AVALIAÇÃO DA IMDb
5,8/10
11 mil
SUA AVALIAÇÃO
Um mulherengo sexista é morto por uma de suas ex-amantes e reencarna como uma mulher.Um mulherengo sexista é morto por uma de suas ex-amantes e reencarna como uma mulher.Um mulherengo sexista é morto por uma de suas ex-amantes e reencarna como uma mulher.
- Prêmios
- 3 indicações no total
Bruce Payne
- The Devil
- (as Bruce Martyn Payne)
Avaliações em destaque
7btm1
Advertising exec. Steve Brooks, a sexist male chauvinist pig, is invited to a party by a lady friend who suggestively tells him the only other guests will be two other women who he is fond of. The party gets sexy when the four get into a hot tub, but together they bind and murder him. God and the Devil aren't sure where his soul belongs, so they tell him that he will be allowed to return to life for a limited time in order for him to find one woman who likes him. If he doesn't find at least one, he will go to Hell. In order that he can't just use his ability to charm women to find one that doesn't know him, they bring him back as a woman. She retains his memory and chooses to call herself Amanda Brooks.
Ellen Barkin has a remarkable performance as a womanizer in a woman's body. There is a vast difference in personalities between Barkin's Amanda/Steve and Julie Andrews' Victor/Victoria.
Lorraine Bracco also is great in her quiet understated role as major cosmetics client Sheila Faxton.
In addition to watching some great performances, the movie has some pretty funny bits, although some got repetitive. In particular, I thought the the bit about Amanda stumbling when wearing high heels was repeated too often. Regarding the stiletto heels, why would Amanda continue to choose the highest of stiletto heels? Also, while obviously gorgeous, I don't think then 37-year old Ellen Barkin looked as strikingly sexy as Amanda as the male characters (and Amanda herself) thought she did. She didn't seem as hot as the younger actresses who planned Steve's murder.
The resolution at the ending also was somewhat disappointing to me.
Ellen Barkin has a remarkable performance as a womanizer in a woman's body. There is a vast difference in personalities between Barkin's Amanda/Steve and Julie Andrews' Victor/Victoria.
Lorraine Bracco also is great in her quiet understated role as major cosmetics client Sheila Faxton.
In addition to watching some great performances, the movie has some pretty funny bits, although some got repetitive. In particular, I thought the the bit about Amanda stumbling when wearing high heels was repeated too often. Regarding the stiletto heels, why would Amanda continue to choose the highest of stiletto heels? Also, while obviously gorgeous, I don't think then 37-year old Ellen Barkin looked as strikingly sexy as Amanda as the male characters (and Amanda herself) thought she did. She didn't seem as hot as the younger actresses who planned Steve's murder.
The resolution at the ending also was somewhat disappointing to me.
This is one of my favorite Barkin vehicles. In fact, without her wonderful comic turns this one would sink under its constrained plot. Besides Barkin, Jimmie Smits and Lorraine Bracco (of Sopranos fame) give good supporting performances. The idea and story Blake Edwards uses is a variation on Victor/Victoria, which was good enough to be recast as a musical, but here his usually daring ideas don't quite make the grade. Nonetheless, this is one of those comedies that calls for repeated viewing, because once you've laughed at some of Barkin's comedic scenes, a second viewing will have you laughing even before the scene unfolds. Roger Ebert commented that a deeper exploration on some of the themes would have made it a timeless comedy, and I'd agree with that.But if you just want to laugh till your sides ache, I'd recommend this one for your funny bone.
I saw this movie back in the day, didn't realize who Ellin Barkin was till I got hooked on Animal Kingdom great actress. Switch was a cute movie I gave it a 7 out of 10.
I've read many previews of this film, and of course you can dive deep down and demand it to focus on all the different problems, but then You have picked the wrong film. There's is VERY few movies in this genre, and this one gives you MANY LAUGHS ! Sure they are a bit simple, but the movie give You a good time and plants some seeds about the gender problems. Whether you are sober or a bit "pixilated", it will raise your mood :) It's strength lies in its easy to recognize human behavior and to see this in the opposite sex, is great ! The basic message is that everyone needs to be seen and be loved, and how we go about this, often in a very "stereotype" way. Also how we can change and become more altruistic/unselfish. The movie starts out with brazen humor and ends up with me in tears as I recognize feelings that i have in me, but are too "good" in covering up. Bottom line = Both men and women should enjoy this equally well.
Alright, the premise is hokey, but not completely as Mel Gibson did it nine years later. I was funny and it had one thing that Gibson couldn't bring, and that is Ellen Barkin.
Yes, I am prejudiced. Ever since I saw Barkin in The Big Easy, I have been in love with her quirky smile and hot body. She is the main reason I will be plopping my bucks down in a week to see Ocean's Thirteen. And, she did get a Golden Globe nomination out of this (Losing to Bette Midler of all people, if you can believe it!), so it is not as bad as they say.
I only had two criticisms: She never got the hang of walking in heels, and the ending sucked.
Yes, I am prejudiced. Ever since I saw Barkin in The Big Easy, I have been in love with her quirky smile and hot body. She is the main reason I will be plopping my bucks down in a week to see Ocean's Thirteen. And, she did get a Golden Globe nomination out of this (Losing to Bette Midler of all people, if you can believe it!), so it is not as bad as they say.
I only had two criticisms: She never got the hang of walking in heels, and the ending sucked.
Você sabia?
- CuriosidadesJoBeth Williams was up for a different part in this film but when she read the script, she said the only part she would consider playing was Margo and she got that part instead.
- Erros de gravação"Amanda's" hair is back to its same length (and style) when Walter visits "her" in the psychiatric hospital as it was before "she" had the barber cut it. While "she" does say "she" has been there for five months, and apparently five or six months have transpired from the time of the trial, there is no way the hair would have grown from above the ears to down below the shoulders in six months - hair grows about 1/2 inch per month, so it would be about 3 inches longer than before. The hair should have only been slightly longer to show that amount of time has passed.
- Citações
Fur Protestor: Do you know how many poor animals they had to kill to make that coat?
Margo Brofman: Know how many rich animals I had to fuck to get this coat?
- ConexõesFeatured in Siskel & Ebert & the Movies: The Movies We Loved as Kids (1991)
- Trilhas sonorasBoth Sides Now
Written by Joni Mitchell
Performed by Paul Young & Clannad
Produced by Ciarán Brennan
Published by Siquomb Publishing Corp. (BMI)
Paul Young appears courtesy of Columbia Records
Clannad appears courtesy of BMG Records (UK) Ltd.
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- How long is Switch?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 14.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 15.545.943
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.770.991
- 12 de mai. de 1991
- Faturamento bruto mundial
- US$ 15.545.943
- Tempo de duração
- 1 h 43 min(103 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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