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IMDbPro

Chaplin

  • 1992
  • 14
  • 2 h 23 min
AVALIAÇÃO DA IMDb
7,5/10
64 mil
SUA AVALIAÇÃO
Robert Downey Jr. in Chaplin (1992)
Home Video Trailer from Columbia Tristar
Reproduzir trailer2:04
2 vídeos
99+ fotos
DocudramaPeriod DramaShowbiz DramaBiographyComedyDrama

Relata a vida convulsiva e controversa do mestre diretor de comédia Charles Chaplin.Relata a vida convulsiva e controversa do mestre diretor de comédia Charles Chaplin.Relata a vida convulsiva e controversa do mestre diretor de comédia Charles Chaplin.

  • Direção
    • Richard Attenborough
  • Roteiristas
    • David Robinson
    • Charles Chaplin
    • Diana Hawkins
  • Artistas
    • Robert Downey Jr.
    • Geraldine Chaplin
    • Paul Rhys
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    64 mil
    SUA AVALIAÇÃO
    • Direção
      • Richard Attenborough
    • Roteiristas
      • David Robinson
      • Charles Chaplin
      • Diana Hawkins
    • Artistas
      • Robert Downey Jr.
      • Geraldine Chaplin
      • Paul Rhys
    • 228Avaliações de usuários
    • 54Avaliações da crítica
    • 47Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 3 Oscars
      • 3 vitórias e 20 indicações no total

    Vídeos2

    Chaplin
    Trailer 2:04
    Chaplin
    Chaplin
    Trailer 1:58
    Chaplin
    Chaplin
    Trailer 1:58
    Chaplin

    Fotos139

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    Elenco principal99+

    Editar
    Robert Downey Jr.
    Robert Downey Jr.
    • Charles Spencer Chaplin
    Geraldine Chaplin
    Geraldine Chaplin
    • Hannah Chaplin
    Paul Rhys
    Paul Rhys
    • Sydney Chaplin
    John Thaw
    John Thaw
    • Fred Karno
    Moira Kelly
    Moira Kelly
    • Hetty Kelly…
    Anthony Hopkins
    Anthony Hopkins
    • George Hayden
    Dan Aykroyd
    Dan Aykroyd
    • Mack Sennett
    Marisa Tomei
    Marisa Tomei
    • Mabel Normand
    Penelope Ann Miller
    Penelope Ann Miller
    • Edna Purviance
    Kevin Kline
    Kevin Kline
    • Douglas Fairbanks
    Maria Pitillo
    Maria Pitillo
    • Mary Pickford
    Milla Jovovich
    Milla Jovovich
    • Mildred Harris
    Kevin Dunn
    Kevin Dunn
    • J. Edgar Hoover
    Deborah Moore
    Deborah Moore
    • Lita Grey
    • (as Deborah Maria Moore)
    Diane Lane
    Diane Lane
    • Paulette Goddard
    Nancy Travis
    Nancy Travis
    • Joan Barry
    James Woods
    James Woods
    • Joseph Scott
    Hugh Downer
    • Charlie Age 5
    • Direção
      • Richard Attenborough
    • Roteiristas
      • David Robinson
      • Charles Chaplin
      • Diana Hawkins
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários228

    7,564.3K
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    Avaliações em destaque

    8funkyfry

    Exceptional bio-pic

    An attempt to make a film that is both honest and at the same time shamelessly self-serving about its (auto)biographical subject -- the legendary comedian/director Chaplin -- is pulled off with style. It's fun to see some modern talents inhabit the roles of screen's bygone icons (though in some cases a little less charicature would have been appreciated, especially in the case of Mabel Normand). Kline, surprisingly enough, makes a convincing Fairbanks. The rest of the cast is also well-picked -- X-Files fans should watch closely to catch quite a few glimpses of lower-billed David Duchovny as Chaplin's personal editor.

    The direction is very good; I particularly liked how some of the straight scenes were filmed in a comic, surrealist style (Chaplin's escape from the police w/ his cans of "the Kid" reels is staged like a Keystone Komedy), while some of what might have been more comic elements are played straight (Chaplin's attempt to convince his brother that "The Tramp" cannot talk in a movie is both funny and serious, for example). Some of the (perhaps true to life) melodramatic elements are a bit overplayed (the bit with his mom was handled too heavily for my tastes, especially her shouting his name as she's dragged away by the asylum guards), but generally the film avoids genre cliches and "easy" scenes.

    Great photography.

    Downey Jr. fits the roll well, even rising to many of the physical challenges of the Chaplin mystique.

    A superior film of its type, laced with self-conscious humor and self-reflection on the artistic temperament.
    10a.kellett

    Don't forget greats like Chaplin!

    Thankyou to Richard Attenborough for this film. I watched it many a time and enjoyed both the biographical aspect and the comedic one but it has also increased my interest in silent comics of this great era.

    The film begins by exploring the early life of Charlie, his Brother Sid and his Mother as they try to scrape a living. Thankfully Attenborough doesn't concentrate too much on this deprived part of Chaplin's life. However it does reveal interesting facts about Charlie that he never forgot during his rise to superstardom.

    Although Chaplin is played by younger actors at the begining it is the arrival of Robert Downey Jnr which Chaplin fans will anticipate the most. He puts in an amazing performance, his London accent is excellent and ability to do slapstick even better he also really makes you believe that the great man is alive and on the screen again.

    The film rightly concentrates on the private life of Chaplin and the development of the cinema. Whilst others may want to see the film concentrate on Chaplin's great pictures e.g The Kid, Gold Rush, and the Great dictator Attenborough blends the creation of these films into specific turning points in Charlie's life. For example Modern times is used to show Chaplin's sympathy towards victims of the wall street crash, as he knew what it was like to be extremely poor. His Jewish connections are also highlighted by the Great dictator, which shows his sensitivities to the European Jews were more at heart than just a making a heap of cash by having a laugh at Hitler's moustache and goose stepping troops.

    The film doesn't get bogged down by Chaplin's hectic love life, as Dickie explores Charlie's political beliefs and how J Edgar Hoover was convinced of he was a communist party member. By doing so it shows how Hoover was one of the most twisted individuals to hold public office, with a dangerous obsession on peoples private lives and background.

    The film does a good job in showing how important silent stars were and how we should not forget that they were the true greats when films were developing all the time from shorts to feature length, from silent to sound.
    bill_golden

    Intriguing look at Chaplin's life and early Hollywood

    This is a great example of a movie I took a chance on one rainy Sunday at a theater in Charlotte, NC., and was highly rewarded with an intriguing look at the life of an early film star set against the background of early Hollywood. I had't heard much buzz about it and didn't really know much about Charlie Chaplin. Downey is amazing in his personification of Chaplin. If you want to expand your horizons and learn a little about the inside workings of the film industry from circa World War I thru the 50's, this award-winning movie comes highly recommended.
    8TheLittleSongbird

    Ambitious but beautifully made!

    This film is beautiful and intelligent, if a little ambitious and overlong (2 and a quarter hours). But it is so worth seeing, for the superb Oscar-nominated performance from Robert Downey Junior. The film starts off flawlessly, with beautiful incidental music from John Barry, and a fantastic performance from Geraldine Chaplin, who played her own grandmother.

    We also see Fred Karno, robustly played by John Thaw, and Hetty , played by Moira Kelly(who did struggle with the accent). A standout from the supporting cast, was a lively performance from Kevin Kline, who brought some great energy into the role of Douglas Fairbanks. The performances in general are very good indeed, and the film looks ravishing with show stopping costumes and scenery.

    However, it is after the death of Fairbanks, that the film starts to drag, and the title characters rapidly turn into a series of vignettes. As much a great actor Anthony Hopkins is, his turn as the fictional autobiographer was perhaps unnecessary. And I was a bit confused why they turned Hoover as a villain who wanted Chaplin out of the country. The ending is poignant, and Moira Kelly does better in her role as Oona.

    The end credits were very educational, and the arrangement of Smile was one of my highlights of this beautifully made but ambitious film. Worth watching for those who are a fan of Richard Attenborough (the director) 8/10 Bethany cox
    10Anonymous_Maxine

    A spectacular portrayal of the unseen life of Charlie Chaplin.

    Robert Downey Jr., first of all, portrays Chaplin with amazing accuracy. Some parts of this performance are particularly memorable, such as his invention of the famous tramp's walk just after having feverishly picked out the outfit, the astonishingly accurate depiction of Charlie as an old man, and of course, the many parts of the film that involve parts of his life where he was working on his own films. These are clearly some of the most interesting parts of the movie, if only because these films are how we know him, but it is at least as interesting the way that the film hints towards things that happened in Chaplin's life that inspired those films.

    Very early in the film, we see a scene in which Charlie's mother is booed off the stage by an impatient crowd, so Charlie, who is a little boy at the time, gets on stage to do a song and dance of his own. He performs a song that is very similar to the one his mother performed, but he wins the audience's heart and they respond by tossing coins onto the stage for him. You can't help noticing how this corresponds with the constantly youthful look of the Tramp (in Modern Times, for example, Chaplin was in his late 40s but looked like a teenager), and the coins tossed on stage may have played a significant role in helping him realize that this could be a good way to make money.

    Charlie moves to America to pursue his dream, and we see the landmark events that punctuated his dizzying rise to stardom. He goes to work briefly on stage and is then hired by Mack Sennett, a gigantic figure in film history, but is unsatisfied because of his own lack of control over his work. It should also be noted here that there is a scene where he is working with director Mabel Normand, who demands acting from him that he does not agree with, and with whom he clashes. In 1914, Chaplin starred in a 9 ½ minute film called Mabel's Busy Day, in which he plays the uncharacteristic role of the antagonist. The Mabel in this film is a sporting event vendor who turns down Charlie's amorous advances, after which Charlie proceeds to steal all of her products and hand them out to anyone standing nearby. Then in 1920, he starred in another short comedy called Mabel's Strange Predicament, in which Mabel is a woman who becomes locked out of her hotel room in her pajamas and ends up avoiding the drunken Charlie for the rest of the film. In both films, Charlie plays uncharacteristic roles, the most unenviable of which was in Mabel's Busy Day, which Mabel Norman directed.

    Later in the film we see Charlie in a small diner just after having terminated his employment with Mack Sennett, and he meets Edna Purviance in a scene that is reminiscent of his romantic endeavors in such early films as Caught In A Cabaret and, even more so, The Immigrant, one of his most famous early films. There are dozens of other references to the development of his cinematic personality - such as his sudden realization of how to make the Tramp appear rich to the blind girl in City Lights without talking, as well as the dance of the dinner rolls, which Charlie performs here at a dinner at an expensive restaurant - but there is an even more significant portrayal of Charlie's beliefs and his values in this movie that are more recognizable as well as more memorable to people not familiar with his earlier and less known work.

    Charlie Chaplin was one of many filmmakers' in the earlier times of the medium that resented and disapproved of the coming of sound to the movies. His Tramp remains one of the most recognized figures in the history of the cinema, and it is widely known that the Tramp is an almost entirely silent character, so it is necessary for a film about Chaplin's life to address this in some way, and it is done perfectly here. There is a scene where Charlie's brother is trying to convince him to add spoken dialogue into his films and Charlie refuses outright, giving a hilarious example of a Russian ballet dancer and saying, `The Tramp CAN'T talk. The minute he talks, he's dead.' This is a brilliant way to illustrate Charlie's fondness for the silent film, as well as his knowledge that no voice given to the Tramp would fit his character right. He was too well known to be changed so profoundly.

    Charlie Chaplin created 81 movies in his lifetime, many of them timeless and truly memorable, and has made a significant impact on the filmmaking medium as well as on the world itself. He was a fascinating personality both onscreen and off, which is another element of his life that was necessarily and skillfully presented in this film, this time directly in the dialogue in what is probably the single most important line in the entire film – `If you want to understand me, watch my movies.' Chaplin's ever-present sympathy for the underprivileged is subtly but effectively portrayed as two poor people approach him on his way out of a nice restaurant, right at the beginning of the Great Depression, asking for his autograph. The elderly Charlie notes in retrospect that, `I wish they'd wanted my money.'

    He is always aware throughout the film and throughout his life of the difficulties constantly facing poor people, and he wants to give these people not only an escape with his films, but hope for the future. There is a point in the film where Charlie has returned to Europe to see an old friend, and he learns on the train that she has died. He is then asked, `What'll we do, Charlie?' And his answer, although spoken under his breath almost in a whisper, rings louder than anything else in the film.

    `Smile.'

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Geraldine Chaplin played her real-life paternal grandmother Hannah Chaplin.
    • Erros de gravação
      When Charlie is shown at the 1972 Oscars near the end of the movie, he is showed being brought to the podium in the wheelchair and then standing at the podium as the movie clips played. In the actual awards ceremony, Charlie walked out to the podium under his own power after the clips ended.
    • Citações

      German Diplomat: [offering his hand] Mr. Chaplin! I am a great admirer of yours.

      Charlie Chaplin: I'm sorry, I prefer not to shake hands with Nazis.

      German Diplomat: [laughs nervously] What have you got against us, Mr. Chaplin, hm?

      Charlie Chaplin: What have you got against everybody else?

    • Cenas durante ou pós-créditos
      The film ends with the final scene of O Circo (1928): Charlie Chaplin walks off into the distance.
    • Versões alternativas
      To receive a 12 certificate the original UK cinema version was cut to remove one use of 'fucking' (during Charlie's homecoming visit to a pub). Later releases were uncut and upgraded to a 15 rating.
    • Conexões
      Featured in Friday Night: Episode #1.11 (1992)
    • Trilhas sonoras
      The Honeysuckle and The Bee
      Written by Albert Fitz and William H. Penn (as William Penn)

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    Perguntas frequentes19

    • How long is Chaplin?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 19 de fevereiro de 1993 (Brasil)
    • Países de origem
      • Estados Unidos da América
      • Japão
      • França
      • Itália
      • Reino Unido
    • Centrais de atendimento oficiais
      • Instagram
      • Official Site
    • Idiomas
      • Inglês
      • Italiano
      • Alemão
    • Também conhecido como
      • Charlie
    • Locações de filme
      • Chaplin Studios - 1416 N. La Brea Avenue, Hollywood, Los Angeles, Califórnia, EUA(Studio)
    • Empresas de produção
      • Carolco Pictures
      • Japan Satellite Broadcasting (JBS)
      • Canal+
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 31.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 9.493.259
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 84.669
      • 27 de dez. de 1992
    • Faturamento bruto mundial
      • US$ 9.493.259
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 23 minutos
    • Cor
      • Color
      • Black and White
    • Proporção
      • 1.85 : 1

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