runaway Brain"? In a sense, EVERYTHING. It's a complete failure.

In order to create GOOD new Mickey Mouse cartoons, Disney will have to set up a semi-autonomous short subjects unit and force it to churn out, say, twelve cartoons a year, of whatever kind strikes the animators' fancy, and hope against hope that in some years' time there will emerge a heroic cartoon director who feels strong enough to tackle the Mouse. Such a short cartoons unit would of course make a guaranteed, substantial loss, EVERY year, and I don't blame Disney for baulking at the idea. But it's the only way.

My only complaint really of this otherwise excellent cartoon is that some of it was a little too rushed. That said, it is hugely enjoyable. Bizarre yes, with some quite effective freaky imagery, but also very off-the-wall in its humour. The animation is of very good standard, the colours are bold and Mickey looks better than I have seen him in quite some time.

The music just enhances the atmosphere, often exciting, haunting, evocative and nightmarish it suits the tone of Runaway Brain wonderfully. The dialogue is memorable and the story while simple benefits from a great idea and is kept at bay right up until the end. I loved Mickey here, I always have although he can be bland sometimes when he is sidelined, but here we have a completely different side to him and while it mayn't be to everybody's tastes I liked that side to him.

Overall, bizarre yet still excellent. 9/10 Bethany Cox