Setting History on it's Ear
Director Ridley Scott and writer Roselyne Bosch play fast and loose with historical accuracy in this white-washed telling of Christopher Columbus' adventures.
Rather than seeing the Columbus of history plundering other lands in search of gold while brutally enslaving and mass murdering the natives, we are presented with a kind, gentle, benign Columbus (portrayed by the surrealistically cast Gérard Depardieu) who's surrounded by unscrupulous characters. Scott's Columbus is an idealistic visionary who only wants "a new world," yet is a pawn caught between bad people doing bad things. Poor Columbus ... all he wants to do is explore.
Of course, this calls for *a lot* of historical revisionism for the screenplay, which re-arranges events and the instigators of them (atrocities are shifted to the work of others rather than Columbus, and for different reasons; otherwise, it's omitted from the story).
But why fictionalize history (reality is always more interesting) with this pabulum, and then pass it off as "history"? Either no research was done, or they intentionally fabricated the story; there is no other option.
"Life has more imagination than we carry in our dreams," we are told just before the closing credits. Indeed. Too bad the writer didn't follow this advice. The truth would have made far better drama.
Rather than seeing the Columbus of history plundering other lands in search of gold while brutally enslaving and mass murdering the natives, we are presented with a kind, gentle, benign Columbus (portrayed by the surrealistically cast Gérard Depardieu) who's surrounded by unscrupulous characters. Scott's Columbus is an idealistic visionary who only wants "a new world," yet is a pawn caught between bad people doing bad things. Poor Columbus ... all he wants to do is explore.
Of course, this calls for *a lot* of historical revisionism for the screenplay, which re-arranges events and the instigators of them (atrocities are shifted to the work of others rather than Columbus, and for different reasons; otherwise, it's omitted from the story).
But why fictionalize history (reality is always more interesting) with this pabulum, and then pass it off as "history"? Either no research was done, or they intentionally fabricated the story; there is no other option.
"Life has more imagination than we carry in our dreams," we are told just before the closing credits. Indeed. Too bad the writer didn't follow this advice. The truth would have made far better drama.
- Nicky-43
- 24 de out. de 2000