Tongues Untied

This is a powerful documentary that tells an under-told story of the black gay experience in America. Through a mix of personal interviews, archival footage, and poetic imagery, director Marlon Riggs creates an emotional portrait of a community that is often marginalized and invisible.

While the documentary is engaging and eye-opening, it also creates a feeling of unease as the film delves into the struggles faced by black gay men. These men often live in the shadows, hiding their true identities due to cultural and societal pressures. The documentary captures the tension between the public persona they must present and their inner desires and turmoil.

Riggs boldly confronts homophobia and racism in the black community head-on, revealing the pain and oppression that these men face. With this approach, the film manages to create a powerful force for empathy and understanding.

Overall, "Tongues Untied" is a great documentary that offers a unique perspective on the intersection of race, sexuality, and identity in America. While the stories it tells may be difficult to watch at times, the film is an important contribution to the ongoing conversation about discrimination and inequality, not just in the US but around the world. It is a powerful testament to the strength of the human spirit and the power of community to overcome isolation and marginalization.

I love the film... I'm just really over gay films that always have to drag AIDS/HIV in it... like it is the way of a life of a homosexual. And it must of been hard back then.. this films give people hope. Hope that we may overcome all the racists shadow that over shadow us and the way American people have condemned itself not to become nothing more but followers of others thoughts

I must admit, this Valentine's Day I have certainly picked unconventional romance movies to watch...

"Tongues Untied" plays out like a visual poem, featuring monologues and images dealing with black homosexuality, all edited to create a truly powerful portrait to a little discussed subject matter.

The main thing this film has going for it is its style. As I previously stated, its like a visual poem. Its a rhythmic and emotional odyssey through the lives of these people who, especially in 1989, have been represented very little in the media. At times, it gets a little to SJW and over the top, but their rage is somewhat valid. In the late 80s, being black and gay was much harder than it is in the mid 2010s.

If you like Paris is Burning, you'll enjoy this movie.

If you don't like poetry, (as I certainly don't), please go into this loving Paris is Burning, and respect the efforts of historical, underground, artistic gay documentation.

I skipped the first 5-10 minutes because the chanting/rhythmic hymns got disorienting and annoying. There's another musical segment near the 0.75 mark of the movie that was skipped over.

Regardless, this film was VERY special to watch at first viewing. Humorous, descriptive, thoughtful wordplay and poetry, really, really exceptional, beautiful prose.

Willi Ninja dances in this movie too!!

"Black men loving black men is a revolutionary act." It is also a documentary act which is straightforward, polemic, complex, with heart, with gusto. With diction that fights affliction, this is its basic weapon of beauty, as if its undercurrent was "beauty is no booty for the enemy".

For me, a gay white male from Greece, this documentary, coming from my oblique point of view (oblique because being gay in Greece, despite its, rather ironic, pederastic tradition, is quite apart with the issues and the culture of the film, yet the sense of segregation and tradition rings familiar), descriptively it feels like a star-crossed breed of gospel and guerrilla video art.

Its veins are pounding deep; being a writer and translator, listening to such keen, sexy, visceral rhythms by the imposing figure of Essex Hemphill, was a revelation with an obsessive glow.

And Marlon Briggs' narration, spacious and incisive, unflinching and embracing, with an amazing sense of building-up, leaves me bewildered, more so for appearing somewhat tuned down at first.

For anyone liking the feeling of words doing as they want to do and as they have to do, as Gertrude Stein admirably put it, this is a definite watch.