Fome Animal

Dead Alive (1992)

**** (out of 4)

Terrific horror/comedy about a mama's boy (Timothy Balme) who finally gets a shot with a beautiful young lady (Diana Penalver) but his mommy ends up getting bitten by a Sumatran rat-monkey, which turns her into a blood-thirsty zombie.

I remember first seeing this thing in its cut, R-rated version but catching it again, this time uncut at a theater that specialized in midnight movies. I caught a lot of cult films at this theater but I think this one here went over best with the large crowd and the film ended up playing at least once a month with people lining up each time. Jackson has certainly gone on to do bigger pictures but in my opinion this one here contains more originality, imagination and heart than any of the three LORD OF THE RINGS films.

I think the overwhelming majority of this picture is a bizarre love story mixed in with outrageous gore that leads to some incredibly funny sequences. The over-the-top humor starts early on when, after already being bitten, the mother has some society people over but soon starts to fall apart in her food with the poor man sitting next to her ending up drinking down some of her fluids in his pudding. We even get more crazy stuff in terms of a mutant baby that our lead must take for a walk in the park only to have to end up beating in front of other outraged parents.

The gore level in this film was incredibly high for 1992 standards and it's still pretty out there. I'm not sure how many gallons of blood was used for this film but the red stuff is constantly flowing and pouring all over the place. We've got countless body parts being ripped, torn and shredded but we also have an uncountable amount of ooze constantly going all over the place. Horror fans who love gore will certainly find plenty here as this film contains enough for pretty much the entire genre that was out there during this era. Not only do we get some disgusting goo but we also get some pretty big laughs with the various situations that we find out hero in.

Jackson even throws us a decent little love story between the two leads and how on Earth doesn't want to see Lionel finally destroy his mother and get with the girl? The one negative thing is that the film runs a tad bit too long but there's no denying that this thing is a pure masterpiece in terms of midnight movies and gore flicks. The thing has some nice performances, an insane atmosphere and it's just an all around great little gem from someone who really does love the genre. Not only do we get all of this but there are some nice homages to films like KING KONG and THE WOLF MAN.

I think it's called the sweet spot, that place when everything comes together at the right moment: the build up has been great, the levels on all the gauges are optimised, you have all the ingredients, the recipe for success has been perfected and then you unleash the beast, and what a butcher of a beast you unleash!

If you dig too deep for the secrets or contrast it with today you'll end up burying yourself however, do be mindful and in awe of the immense crafts these artisans had developed in the early 90s and, above all, revel in the way those talents were recombined to produce a true work of ground breaking genius that will keep those fascinated by such majesty capitated, bowled and limbed for as long as is inhumanly possible.

Peter Jackson's gore-fest "Dead Alive" - AKA Braindead- is a very funny, very bloody film. The story is pretty simple, but includes some ingenious plot elements - such as a budding romance between two very likable characters (Balme and Penalver), a psychologically distressing relationship between Balme and his mother and well scripted dialog.

Balme plays Lionel - a troubled, more or less housebound young man who has been forced to spend most of his time taking care of a domineering and psychologically damaging elderly mother. Penalver plays Paquita - his romantic destiny. Paquita is a charming young woman for whom English is (perhaps) a second language. Soon after they meet, Paquita notices some odd quirks in Lionel's behavior, and slowly begins to realize that there is something besides the usual male fear of commitment. Perhaps Lionel's cannibalistic zombie mother is to blame? Soon enough Balme is babysitting a whole family of living dead who he has to constantly inject with animal tranquilizers, and trying to fend off a despicable uncle who is trying to muscle in on his inheritance. Then the fun really starts. It's the Dead Alive Series with extra gore, infused with brilliant slapstick and just a pinch of Monty Python.

Balme is amazing! - an excellent physical actor with great slapstick pacing and manic anxiety. And Penalver is delightfully pretty and sincere yet gives a nice campy performance. Dead Alive is one of the films in which Jackson began to blend detailed ecstatic and fantastic elements into his plots and cinematography - later culminating in the disturbing Heavenly Creatures and the spectacular LOTR trilogy. In Dead Alive, he finds his formula and makes it work without a tremendous budget. The film is well shot and grotesque, but remarkably amusing.

This is by far the best horror film I have ever seen in my life. This movie has everything - a horrifying rat monkey, a baby zombie, zombies having sex, gratuitous violence, extreme gore, a super fighting ninja priest, an evil annoying mom that turns into a zombie, a womanizing relative that is a pathetic loser, an old psychic that predicts the future, and lastly someone who takes care of them all. Oh, I can't forget to mention an inspirational scene with a lawnmower too. Overall I give this cinematic masterpiece the highest review, me throwing up in the bathroom afterwards from absolute disgust.

This film is truly the finest hour of the young, aggressive, full-speed-ahead Peter Jackson. Check your squeamishness at the door and get ready for proof that splatter can be played for laughs.

Not all the laughs are splatter-based. The opening scene shows a zookeeper waving a permit to a tribe of hostile natives about to kill him, shouting out "per-mit! Per-mit!" From there, the film descends into the inspired, amused lunacy of the splatstick. Look for the cameo of a young, thin Peter Jackson as a mortician's assistant. Also look for the minor hilarious characters- the Nazi vet, the idiot football player, and most famous of all, Father MacGruder, he of the film's best one-liner.

Timothy Balme is excellent as the nebbishy mama's boy who ends up taking on the whole undead world by himself, with a couple of mechanical aids. He out-Ashes Ash! Like any good zombie film, the end features waves of zombies, but many with unique and twisted personalities of their own. The best is, of course, zombie baby. It is shocking and yet hilarious to see what zombie baby endures, and yet survives (perhaps to live on in the long awaited sequel?) Ten stars, and five out of five blood splats thrown up against the wall (during the last half hour).