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Lenny Henry (`Chef!') is a struggling outer borough actor in NYC who accidentally gets aquianted with a mob boss (Frank Langella) who is supposed to be dead. Convinced that his life is in peril, he has his make-up artist friend transform him from a black man to a white/Italian man and hilarious results ensue.

I picked this up at a used record store on video used for $1.99. Don't know what happened to the tape, but if you see it listed for even ten bucks it's definitely a keeper.

The first half hour of this movie could have been shortened by fifteen minutes -- too many minutes are used in set-up. It doesn't start getting good until Frank Langella comes along. Then it gradually improves as it goes along, and reaches and sustains its peak toward the end, starting when Henry introduces his alternate character.

There is a somewhat large and famous supporting cast, and for awhile one wonders why so many well-known actors would sign on, but by the end, their involvement becomes justified, although some are not given much to do.

This would make a good TV movie, but it would take a lot of bleeping. Too much of the F-word, for example.

Growing up there was a bunch of movies I would have never saw if it wasn't for late night TV in the 90's. 'True Identity' happens to be one of them. It has stuck with me doing a Mrs. Doubtfire routine before that movie even existed. I'll state up front I'm not familiar with comedian Lenny Henry, but that didn't stop this film from having fun moments.

Struggling actor Miles Pope (Henry) is sat next to a reputed mobster (Frank Langella) who is thought to be dead on a flight. When it appears the plane is going down, the man airs his dirty secrets and afterwards wants Pope dead. With the help of his movie makeup neighbor, Miles undergoes a transition to being a white guy and then inadvertently takes the identity of the hitman sent to kill him. Faking his way thru conversations, making excuses, staging a fake murder scene until the gig is up and he has to find a real way out.

Quite a few recognizable faces pop up, but the show belongs to Henry, the dependable Langella and Andreas Katsulas (Star Trek TNG, The Fugitive) as the mobsters associate. There's a throwaway love interest and some corny cop play in which the film takes a dip however there's a solid laugh or two during his aspirations for a successful acting career.

Remember that classic bit from 'The Simpsons' with the pamphlet on stealing cable? "Fact: Most movies on cable get two stars or less and are repeated ad nauseam." That's 'True Identity' in a lot of ways. Good pieces here, I certainly laughed but you have to sit thru formula to get to them.

I am also a Lenny Henry fan and have enjoyed this movie each time it's been on (I think 3-4 times) on US cable. Like many movies, one needs to suspend disbelief and just enjoy the ride. Frank Langella is always good as an unexpected bad guy and I thought Lenny's dual role was very well done. This movie is lite fare and fun. Run to your nearest PBS outlet and watch Chef when it's on.

On his way to an audition, second-rate actor Miles Pope finds himself sat next to a businessman with connections to the acting world. However, during an extremely severe bit of turbulence, everyone assumes they will die and the confessions start – with Leland Carver confessing to Miles that he is really a wanted mobster (Frankie Lucino) assumed dead but hiding thanks to loads of plastic surgery. Of course when the plane doesn't crash, Carver is keen to keep his secret a secret and Miles finds himself on the run from a hit-man hired by Frankie.

Few people will come to this film hoping for much; indeed judging by the votes on this site it would appear that few people have come to this film at all. The plot sets up lots of material to be furiously milked and the writers don't disappoint as they take every strained setup they can and wring it dry. The fact that the plot is silly and forced will be no surprise to anyone but this was a price that I was willing to pay in this type of film in exchange for laughs. Sadly the film isn't actually that funny; it has some good moments but they are in the minority compared to the rest of the film that is mostly just so-so.

Henry's white makeup is impressive but once the novelty value has worn off there isn't a great deal left. His mimicry is good but his character voice (an American accent for Miles) is weak and generally his performance is only OK. His main problem is with the weak material he is given to work with; I'm not a big fan of him generally but he can do better than this. Langella is OK in support but not given that much to do – although his role is massive compared to the wasted presence of JT Walsh. Lane is pretty poor – not sure if he was trying to make himself the comedy Spike Lee but it didn't work.

Overall this is a pretty average film at best, but it isn't at its best that often. It is undemanding nonsense that will please some viewers and the white makeup is impressive but it must be said that the majority of viewers will find this comedy rather lacking in laughter and wit. Mindless stuff all round.