Ricardo III

This is a peculiar updating of Shakespeare's play to the Thirties fairly races through the Bard's text and adding some historical elements. Dazzling and stagy entertainment about the ruthless and power-hungry Richard III being haunted by those he has killed . A deranged Lord competently performed by the great Ian McKellen mercilessly murdering his way to the English throne, during a dystopian England in the thirties . Great Britain kingdom is ruled by a sicked Edward IV who violently deposed the previous fleeble King . A web of intrigue veils the lives of all who know only too well that today's friends might be tomorrow's enemies . This interesting film deals with the story of mean Richard III Crookback , 6th in throne succession, while his brother king Henry IV -John Wood- appoints Clarence as Lord Protector of the Realm and preceptor his children . But aside from Edward , his other brother , Clarence -Sir Nigel Hawthorne- , and Edward's two young sons also stand between Richard and the crown of England . Subsequently , Richard eliminates those ahead of him in succession to throne then occupied by his ill brother Edward IV . As Richard , Duke of Gloucester , results to be a dominant , unstoppable , nasty lord , gross black spider of a figure that devours or possesses everything on its path . What Is Worth Dying For... Is Worth Killing For. I can smile, and murder while I smile . Power Conquers All...I am determined to prove a villain, and hate the idle pleasures of these days... Mother England meets Father Terror ? You will need someone to hand onto when you come face to face with the blood-chilling terror in the tower !

Enjoyable and hypnotic amusement for Ian McKellen enthusiasts , resulting to be a sophisticated remake from classy Laurence Olivier version . The film turns out to be like a Shakespearean theatrical drama set in a fascist society . Give it high marks for originality and admire some striking set pieces , but hand the superior and real crown to Laurence Olivier's 1956 vintage movie . This awesome movie being partially based on historic events , during Two Roses War, Red Rose (York House) ruled by Edward IV and Richard III followers and White Rose (Lancaster House) , Henry VII followers who defeat to them . Finally , there takes place the Battle of Bosworth , in which Richard III is vanquished and a new ruler called Henry VII takes over the kingdom . The picture profits from a terrific cast who gives over-the-top interpretations . Ian McKellen provides an incisive role featuring an acclaimed acting . He plays a camera-adressing fascist , seems far too easily bested at the end . Being well accompanied by a prestigious secondary cast , such as : John Wood as King Edward IV , Nigel Hawthorne as Duke of Clarence, Annette Bening ,Tim McInnerny , Jim Carter , Bill Paterson, Maggie Smith , the best performance comes from Jim Broadbent and Robert Downey Jr but unfortunately his role doesn't last very long .

Other movies regarding this historical character are as follows : "Tower of London 1939" by Rowland V Lee with Basil Rathbone , Boris Karloff and Vincent Price who coincidentally appeared here as the doomed Duke of Clarence . "Richard III 1956" starred and directed by Laurence Olivier with Jean Simmons , Ralph Richardson , John Gielgud , Sir Cedric Hardwicke , Peter Cushing , this is the landmark version of the Shakespearean play . ¨Tower of London¨(1962) by Roger Corman with Vincent Price , Michael Pate , Joan Freeman, Richard Hale , Robert Brown and Sandra Knight, it is really a terror film in the wake of Allan Poe/Roger Corman adaptations . And this modern take on "Richard III" by Richard Loncraine with Ian McKellen, Jim Broadbent , Robert Downey Jr , Nigel Hawthorne , being set in an imagined 1930s London if swanky Art Deco .

Many productions throughout the years have presented Shakespeare in updated formats in order to make his plays more

contemporary with varying results. This production is one of the

most successful. Sir Ian McKellan's extraordinary performance

makes his character, although thoroughly self-serving, incredibly

magnetic. The film is enhanced by many other exceptional

performances, most notably by Robert Downey Jr., Jim Broadbent

and Kristin Scott Thomas. The setting makes the story more

realistic to modern viewers, which helps it to avoid the stiff, stagy

quality seen in most productions of this work. Making

Shakespeare more accessible to today's viewers without

butchering his amazing language is no mean feat, but this film

accomplishes it handily.

This is one of the movies you remember for a long time - and for all the good reasons. Transplanting Shakespeare in a different time and giving his historical plots a modern political sense is not such a new idea. What is really strong and works well here is the perfect fit between the characters as Shakespeare intended them and the background which is so different from the original historical one. Each one of the characters is both shakespearian as intended, a perfect citizen of the fictional time created by the director - a fascist England in the 30s - and more than everything else a human being: sensual, hating and loving as only humans do.

Perfectly acted, almost flawlessly directed, with very little overweight, this film is a feast for the intelligent spectator, a brutal, well-paced and expressive piece of art - and exactly as Shakespeare would have loved it, a mirror of his time, of our time, and of any time. 9/10 on my personal scale.

This film sets Shakespeare's Richard III in an alternative to WWII era England, where fascists and royalists maintain their own militias and play power games with kings and thrones. The first scene sets the tone for the entire film. A young officer is settling down to dinner with his dog chewing on a bone nearby. The building begins to shake and a low rumbling is heard. Soon enough, a tank erupts through the fireplace and stormtroopers charge in automatic rifles ablaze. Ian McKellan removes his gas mask and spouts a few lines of Shakespearean dialog.

The action and the intrigue never really let up, as the film follows Richard's (McKellan) rise to infamy and power. Neither does the Shakespearean dialog. Somehow the cast manages to make the dialog fit the action and setting effortlessly.

Richard III is jarringly strange - perhaps the most innovative of the recent Shakespeare updates - very well acted and directed. Although I recommend the film, I have to warn you - it's not for everyone.

When I see how wonderful this Richard III is, it immediately makes me question what in the world has Kenneth Branagh been doing all these years? Certainly nothing as imaginative, as provocative as this.

Deprived of Shakespeare as a child, I have been forced to catch up piece meal through film. Al Pacino's "Looking for Richard" gives attention to Richard III, from a far different perspective, but both that film and this agree that it has all the key elements of great drama: evil ambition, betrayal, rivalry.

The casting is tremendous with Ian McKellen (from his own stage play) and Kristen Scott-Thomas in the leads-thankfully there is no Kenneth Branagh to be found. And is this guy Jim Broadbent any good, or what? For my money he steals every scene he plays in "Little Voice", he's subtly brilliant here in a lesser role. Only Annette Benning seems a little overmatched in her portrayal of Queen Elizabeth, but that's hardly surprising.

The accessibility of the current version, the setting in 1930's Fascist Europe, gives the story a vibrancy that is present from the first frame to the last.

Challenging, fun, and educative-far more than most films deliver. I highly recommend.