Às Vezes Eles Voltam

I'm not saying this is a great film(it clearly isn't), nor a great horror film, but it had its' moments and I expected a bit less than what I saw, and that was a pleasant surprise. I was impressed with Tim Matheson's performance, although I'll forever link him to Animal House, but he portrays a serious role in fine form in this film and is very convincing. I never read King's story so I can't compare one to the other, but this version was fairly easy to follow with creepy moments throughout, although it seems that I've seen the "car greasers" in other King adaptations before this movie as well, like Stand By Me and Christine. As a horror buff, let me add that this isn't very scary, but as a stand alone film it isn't that bad. I recommend it, but not that highly, as there's a reason this film is rarely on. I would say watch this for Matheson's performance and some creepy scenes too.

Along with his wife and son, a man reluctantly returns to his hometown years later to take a teaching job. It isn't long before ghosts from his past come back to haunt him and do much worse. Tom McLoughlin, director of the most overrated film in the "Friday the 13th" franchise, directed this made for TV adaptation of the Stephen King short story.

Tim Matheson stars as the man tortured by memories of his brother's death and the men responsible. The film is strong on mood, successfully bringing to life that sense of time, place and small town atmosphere that King's stories thrive on. The film's best quality is it's villains. Robert Rusler is particularly intimidating as leather-clad gang leader, Lawson. The scene where Matheson first sees him again, posing as a student in his class, makes for a potent moment. Another great scene takes place in the gang's phantom car as they show their true forms to a jock victim.

Unfortunately, the film doesn't keep it's momentum going as we head toward the finale. The climax is a bit of a mess, and the ending gets overly schmaltzy. The ending to King's original tale would have worked a lot better than what we get here. As it is, this is worth seeing for the villains and overall mood, but it's definitely flawed. Brooke Adams doesn't get a lot to do as Matheson's wife.

An interesting ghost story about Jim Norman and his older brother Wayne. Both of the young boys were touted by a group of older boys, greasers if you will. These greasers ended up stabbing Wayne in a train track tunnel one day, a train came and during the madness all were killed except Jim and one of the greasers - both got away safely. Years later Jim ended up married with a young boy of his own and became a school teacher. They moved back to Jim's hometown where his older brother and the greasers were killed. Now the the vengeful greaser ghosts are wanting Jim dead - they will stop at nothing.

Not a bad film. These are a gang of evil vengeful spirits, just as nasty and no good as they were when they were alive. They can manifest themselves, materialize, into solid matter. They seem to be seen by others only when they want to be seen and they seem to have the ability to chose who sees them.

6/10

Sometimes They Come Back is a ghost story with scares, nostalgia, and heart-a rare Stephen King adaptation that strikes a perfect balance between chills and emotional depth. Tim Matheson delivers a standout performance as Jim Norman, a teacher haunted by a gang of greaser ghosts from his past. These spectral delinquents are a wonderfully menacing mix of leather jackets, pomade, and bad intentions.

Director Tom McLoughlin crafts a visually striking film, with eerie lighting and perfectly staged scenes that keep the tension simmering. While the special effects are solid for the era, one clunky train sequence-featuring a model train in a brick tunnel-sticks out like a ghost at a family reunion.

The ending, with its touch of schmaltz, might not please every horror fan, but it's hard to deny the satisfaction of a story where redemption takes center stage. It's a heartfelt conclusion in a genre that often leans into despair.

For fans of Stephen King or anyone seeking a ghost story with soul, Sometimes They Come Back is a nostalgic, spooky delight that lingers long after the credits roll.

Returning to his home-town, a teacher and his family find that the traumatic incident involving his big brother while he was growing up has caused the greaser-gang also included in the event to come back and torment them forcing a final showdown to right the wrong.

This one here wasn't all that bad even though it does have some issues. One of the film's biggest positives is the fact that this one really manages to get the fear of being involved in a traumatic incident from the past in a small-town. The fact that the initial accident itself feels like the kind of accident that really could happen in such a location, with the greaser gang tormenting them and then getting caught up in the train coming through the tunnel does come off like a rather enjoyable setup for later, and with the way this holds up the different incidents later on that trigger the incidents later on. From the dropped set of car-keys to the shoes and the kids coming one-by-one into the classroom, the set-up from these incidents plays a great part in how this one manages to come off when it starts to reveal what their actual purpose is for returning. Those are quite fun as the different variations of them appearing as students in his classroom while taunting him in the town, the ways in which they manage to fool everyone in class as well as the town who constantly think he's having mental breakdowns based on his past history which comes into play quite nicely and overall manages to give this one a great build-up for the story to play out in the later half. With the group out and tormenting him and his family with some rather impressive stalking scenes of the family at the house and the later scene in the church where they get taken away leading into the final confrontation in the tunnel once again as this makes for a rather thrilling and engaging finish that plays out the fateful accident that came through in the rest of the film. With these action-packed scenes that come together into giving this a lot to like alongside the few fine make-up effects on the ghouls who look quite creepy and chilling, there's enough to like here that really manages to hold off the few minor flaws present. The film's biggest issue is the fact that we're not given a reason to care about why the greaser club is seeking revenge, as the film makes the point of them coming back for him killing them only they deserved their fate so it's really troubling to get into the story. The gang is a total joke that simply act like tough-guy greasers but are just so over-the-top in their silly threats that it makes for a pretty hard time to find fear in them for the whole film as they're return doesn't make any sense. The other big issue here does manage to carry on about that with there not being any real reason stated about why they come back to begin with as there's just nothing explained about why they come back to life here at that point in time. By simply showing up saying they want revenge but never explaining how they manage to do so when they clearly never deserved to do so in the first place makes them so simply non-threatening that as a whole the film really stumbles with the main villains. That it also gets a little too schmaltzy with the fantasy-driven finale that looks quite goofy and silly against the more realistic elements, these here do hold it down somewhat.

Rated R: Language and Violence.