Dormindo com o Inimigo

Sleeping with the Enemy is a 1991 American romantic psychological thriller film directed by Joseph Ruben and starring Julia Roberts, Patrick Bergin and Kevin Anderson. The film is based on Nancy Price's novel of the same name of 1987. Roberts plays a woman who escapes from her abusive husband, from Cape Cod to Cedar Falls, Iowa, where she captures the attention of a kindly college drama teacher.

I think most people tend to overlook how well-done the first 20 minutes of this movie really are. Ruben carefully builds a creepy atmosphere, relying on brief glances, moments of silence and quietly expressive performances (especially by Julia Roberts) to help the viewer understand that, behind the image of a perfect couple, something is really wrong. Unfortunately, after Roberts escapes from her husband, the movie turns into a strictly by-the-numbers thriller, where you can predict almost every development of the script. It's a visually polished movie, though, and the very good performances give it a strong psychological center that keeps it above-average.

Unlike some, I LIKE this lady and this is my favourite film of hers. After watching it for the nth time I was moved to buy the book on which it is based and this is a far more complex affair than the film, which simplifies everything and leaves out several characters altogether. I think Nancy Price did a far better job of studying an abused wife, who never really stopped loving her brute of a husband, than the makers of the film. It depicts Sara/Laura as a far more interesting character than the somewhat insipid Julia Roberts version.

If you have read the book, then some little touches in the film (i.e. - African Violets) become clearer.

What a great movie. One of Julia Robert's best performances.

The start of the movie seems fine Laura and Martin seem like a happily married couple, then you see a scene where Martin berates her about hanging the bathroom towels out of order and then, Laura desperately tries to arrange the tins in the cupboard exactly right. Everything is definitely not alright when you see Martin punch Laura in the head.

This is the story of how Laura fakes her own death and tries to make a new life for herself.

You really feel for Laura and Martin is a really evil guy, who is portrayed very scarily.

The music is beautiful and sad, one of the loveliest soundtracks I have ever heard.

I really recommend this film to other women, although it is not aimed entirely at the female audience, I feel we get more out of it

I found this movie, if not terribly believable, very moving and emotional when I saw it some years back. Julia Roberts brings a real vulnerability to all her roles, and is perfect here as the affluent but both mentally and physically abused wife.

The sad tale revolves around an apparently perfect upper middle class couple who share a beach home...the beautiful young Laura (who has every material comfort) and her obsessive and abusive husband, Martin. Laura lives in terror of her abuser, finally seizing a chance to escape by faking her own death and and fleeing to another town, where she assumes an entirely new identity. Meanwhile, Martin becomes ballistic when he discovers that his wife is not really dead and goes after her...

I admit it, the plot is pretty far fetched, a lot of holes in the story, some events depicted not very believable. Leave your logic behind. Still, I was able to overlook all this and focus my attention on Laura's plight, hoping she could evade (or eliminate) this intellectual brute, and build a new life for herself with a new love.

The portrayal of Laura's terror is vivid as she tries to appease her obsessive husband, who becomes violent if she fails to keep the pantry shelf items in perfect alignment. The most chilling scene of all is the rape, with its accompaniment of Martin's favorite classical music, a piece which thereafter haunts his young wife. No sympathy here for the husband, whose unfolding actions simply go from unspeakable to unthinkable.

Not a particularly believable plot but engrossing, nevertheless, and a pair of vividly drawn characters who elicit strong emotions. However, the best part of this movie is definitely its message. Contrary to the typical image, spousal abuse is no respecter of social class. It would have been much more difficult for me before this film than it is now to picture an affluent, educated, sophisticated abuser.