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IMDbPro

Um Romance de Outro Mundo

Título original: Truly Madly Deeply
  • 1990
  • PG
  • 1 h 46 min
AVALIAÇÃO DA IMDb
7,2/10
10 mil
SUA AVALIAÇÃO
Um Romance de Outro Mundo (1990)
Assistir a Official Trailer
Reproduzir trailer1:57
1 vídeo
18 fotos
Supernatural FantasyTragic RomanceComedyDramaFantasyMusicRomance

Uma mulher lidando com o luto inconsolável pela morte de seu parceiro ganha uma segunda chance, quando ele retorna à Terra como um fantasma.Uma mulher lidando com o luto inconsolável pela morte de seu parceiro ganha uma segunda chance, quando ele retorna à Terra como um fantasma.Uma mulher lidando com o luto inconsolável pela morte de seu parceiro ganha uma segunda chance, quando ele retorna à Terra como um fantasma.

  • Direção
    • Anthony Minghella
  • Roteirista
    • Anthony Minghella
  • Artistas
    • Juliet Stevenson
    • Alan Rickman
    • Jenny Howe
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    10 mil
    SUA AVALIAÇÃO
    • Direção
      • Anthony Minghella
    • Roteirista
      • Anthony Minghella
    • Artistas
      • Juliet Stevenson
      • Alan Rickman
      • Jenny Howe
    • 119Avaliações de usuários
    • 33Avaliações da crítica
    • 72Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 prêmio BAFTA
      • 17 vitórias e 8 indicações no total

    Vídeos1

    Official Trailer
    Trailer 1:57
    Official Trailer

    Fotos18

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    Elenco principal32

    Editar
    Juliet Stevenson
    Juliet Stevenson
    • Nina
    Alan Rickman
    Alan Rickman
    • Jamie
    Jenny Howe
    • Burge
    Carolyn Choa
    • Translator
    Bill Paterson
    Bill Paterson
    • Sandy
    Christopher Rozycki
    Christopher Rozycki
    • Titus
    Keith Bartlett
    Keith Bartlett
    • Plumber
    David Ryall
    David Ryall
    • George
    Stella Maris
    • Maura
    Ian Hawkes
    Ian Hawkes
    • Harry
    Deborah Findlay
    Deborah Findlay
    • Claire
    Vania Vilers
    Vania Vilers
    • Frenchman
    Arturo Venegas
    • Roberto
    Richard Syms
    Richard Syms
    • Symonds
    Michael Maloney
    Michael Maloney
    • Mark
    Mark Long
    • Isaac
    Teddy Kempner
    Teddy Kempner
    • Freddie
    Graeme Du-Fresne
    • Pierre
    • Direção
      • Anthony Minghella
    • Roteirista
      • Anthony Minghella
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários119

    7,210.3K
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    Avaliações em destaque

    8George-441

    Unusual and moving movie

    This one of the most memorable and touching movies about love and loss that I have ever seen. It does fall a little into the trite towards the end with some of the side plots, but the essential message is there from beginning to end. There are people who you love who leave deep and indelible pieces in you, but the essence of living is painful and individual.

    The characters are well drawn and the performances by Rickman and Stevenson are nothing short of inspired. Rickman in particular has an ambivalent character- he has the attraction of a unique and fleeting genius, juxtaposed with the temperamental flightiness of a hot house flower. Stevenson's dealings with this paradox of a person and her relationship, forms the driving force behind her quest for meaning.

    There are moments of humor and extreme poignancy in this movie. The use of Bach and the poetry of Pablo Neruda is both organic and brilliant.

    The trite parts are largely collateral. The movie rather than being "PC" is idiosyncratic with unusual characters.
    isabelle1955

    Truly My Favorite

    If I'm ever forced to compile a list of my all time favourite top five movies, it will vary from week to week – maybe even day to day – and certainly depend upon my current mood and degree of cynicism. But I'm absolutely certain that Truly Madly Deeply will always be in there. I simply love this film. (And hate the version that Hollywood made of it, Ghost.) I watched it again recently, and it was like visiting an old friend. I must have seen this film 10 times yet I seem to be able to glean something extra from it every time. To me, that is the mark of a real work of art, to be able to revisit it and find something new; to still be moved even though the work is familiar.

    Truly Madly Deeply stars two of my favourite actors, Juliet Stevenson (Nina) and Alan Rickman (Jamie), and is touching and bittersweet without ever being mawkish. They were a well-matched couple, in love, and he died suddenly, leaving her utterly bereft, almost unable to comprehend what has happened. Overwhelmed by grief, she cannot get a grip, until Jamie comes back from the dead to comfort her. The performances are truly stunning, especially Stevenson. I challenge anyone not to be utterly riveted by her scene in the therapist's office, where we see her anger at Jamie, her dead lover, for dying. She draws the viewer into her misery and desolation in a way that is rarely achieved on screen.

    But it's also a funny movie, touching and life affirming. We see the little, silly, personal details and games that make up a love affair; the stupid stuff that makes it real; trying to out-do each other in expression of their affection ("I love you truly", "I love you truly, madly", "I love you truly, madly, deeply", etc as they watch the clouds go by), we see Nina clinging to the remnants of the life she had with Jamie, the appalling rat infested flat, the cello. It takes Jamie's return from the dead for her to start seeing that it wasn't always perfect, and life without Jamie might be possible. Finally she starts to move on, and we know she is going to be OK. In the meantime Jamie is freezing cold (after all, he is a ghost) and turns the flat into a sauna, and his dead friends – who are all movie buffs – are watching videos in the living room in their bathrobes.

    Of course the story is a bit hokey, but this is very much a performance driven movie. I watched this film again not long before I went to see Look Both Ways, a much more recent Australian movie about death and dying. Neither has much in the way of plot or action, but both are perfect examples of how even the old clichés and truisms of life can be made fresh and true by intelligent writing and the sheer veracity of the performances. They are both a tour de force in acting. Watch them both.
    10niteotaku

    A lovely examination of grief and grieving.

    A nice look at what it means to lose someone, and to be the lost as well. All too often (as in the treacly "Ghost") we are treated to a fantasy version of love and loss, where you get to have your cake (looking fab in that graveside outfit) and eat it too (dead person is wonderfully available as he guides you to your next, even better for you, love). Here, we see a woman who cannot let go, who is so paralyzed with grief she cannot live the life left to her. The man she lost untimely loves her so dearly he returns, not to take up where they left off (which is all she asks), but to guide her back into life, life he can never have again. What makes this movie admirable is the deft and sensitive rendering of the act of letting go, from both the point of view of the lost and the living.
    jennifer-137

    touching portrait of a real relationship

    This is a beautiful little movie. Juliet Stevenson (as Nina) plays one of the most authentic female leads I've ever seen: She bawls full-out, complete with fluids; she looks like a man in bad lighting; she's passive aggressive and irritable and loveable and likeable and real. Likewise, Alan Rickman's character, Jamie, is peevish, like all of us, self-centered, like all of us, but beautiful and unique and again, real. Unlike the schmaltz we're fed here in the states, where dialogue consists of rehearsed speeches (think Jerry Maguire) and love seems skin-deep, this is a couple that seems not only to love each other but to genuinely like each other; a couple that has their own language, as long-term couples do (and it's not translated, which is so refreshing), a couple that can be silly with each other and irritated with each other within minutes; that can have spats that are not high drama or the beginning of the end or anything other than the end of a long day in a too-hot apartment. The ending broke my heart yet seemed like the most natural and right course of action. Truly stunning.
    7virgo_87

    Touching & Moving..

    I was given this film as a present on my 17th Birthday - a bit cynical to watch such a soppy love story, i decided to go it a go one evening..and didn't take my eyes off the screen until the end! This movie is fantastic! As a product of the late 80's myself - it is a film that makes me wish i still lived in that era!

    Some of the best quotations! - that make you realise how important insignificant things are in a relationship (Watching the clouds go by on a lazy autumn morning, sitting up all night chatting etc) This film fills you with nostalgia; my fav part has to be the end..having gone through a rough break-up recently, i can empathise with the feeling of 'letting them go' and moving on.. "My feet shall want to walk to where you are sleeping - but i shall go on living" Watch this film - it'll make you think...

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Alan Rickman had cello lessons, and handles the right (bowing) hand, but the left hand is provided by a real cellist standing behind him with his arm through Alan Rickman's armpit. Juliet Stevenson does play her piano part however.
    • Citações

      Nina: I love you.

      Jamie: I love you.

      Nina: I really love you.

      Jamie: I really, truly love you.

      Nina: I really, truly, madly love you.

      Jamie: I really, truly, madly, deeply love you.

      Nina: I really, truly, madly, deeply, passionately love you.

      Jamie: I really, truly, madly, deeply, passionately, remarkably love you.

      Nina: I really, truly, madly, deeply, passionately, remarkably, umm... deliciously love you.

      Jamie: I really, truly, madly, passionately, remarkably, deliciously... juicily love you.

      Nina: Deeply! Deeply! You passed on deeply, which was your word, which means you couldn't have meant it! So you're a fraud, that's it!

      [Jaime playfully pushes Nina away, then pulls her back towards him]

      Nina: You're probably a figment of my imagination...

      [pauses]

      Nina: Juicily?

      [Both laugh and make faces]

    • Cenas durante ou pós-créditos
      Rat.....Squeak Supplied by Janimals
    • Conexões
      Edited into Screen Two: Truly Madly Deeply (1992)
    • Trilhas sonoras
      Skrwawione Serce (Bleeding Heart)
      Traditional Polish folk song

    Principais escolhas

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    Perguntas frequentes19

    • How long is Truly Madly Deeply?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 16 de agosto de 1991 (Reino Unido)
    • País de origem
      • Reino Unido
    • Idiomas
      • Inglês
      • Espanhol
      • Polonês
    • Também conhecido como
      • Truly Madly Deeply
    • Locações de filme
      • Goldney Hall - Bristol University, Lower Clifton Hill, Clifton, Bristol, Inglaterra, Reino Unido
    • Empresas de produção
      • British Broadcasting Corporation (BBC)
      • Lionheart
      • Winston
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 1.554.742
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 4.009
      • 5 de mai. de 1991
    • Faturamento bruto mundial
      • US$ 1.554.742
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 46 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby

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