Rocketeer

I've always surprised when people don't like this movie. It was one of my favorites at the time, and it has aged very well. It's a real "retro 30's" picture, like "The Shadow", instead of being a modern reinterpretation of such movies like the Indiana Jones films (which I also like very much).

The reviews cover the plot enough, and there are no real surprises here, but it's great family fun. My kids really love this movie, and I end up watching it every year or two, and I have never tired of it. When it came out there were apparently sequels planned, but it got killed at the box office by T2, which ran over everything that summer, so Disney never did anything with the show. They have recycled the atmosphere and the music in the "Soaring over California" ride at DCA, and I have to say it always makes me wistful that the movie never got a sequel.

By the way, the movie doesn't follow the comics that closely, which I don't mind, but if you are a purist and a fan of the "graphic novels", you might keep that in mind.

In 1938, in Los Angeles, the pilot Cliff Secord (Bill Campbell) crashes his plane after being hit in the air in a shoot-out between gangsters and FBI agents in a car chase; completely broken, his best friend and mechanics A. 'Peevy' Peabody (Alan Arkin) tries to fix an old plane to raise some money in an exhibition show. However, Cliff finds a package hidden by one of the gangsters with a rocket with belts and they find that the device allows man to fly. Meanwhile, his beloved girlfriend and aspirant actress Jenny Blake (Jennifer Connelly) succeeds in an audition to make a small part in a movie of the great actor Neville Sinclair (Timothy Dalton) that is ranked the third in box-offices. During a flight exhibition, the mechanic Malcolm (Eddie Jones) has an accident, and Cliff uses the rocket to save him, being called Rocketeer by the public. With his picture in the front page of the newspaper, Cliff is chased by the FBI, the gangsters and German spies that abduct Jenny and forces Cliff to rescue her.

"Rocketeer" is a delightful adventure that recalls those classics from the old times of Hollywood. There is a handsome hero, a gorgeous heroine, gangsters, Nazi spies, betrayals, in a pace of cartoons with a magnificent art decoration, cars and costumes recreating Hollywood in the late 30's. The story has great lines and uses real characters, like Clark Gable and Howard Hughes, in fictional situations. My vote is seven.

Title (Brazil): "Rocketeer"

THE ROCKETEER

Aspect ratio: 2.39:1 (Panavision)

Sound format: 6-track Dolby Stereo SR

(35mm and 70mm release prints)

Based on Dave Stevens' graphic novel, this very un-Disney-like Disney movie is a joy from start to finish, a two-fisted tribute to the serials of yesteryear which combines nostalgia for the innocence of ages past with the Art deco gloss of a world on the brink of war. Bill Campbell (from TV's "Tales of the City") plays a 1930's air ace who stumbles on a jet-propelled device that allows its wearer to fly at high speeds, a device coveted by law enforcement agencies, gangland criminals, Howard Hughes (!), and a Nazi villain (Timothy Dalton) masquerading as a Hollywood heartthrob.

Handsome and talented, Campbell plays the title role with just the right amount of wide-eyed candor and boyish charm, and he's supported by a veritable who's-who of Hollywood's finest character actors, including Alan Arkin, Paul Sorvino, Terry O'Quinn, Ed Lauter, Jon Polito and Eddie Jones, alongside Tiny Ron as a hulking henchman clearly modelled after Rondo Hatton (courtesy of Rick Baker's rubbery makeup), whose speciality is - you guessed it - *snapping spines*! Sadly, Jennifer Connelly is unable to make much of an impression as Campbell's eye-candy girlfriend, an old-fashioned heroine who lacks autonomy and is almost entirely dependent on her co-star's strength and bravery. That small blip aside, director Joe Johnston (HIDALGO) plays the whole thing straight, without even a hint of camp (when Campbell asks how he looks in his spiffy 'Rocketeer' outfit, Arkin deadpans: "Like a hood ornament!"), and while the characters are mere stock figures, they're played with real integrity by an enthusiastic cast, and the film's many set-pieces culminate in a showstopping finale on board an exploding zeppelin high above the Hollywood hills! Yep, this is one movie where you *definitely* get your money's worth!!

Produced today, the script (by Danny Bilson and Paul De Meo) might have been co-opted by some overpriced 'star' whose off-screen notoriety could sap the magic out of every frame. It's the fact that Campbell WASN'T a household name during filming, and that the production dares to celebrate the movies of a bygone era without simultaneously mocking its references, which makes THE ROCKETEER so special. It carries none of the baggage that a major celebrity would have brought to it, and is simply a thrill-ride, no more or less, packaged and presented as a widescreen spectacle for audiences young and old (and DO try to see the film in its original Panavision dimensions). Incredibly, the movie underperformed at the American box-office, despite playing in 70mm (blown up from the original 35mm) at selected venues, though it has since found an appreciative audience on TV and home video. Originally released in the UK as ROCKETEER, an unnecessary abbreviation.

I love this film. Absolutely love it. Can't help it. I'm a child of the 40s and this movie is about when I was a kid. The sets are great, the story is 40s, the cars, the cafe with the bizarre little gingerbread giving an impression of a gnome's hangout, the costumes, the hero with his wiffle hair style, the airplanes and even Howard Hughes. What more could you want? No, this isn't The Matrix with a lot of slick computer effects with mind twisting is it or isn't it real. It's clear who the bad guys are-- and they're bad, except when, of course, the mob types are swept away by patriotic feelings and fight the Nazis. It's got it all. A wonderful trip back into the 40s with near superhuman villans, beyond the pale heros and lovable sidekicks.

This film's a bit of a hard sell to general audiences. There have been more than a few knowing homages to serials (the Indiana Jones series being the most obvious), but this isn't really one of those. Rather than making a modern film that references old films, this is pretty much a serial with a $40 million budget and (at the time) modern effects. It's deliberately old fashioned and will work for you to the extent that you enjoy action stuff from simpler times. I do ... so I enjoy this.