Texasville

With the exception of Timothy Bottoms and Cloris Leachman, and the addition of Annie Potts, the acting fell far short of its predecessor, The Last Picture Show. I felt as if fading legends returned for one last curtain call, leaning upon greying memories of better times rather than reaching in and dusting off their talents. Bottoms and Leachman were, again, superb. Quaid was immediately tiresome.

Another note: the sound (not soundtrack) left something to be desired - many scenes had background levels that over-rode the centerpiece of attention. I watched it twice and still was distracted by it. Reviewing the Soundman's credits (over 300 items), I was unable to discern if this film was a fluke or if it was his trademark - because none of the listed items had I ever had the inclination to watch.

So, overall, this is a 3 of 10, unless you catch it for Bottoms, Leachman and Potts.. then an 8.

Unless you saw Peter Bogdanovich's classic The Last Picture Show, if you even start at the beginning of Texasville you'll feel like you've walked in on the film in the middle and have to catch up. I'm not sure the film is capable of standing on its feet so to speak.

Anarene, Texas in The Last Picture Show is about the passing away of the old values that gave Texas the culture it has, the small town looks like it's about to shrivel and blow away like a tumbleweed as that film ended. But in the intervening thirty years, the town seems to have experienced a renaissance due to oil and the high prices it commands for energy. If you remember in Urban Cowboy, John Travolta leaves home and hearth in a place that looks like Anarene for a job in the Houston petrochemical industry which was booming in 1980.

But if you also remember between those years the OPEC nations let loose a glut of oil on the world market which drove the price down worldwide. The bank that Jeff Bridges is now the head of is caught in a nice financial squeeze investing in some wells locally that better produce and soon. Sad to say that's another historical point that might even get lost on an audience 25 years later.

Still of the half a dozen or so cast members who repeated their roles from The Last Picture Show in Texasville, materially Bridges has made out the best. But he's also got a wife in Annie Potts who's bored with the marriage, half a dozen kids, including William McNamara who's having sex with half the women in the town. Just a chip off the old block. Bridges facing financial ruin just about caps things off for the Jackson family.

Cybill Shepherd the teen dream queen of the Fifties went to Europe and became an actress, but whose marriage to a continental fizzled and a son died. Rich and somewhat dissipated, she's just back to her roots.

Timothy Bottoms the other half of the running backs from the high school with Bridges has not done really well. He owns a greasy spoon eatery and he's getting by. But he's struck with a mysterious malady which could be anything from a brain tumor to early onset Alzheimer's. We never really find out in Texasville.

Texasville has ambitions to be a character study like Long Day's Journey Into Night and these people are interesting though not the same league as the Tyrone family. But the film, interesting in spots though it is, relies too much on its roots from The Last Picture Show to stand on its own.

Since nothing could be as good as last picture show- I am glad this took a turn to comedy- Duane is a mess- he says things to his wife like " I'd like you to wear something I didn't have to read" . But Annie Potts is great as his sassy wife. I was a little disappointed by Cybill Shepherd's character-- I thought Jacy would grow up more spunky-- but Cloris Leachman matured nicely in her character... I was most confused by what happened to Sonny-- he truly did get tired in the head.... but the sub-plots of the stud son, the daughter who went on a honeymoon every time she met a boy and the twins tricks keep the film moving... but its no equal to the original story of the Texas town immortalized in Last Picture Show.

Texasville is easily one of my favorite movies of all time because it doesn't go down the easy road, trying to please everyone, by being the same movie as Last Picture Show was. However, after having seen both Picture Show and Texasville back to back I noticed how surprisingly similar in context and theme they are. Both are about sad adults who look longingly onto the younger generation, all the while committing adultery as a way of recapturing their youth. I love both Picture Show and Texasville equally; but have a soft spot for Texasville because I was 11 during the timeframe shown in the movie, and 17 when it came out in 1990 so it is a bit more relevant to me. Also the dark humor helps make the film more enjoyable for those hot summer nights when the urge hits me to see it.

I've never thought of Texasville as fiction, more as cinematic fact. It's about as close to real life as you'll get without living it yourself. It was one of the first films I saw in a theatre as a cinema "connoisseur" and it'd be a shame to let it fade into obscurity. I highly recommend it to anyone reading this, a true minor masterpiece

Sometimes I actually think I like it better than THE LAST PICTURE SHOW but that's only now, after having seen TEXASVILLE, oh, fifteen, twenty times.

It's too easy to blow this movie off as being strange and not making sense -- I see that as its strength; it's *real*. It's oddly real, it's real in a way that most movies aren't; nothing ties up, there's no plot arc, people don't do what they're supposed to. But if you watch it as evidence of McMurtry's genius characterization, you'll see that the people in this film are tremendously human, and weird and flawed.

Annie Potts as Duane's wife Karla is really the standout performance in this sequel, though the rest of the principal cast from PICTURE SHOW are, IMHO, just as spectacular here. Potts adds something to the mix that allows a unique perspective on this weird little town, and, like Duane, you see her for all her flaws and you love her just for putting up with you.

And, really, is there *anything* sadder than Jacy wooing Duane's dog away?

See this film more than once before you judge it; that's all I've got to say.