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Jim Belushi is fun in one of his most engaging roles: Jimmy Dworski, a car thief and die-hard Chicago Cubs fan who escapes from prison in order to attend a pivotal World Series game. Along the way, he happens upon the forgotten Filofax organizer belonging to uptight, ambitious Malibu executive Spencer Barnes (Charles Grodin). The whole weekend ahead of him, Jimmy first figures to return the organizer (a combination wallet and daily planner) to Spencer and collect the reward advertised inside. Instead, he ends up pretending to *be* Spencer for the weekend, leading to the expected wacky mishaps as unwary people expecting a different sort of behaviour from this Spencer character get something else entirely.

Although quite predictable, formulaic, and overlong (the script is by Jill Mazursky (daughter of Paul M.) and J.J. Abrams (his earliest screenwriting credit)), "Taking Care of Business" is indeed a cute comedy that travels far on Belushis' easygoing charm and the perfectly cast Grodin. Spencer will have a long road towards meeting this temporary nemesis, enduring some hardships, while Jimmy will enjoy this brief opportunity to live in the lap of utter luxury. (That Malibu mansion is a wonder to behold.) Entertaining side characters also help a lot: Anne De Salvo as a persistent, annoying, but endearing old school chum of Spencers', Mako as a tough Japanese businessman, Stephen Elliott as Spencers' ailing boss, Hector Elizondo as the weaselly prison warden, Veronica Hamel as Spencers' fed-up wife, the enticing Loryn Locklin as the boss' daughter, Ken Foree as a convict, and 'Star Trek' universe actors Gates McFadden and John de Lancie, as employees in Makos' company.

The picture is silly, and reasonably amusing, and may not exactly be very believable, but it serves as a good diversion for people who aren't demanding something of substance. One does feel good for the unlikely lead duo when all is said and done.

Naturally, the title invites the expected use of the classic Bachman-Turner-Overdrive hit tune.

Seven out of 10.

This is a nice, light comedy that floats along to the end so fast that you do not even notice it.

Grodin turns in another winning performance as the up-tight advertising executive that has his life taken over by an escaped convict, Belushi, who only escaped to watch the big baseball match which he has won tickets for, when he finds his Filofax at the airport.

What follows is some wonderful scenes as Belushi lives it up in the lap of luxury and does Grodin's job for him as he tries desperately to catch up with him.

Belushi is best as he tries to break back into jail so he can be legally released less than twelve hours later. Throughout this movie Belushi proves what a star he could have if he had arrived on the scene independent of everyone else, and without being over-shadowed by his self-destructive big brother.

Nevertheless, a very basic, but still highly enjoyable comedy.

An extremely well-paced and funny mistaken identity movie that got no credit. Belushi pulls off perfectly the exhuberant, boy-like fugitive who breaks out of prison for a couple days so he can see the World Series (wouldn't you)? The tickets he won on a radio show are to be picked up at LAX, where a bigger pick up awaits. While dodging a set of cops he spots Grodin's day planner atop a phone booth with the note of a reward to anyone who returns it. So he heads to Malibu looking for Grodin who has found himself in the slums of LA trying to get people to believe who he is. He's come to town to close a big advertising deal but loses his beloved orgonizer ("My life was in there!"). In the process he's mistreated by gang members, can't get anyone to believe him, has to resort to help from DeSolvo's mind-numbing nitwit, and ends up walking Pacific Coast Highway in the rain. Meanwhile Belushi takes it upon himself to enter Grodin's boss's Malibu mansion and even assume his job which includes a tennis date and dinner with a witchy female executive. Belushi even scores with the boss's daughter, leading to one of the film's funniest lines: "I slept with Walter's daughter?! How was I??" "You were great!" "I knew I could be great in bed!" It all culminates in an extended finale that goes from the World Series to prison. A lot of people point out the film's inplausibility, but as I always say, don't all films have a level of that? Just ignore it and enjoy the laughs. Though the film does feature the nicest set of prison inmates in history, maybe a little too far-fetched. And when Belushi gives a stolen car to his date, he's obviously unaware that cops are probably on the lookout for it (and he's supposed to be a car thief). He and Grodin also get along too well, but again, movie magic. All told this is a lot of fun and oddly enough was very reminiscent of Belushi's other work from 1990, "Mr. Destiny" (guy's life is altered with riches and adventure).

And a little sidenote about all the dumb brother comparisons by critics: Belushi is his own performer, judge his ability on that alone and stop comparing him to his sibling, please. At the point of this movie John had been dead nearly ten years and James had made his mark in great offerings like "About Last Night", "Red Heat" and "K-9". Be it comedy or drama, he can hold his own and needn't be put up against his brother's incomplete career.

When I first watched this movie, I laughed and laughed and laughed! I was dying! Yes, it's a silly comedy that mostly depends on slapstick, but it works. The plot becomes more implausible by the minute, but with a film as fast-paced and funny as this, you tend to overlook all those flaws. Unless...it's your second viewing.

Some comedies are incredibly funny on the first viewing, and are almost as--if not just as--funny on all the following viewings. You even start to laugh at jokes you didn't get the first time around. And there are comedies that are incredibly funny on the first viewing, but the laughs decrease on all the following viewings. Unfortunately, "Taking Care of Business" is an example of the latter. And as the laughs decrease, I felt more obligated to observe the plot. Though it succeeds in delivering big-time laughs, "TCOB" is a shallow farce that doesn't know when to quit.

James Belushi is the main saving grace. Comic talent and energy obviously runs in the family (his brother, the late John Belushi) and he's doing a terrific job at carrying on the Belushi name. His starring roles in little-known films haven't given him the opportunity to show off his knack for comedy, but every once in a while he steals the show, one of which was his supporting role in the underrated romantic comedy "Return to Me." Jim's an underrated talent, who has an amazing comic energy--without being obnoxious--and I hope to see him in more and more comedies. Charles Grodin is amusingly deadpan. Then again, portraying his stuck-up character wasn't much of a stretch. But towards the film's conclusion, he shows off his more outrageous side and he's quite good. That blonde chick who plays Belushi's love interest is an absolute knockout! I didn't get her name, but I hope to see her more often.

Despite its flaws, I can't completely downgrade a film that made me laugh hysterically the first time. Sure, you won't like it as much the second time, but who said you have to watch it a second time? Just watch it once and indulge! Plus, it has that great title song!

My score: 7 (out of 10)

This movie was one of the funniest James Belushi films. He is ideal as a convict who wins tickets to the Cubs' World Series game, has to break out of jail to attend, get his fellow inmates to cover for him, and break back in before the warden knows what has happened. In between, he finds uptight executive Charles Grodin's little black book and assumes Grodin's life, turning it upside down and being a better "him" while he poses as Grodin.

Belushi and Grodin are magnificent in the leads, and the film is overall very funny. See it if you get the chance; you will not regret it! I happened to love it myself.

*** out of ****